Kos paul (34 resultados)

First edition. 32 pp. Exhibition catalogue. Fine in glossy illustrated stapled wrappers. 20 reproductions.

Paperback. Condición: Fine. 1st. 143 pages, illustrations (some colour); 30 cm. Catalogue of a touring exhibition held at the University of California, Berkeley Art Museum and Pacific Film Archive, Berkeley, California and three other institutions between April 2, 2003 and August 22, 2004. Firm binding, clean inside copy. Profusely illustrated. *** "Born in 1942, Paul Kos has been a highly influential artist in the Bay Area for well over three decades. In the late 1960s and early 1970s he was one of the major figures on the early Conceptual art scene, notable especially for his early experimental video works and seemingly simple but technically innovative sculptural installations, which generally featured evocative audio or video components. He was one of the first to incorporate video into interactive installations. The artist's best-known work is arguably the sublime 'Chartres Bleu,' a 1986 video installation that re-creates in full scale a stained-glass window from the Chartres cathedral in France. Each of the 27 vertically stacked video monitors duplicates an individual leaded glass panel. The brightness of the images stimulates the light changes in a normal day, accelerated to 12 minutes. Depending on the light, the narrative scenes are clearly readable or, when brightly illuminated, dissolved into abstractness. Everything Matters, published on the occasion of an exhibition of Kos's work at the Berkeley Art Museum, is the first major volume on his work." - Publisher. *** CONTENTS: Paul Kos: an annotated chronology, by Constance M. Lewallen; Belief, by Charles Desmarais; Ice-as-ice is art-as-art, by Ron Meyers; Public art: "to make happy people sad and sad people happy", by Rachel M. Teagle. Size: 4to. Collectible.…

Softcover, 144 pages, very good condition; clean and crisp; no internal marks. Foreign shipping may be extra.

0 Includes illustrations. Very good. light shelf wear, ex museum stamp.

Paperback (Saddle Stitched). Condición: Very Good. Unmarked. Catalog for September 13 - November 19, 1994 exhibition curated by Stacey Moss. Illustrated throughout. 32p. Paul Kos (b. 1942) is a conceptual artist and one of the founders of the Bay Area Conceptual Art movement in California.

First edition. 4to. 143 pp. Spine sunned, else near fine in illustrated wrappers.

paperback. Condición: Very Good. First Edition. VERY GOOD Condition PAPERBACK,clean, soldi, bright.; matte finish Wraparound cover art shows GOLD & REY CHINESE PICTOGRAM on White stiff paper covers. Double spine stapled pamplet style paper covers.; Photos; 52+pg thin pages; Various art related articles with creative graphics.…

First Edition. First edition. Exhibition brochure for a show that ran May 3 through July 12, 1987. Single sheet folded twice to create 6 pages. Essay by Bruce Jenkins. Includes 5 color illustrations, checklists and list of exhibitions for both artists. Uncommon.

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Very Good+. Binding solid. Pages unmarked and barely aged. Brown cloth cover with little or no wear. Dustjacket has minor wear to edges, and otherwise fine.

Softcover, staple-bound, pages; very good condition; light rubbing to covers; no internal marks.

Brochure. Condición: Very Good. Unmarked. 6-sided brochure for Paul Kos's 5 November 1987-10 January 1988 exhibition in SFMOMA's then new series of recent work by younger and established artists. The exhibition was at the old museum on Van Ness Street. One panel is an image of Chartres Bleu, 1986. This work explores the medieval art of stained glass through the modern medium of video. Replicating a 13th-century stained-glass window in Chartres Cathedral, the work consists of 27 video monitors. Text by John R. Lane and Bruce Jenkins of the Walker Art Center. Paul Kos (b. 1942) is a conceptual artist and one of the founders of the Bay Area Conceptual Art movement in California. Bio. Exhibition checklist. …

Card Stock. Condición: Very Good. Unmarked. Invitation card for January 3-February 2, 2008 Exhibition. 2 color images. 4-sided card. Each side measure 8.5x5.5 inches. Paul Kos (b. 1942) is a conceptual artist and one of the founders of the Bay Area Conceptual Art movement in California.

Hardcover. Condición: Fine. CLOTH, DOCUMENTS WORK BY 12 ARTISTS DONE AT KOS'S HIGH SIERRA LOCATION. FINE COPY, ILLUSTRATED.

