Kirk jordan (60 resultados)

Condición: like_new. Rathnamali, Ms. Nehara (ilustrador).

Condición: Very Good. paperback 100% of proceeds go to charity! May have signs of use, wear and minor cosmetic defects. Rathnamali, Ms. Nehara (ilustrador).

Condición: acceptable. Fairly worn, but readable and intact. If applicable: Dust jacket, disc or access code may not be included. Rathnamali, Ms. Nehara (ilustrador).

paperback. Condición: VERY GOOD. 258 clean, unmarked, tight pages; very light shelf and corner wear on cover. Rathnamali, Ms. Nehara (ilustrador).

Condición: As New. Unread book in perfect condition.

Condición: New.

Paperback. Condición: New.

paperback. Condición: As New. 1st edition. 10 1/2 x 9 1/2", 134 pages. A navigational chart plotting the currents of a woman's life. Here the focus is not on achievement, but on experiences with nature as the ultimate experiential testing ground - life stripped to the bare essentials. Full color photos throughout. Photographed and produced by Kathleen Jo Ryan (ilustrador).…

Paperback: 7" x 4¼". Condición: Fair: Heavier signs of wear. 1985 Edition. © 1983: 23rd in the (Sphere) 'Conan' series of books. 4th printing of 1985 edition:- Synopsis: The invincible Cimmerian pits his strength against the vile magic of the Cult of Doom. The daring theft of a magnificent necklace - invested, it is said, with a potency that will make the woman who wears it irresistible to men - sets the mighty Conan off on an incredible adventure, wherein he must rescue a beautiful noble woman in peril of her soul, outwit a band of bloodthirsty assassins sworn to belief in nothingness, and finally confront the arch-priest of the evil and degrading Cult of Doom - the satanic sorcerer Jhandar whose mystical powers hold Aghrapur's wicked citizens in perpetual and terrible thrall:- (original cost £2.50). Cover Art: Kirk Reinert (ilustrador).…

Paperback. Condición: Brand New. 274 pages. 8.50x5.50x0.69 inches. In Stock. Rathnamali, Ms. Nehara (ilustrador).

Condición: New.

Condición: As New. Unread book in perfect condition.

Condición: New.

Paperback. Condición: New. Five hundred years before "Jabberwocky" and Tender Buttons, writers were already preoccupied with the question of nonsense. But even as the prevalence in medieval texts of gibberish, babble, birdsong, and allusions to bare voice has come into view in recent years, an impression persists that these phenomena are exceptions that prove the rule of the period's theologically motivated commitment to the kernel of meaning over and against the shell of the mere letter. This book shows that, to the contrary, the foundational object of study of medieval linguistic thought was vox non-significativa, the utterance insofar as it means nothing whatsoever, and that this fact was not lost on medieval writers of various kinds. In a series of close and unorthodox readings of works by Priscian, Boethius, Augustine, Walter Burley, Geoffrey Chaucer, and the anonymous authors of the Cloud of Unknowing and St. Erkenwald, it inquires into the way that a number of fourteenth-century writers recognized possibilities inherent in the accounts of language transmitted to them from antiquity and transformed those accounts into new ideas, forms, and practices of non-signification. Retrieving a premodern hermeneutics of obscurity in order to provide materials for an archeology of the category of the literary, Medieval Nonsense shows how these medieval linguistic textbooks, mystical treatises, and poems were engineered in such a way as to arrest the faculty of interpretation and force it to focus on the extinguishing of sense that occurs in the encounter with language itself.…

Condición: As New. Unread book in perfect condition.

PAP. Condición: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Taschenbuch. Condición: Neu. Neuware.

Condición: New.

Condición: New. Print on Demand.

Paperback. Condición: Brand New. 187 pages. 8.75x6.00x0.50 inches. In Stock.

Condición: As New. Unread book in perfect condition.

Hardcover. Condición: Gut. Deutliche Gebrausspuren---. nein.

PAP. Condición: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Condición: New. Print on Demand.

Paperback. Condición: New. Five hundred years before "Jabberwocky" and Tender Buttons, writers were already preoccupied with the question of nonsense. But even as the prevalence in medieval texts of gibberish, babble, birdsong, and allusions to bare voice has come into view in recent years, an impression persists that these phenomena are exceptions that prove the rule of the period's theologically motivated commitment to the kernel of meaning over and against the shell of the mere letter. This book shows that, to the contrary, the foundational object of study of medieval linguistic thought was vox non-significativa, the utterance insofar as it means nothing whatsoever, and that this fact was not lost on medieval writers of various kinds. In a series of close and unorthodox readings of works by Priscian, Boethius, Augustine, Walter Burley, Geoffrey Chaucer, and the anonymous authors of the Cloud of Unknowing and St. Erkenwald, it inquires into the way that a number of fourteenth-century writers recognized possibilities inherent in the accounts of language transmitted to them from antiquity and transformed those accounts into new ideas, forms, and practices of non-signification. Retrieving a premodern hermeneutics of obscurity in order to provide materials for an archeology of the category of the literary, Medieval Nonsense shows how these medieval linguistic textbooks, mystical treatises, and poems were engineered in such a way as to arrest the faculty of interpretation and force it to focus on the extinguishing of sense that occurs in the encounter with language itself.…

Paperback. Condición: New.

paperback. Condición: New. In shrink wrap. Looks like an interesting title.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: New.

Hardback. Condición: New. Five hundred years before "Jabberwocky" and Tender Buttons, writers were already preoccupied with the question of nonsense. But even as the prevalence in medieval texts of gibberish, babble, birdsong, and allusions to bare voice has come into view in recent years, an impression persists that these phenomena are exceptions that prove the rule of the period's theologically motivated commitment to the kernel of meaning over and against the shell of the mere letter. This book shows that, to the contrary, the foundational object of study of medieval linguistic thought was vox non-significativa, the utterance insofar as it means nothing whatsoever, and that this fact was not lost on medieval writers of various kinds. In a series of close and unorthodox readings of works by Priscian, Boethius, Augustine, Walter Burley, Geoffrey Chaucer, and the anonymous authors of the Cloud of Unknowing and St. Erkenwald, it inquires into the way that a number of fourteenth-century writers recognized possibilities inherent in the accounts of language transmitted to them from antiquity and transformed those accounts into new ideas, forms, and practices of non-signification. Retrieving a premodern hermeneutics of obscurity in order to provide materials for an archeology of the category of the literary, Medieval Nonsense shows how these medieval linguistic textbooks, mystical treatises, and poems were engineered in such a way as to arrest the faculty of interpretation and force it to focus on the extinguishing of sense that occurs in the encounter with language itself.…