Hardcover. Condición: Very Good. The book is a hardcover edition with a dust jacket that appears intact. The spine and binding seem sturdy, with no visible signs of wear or damage. The interior pages are clean and well-maintained. No inscriptions, signatures, or library markings are present.

Pamphlet. This is not the book of the same name. The original gallery guide for the NYC stop of a traveling exhibition of the work of Paul Kos. The exhibit--curated by Constance M. Lewallen--was shown at the Grey Art Gallery, New York University, September 9 - December 6, 2003. This publication is also the Fall 2003 issue of the Grey Gazette (Vol. 7, No. 1). Introduction; text by Lynn Gumpert. Loose sheets, folded to 8 pages, unbound; 10 duo-toned b&w reproductions; 8.5 x 14 inches. Condition: Folded across the middle otherwise Fine, tabloid/pamphlet. Will be sandwiched securely between stiff layers of cardboard and shipped the next business day. International postage may be less than quoted.…

Hardcover. Condición: Fine. Estado de la sobrecubierta: Near Fine. Signed by Timothy Fuller under the frontis photograph of him. 285 pages, bibliography. Light wear to the upper edges of the jacket, faint stain adjacent to the top rear edge. Sturdy library binding, text clean. 97818781120206.

Hardcover. Condición: Fine. CLOTH, DOCUMENTS WORK BY 12 ARTISTS DONE AT KOS'S HIGH SIERRA LOCATION. FINE COPY, ILLUSTRATED. INCLUDES VEGAR ABELSNES, SEAN BLUECHEL, PHATHAIWAT CHANGTRAKUL MICHAEL COSTURAS, JASON DAMRON, TARA DERR, KELLY EGINTON, JEFF GREEN, AMANDA HAAS, AMONG OTHERS.

Condición: Good. 8vo. 24 pp., Soft Covers, Very Good. Photographs, plates.

Hardcover. Condición: Sehr gut. kA. Auflage. Anzahl Bände: 1 - Bd.Nr.: kA - Sprache: de - Einband: Leinen - Gewicht: 1700 - Illust.: zahlreiche - Zustand: Sehr gut - neuwertig, braunes Glanzleinen. zahlreiche (ilustrador).

Condición: very_good. Floppy disks included. Some light shelf, storage or usage wear present. The interior appears unmarked and the binding is tight. Pictures available upon request. Individually inspected by Shadow. Thanks for supporting an independent bookseller.

Soft cover. Condición: As New. ASENBAUM, PAUL - WOLFGANG KOS - EVA MARIA OROSZ (Edited by) Glanzstucke. Emilie Floge und der Schmuck der Wiener Werkstätte. [Exhibition catalogue]. Wien: Wien Museum / Arnoldsche Art Publishers, 2008. 4to., 152 p., color and b/w ills. Paperback. As new ISBN: 9783897902985 CATALOG: Art KEYWORDS: fashion Design Jewellery History of art. …

Condición: Good. 16mo. Exhibition Catalogue. 20 pp. Soft Cover. Very Good. Black and White Plates.

Softcover. Oversized green wraps with white lettering, 16 pp, illustrated in bw. "Published in conjunction with the exhibition 'Object poems: Kos, O'Connor, Labat' held at the Henry Art Gallery, University of Washington, January 23-March 22, 1987"--Title page verso. VG (light shelfwear to wraps and corners).…

20 pp.; 15.5 x 22.8 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with two shows held January 24 - February 28, 1988 : "Planes of Memory," featuring Peter Campus, Beryl Korot, Bruce Nauman and "Open Channels III," featuring David Bunn, Paul Kos, Donna Matorin, Paul McCarthy, and Jim Shaw. Curated and with a text by Jacqueline Kain. Additional texts by Peter Kirby and Anne-Marie Duguet. Includes brief biographies of the artists included in "Open Channels III." Good / Very Good. Light cover wear, faint dog-earing of top right corner. Moderate foxing on verso. Contents clean and unmarked.…

116 pp.; 21.5 x 28 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with show held at Institute of Contemporary Art, University of Pennsylvania, January 17 - February 28, 1975. Traveled to The Contemporary Arts Center, Cincinnati, OH, March 22 - May 30, 1975 ; Museum of Contemporary Art, Chicago, IL, June 28 - August 31, 1975 and the Wadsworth Atheneum, Hartford, CT, September 17 - November 2, 1975. Essays by David Antin, Lizzie Borden, Jack Burnham, John McHale, and Suzanne Delehanty. Includes works by Vito Acconci, Sonia Andrade, Ant Farm, Eleanor Antin, David Askevold, John Baldessari, Lynda Benglis, Jim Byrne, Pierpaolo Calzolari, Colin Campbell, Peter Campus, Giuseppe Chiari, Fernando França Cocchiarale, Andrea Daninos, Douglas Davis, Antonio Dias, Juan Downey, Ed Emshwiller, Valie Export, Terry Fox, Howard Fried, Seiichi Fujii, Anna Bella Geiger, Michael Geissler and Video Audio Mediem, General Idea, Frank Gillette, Dan Graham, Sakumi Hagiwara, Martha Haslanger, Michael Hayden, K.H. Hödicke, Nancy Holt, Rebecca Horn, Mako Idemitsu, Taka Iimura, Joan Jonas, Allan Kaprow, Nobuhiro Kawanaka, Hakudo Kobayashi, Masao Komura, Beryl Korot, Paul Kos, Ernie Kovacs, Shigeko Kubota, Richard Landry, Les Levine, Alvin Lucier, Urs Lüthi, Ivens Olinto Machado, Andy Mann, Toshio Matsumoto, Kyoto Michishita, Robert Morris, Philip Morton, Fujiko Nakaya, Bruce Nauman, Dennis Oppenheim, Jean Otth, Nam June Paik, Giulio Paolini, Ulrike Rosenbach, Reiner Ruthenbeck, Daniel Sandin, Ira Schneider, Eric Siegel, Richard Serra, Nina Sobel, Keith Sonnier, Lisa Stelle, Skip Sweeney, Telethon, Top Value Television, Steina and Woody Vasulka, Bill Viola, Wolf Vostell, Morihiro Wada, Andy Warhol, William Wegman, Peter Weibel, Katsuhiro Yamaguchi, Keigo Yamamoto, and twenty-two broadcast commercials. Includes exhibition checklist and a selected bibliography. Good. Light bumping to top and bottom right corners of publication. Rubbing of cover edges. 1 cm. tear to bottom edge of recto with adjacent 6.5 cm. crease. Light yellow foxing to title page with yellowing of inside of recto. 1 mm. mark on the table of contents and on page 116. Contents otherwise clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.…

Condición: Good. [Exhibition brochure]. 4to. [8 pp.]. Single black and white illustrated sheet, folded, accordion-style, into fourths. Very good with marginal creasing along corners. Black and white plates. Includes text by Constance Lewallen. Includes list of works in the exhibition. Also includes additional information on related programming to exhibition. Brochure created to announce the exhibition "Everything Matters: Paul Kos, A Retrospective", held from April 2 through July 20, 2003 at the UC Berkeley Art Museum and Pacific Film Archive in Berkeley, CA. Scarce. From the Collection of the Art Historian Peter Selz.…

No Binding. Condición: Fine. Invitation. Exhibition announcement card. Image : Paul Kos 'Kinetic Landscape'. Ephemera.

52 pp.; 24 x 17.5 cm; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held April 6 - May 31, 1991. Curated by Todd Alden. Exhibition includes works by Nayland Blake, John Boskovich, David Carrino, Andrew Masullo, Tim Maul, Maria Porges, Tim Rollins & K.O.S., Cindy Smith, Buzz Spector, Steve Wolfe. Essays by Alden and Paul Holdengräber. Includes exhibition checklist, illustrations of works in exhibition and artists' biographies. Catalogue design by Buzz Spector. Reference : No. 55 in "The Book on Books on Artists' Books" by Arnaud Desjardin. London, England : The Everyday Press, 2011, pp. 36. Good. Dust soiling of covers including fingerprint markings on verso. Light yellowing along spine edge and bumping of cover corners with additional light edge-wear. Contents are clean and unmarked. …

Softcover, staple-bound, 12 pages; very good condition; light 2-inch crease to upper left corner of most pages; no internal marks. The rough paper covers are inked in a process called scumming so that no two are the same.

1. Auflage, Ausstellungskatalog vom Wien Museum, mit zahlreichen Abbildungen, 152 S., Quart, sehr gutes Exemplar, Original-Pappband mit Originalumschlag.