Kinniburgh m c (25 resultados)

Condición: As New. Unread book in perfect condition.

Condición: New.

Paperback. Condición: New. A revolutionary anthology of visual poetry contextualizing works within their original small-press publications, from authors such as Wallace Berman and Marian Zazeela to titles such as Ginger Snaps and FuturaBy the 1960s, visual and experimental poetry was widely acknowledged as the first truly international poetry movement, occurring on several continents. The simultaneous "mimeograph revolution"-an emerging name for the proliferation of small, poet- and artist-operated presses and little magazines that emerged in the postwar era-meant that an extraordinary variety of experimental work appeared in ephemeral outlets, often reflecting an array of geographic influence and communities.After Words is a thematic journey through the history of these experimental poetics, including cut-up, collage, sound poetry scores, performance scripts, practices of "writing through," erasure, glyph systems, calligraphy, experimental typography, non-Western alphabets, assemblages and beyond. Most importantly, it presents these works within their original contexts through photographs of page spreads from storied publications and presses.Contributors include: Mary Beach, Wallace Berman, bill bissett, William S. Burroughs, Henri Chopin, Judith Copithorne, Johanna Drucker, d.a. levy, bpNichol, Seiichi Niikuni, Tom Phillips, Miroljub Todorovic, Cecilia Vicuña, Marian Zazeela.Little magazines include: A: An Envelope Magazine of Visual Poetry, Alcheringa, Futura, L=A=N=G=U=A=G=E, New Wilderness Letter, Poor.Old.Tired.Horse., Revue OU, Stereo Headphones, The Difficulties, The Improbable, The Insect Trust Gazette, The Marrahwanna Quarterly, WhiteWalls.Small presses include: Beau Geste Press, blewointmentpress, C Press, Chax Press, Coach House Press, Edition Hansjörg Mayer, Goliard Press, Hawk's Well Press, Openings Press, Poltroon Press, Siglio Press, Station Hill, Tarasque Press, Tetrad Press, Xexoxial Editions.…

Soft cover. Condición: Fine. Little to no shelf wear. Pages are clean.

Soft cover. Condición: Fine. Little to no shelf wear. Pages are clean.

Condición: New.

Condición: As New. Unread book in perfect condition.

Paperback. Condición: Brand New. 224 pages. 9.00x6.00x0.83 inches. In Stock.

Paperback. Condición: Brand New. 232 pages. 10.75x8.25x10.70 inches. In Stock.

Condición: New. Brand New.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: New.

Hardback. Condición: New. New copy - Usually dispatched within 4 working days.

Condición: new.

Condición: As New. Unread book in perfect condition.

Condición: New.

Condición: New.

Condición: New. In English.

Hardcover. Condición: Brand New. 192 pages. 9.50x6.50x0.75 inches. In Stock.

Condición: New.

Condición: As New. Unread book in perfect condition.

Paperback. Condición: New. A revolutionary anthology of visual poetry contextualizing works within their original small-press publications, from authors such as Wallace Berman and Marian Zazeela to titles such as Ginger Snaps and FuturaBy the 1960s, visual and experimental poetry was widely acknowledged as the first truly international poetry movement, occurring on several continents. The simultaneous "mimeograph revolution"-an emerging name for the proliferation of small, poet- and artist-operated presses and little magazines that emerged in the postwar era-meant that an extraordinary variety of experimental work appeared in ephemeral outlets, often reflecting an array of geographic influence and communities.After Words is a thematic journey through the history of these experimental poetics, including cut-up, collage, sound poetry scores, performance scripts, practices of "writing through," erasure, glyph systems, calligraphy, experimental typography, non-Western alphabets, assemblages and beyond. Most importantly, it presents these works within their original contexts through photographs of page spreads from storied publications and presses.Contributors include: Mary Beach, Wallace Berman, bill bissett, William S. Burroughs, Henri Chopin, Judith Copithorne, Johanna Drucker, d.a. levy, bpNichol, Seiichi Niikuni, Tom Phillips, Miroljub Todorovic, Cecilia Vicuña, Marian Zazeela.Little magazines include: A: An Envelope Magazine of Visual Poetry, Alcheringa, Futura, L=A=N=G=U=A=G=E, New Wilderness Letter, Poor.Old.Tired.Horse., Revue OU, Stereo Headphones, The Difficulties, The Improbable, The Insect Trust Gazette, The Marrahwanna Quarterly, WhiteWalls.Small presses include: Beau Geste Press, blewointmentpress, C Press, Chax Press, Coach House Press, Edition Hansjörg Mayer, Goliard Press, Hawk's Well Press, Openings Press, Poltroon Press, Siglio Press, Station Hill, Tarasque Press, Tetrad Press, Xexoxial Editions.…

Condición: New. Taking up case studies of four poets who began writing during the 1950s and 1960s, M.C. Kinniburgh shows that the postwar American poet s library should not just be understood according to individual books within their collection but rather as an archival r.

Buch. Condición: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Information science was a burgeoning field in the early years of the Cold War, and while public and academic libraries acted as significant sites for the information boom, it is unsurprising that McCarthyism and censorship would shape what they granted readers access to and acquired. Wild Intelligence traces a different history of information management, examining the privately assembled collections of poets and their knowledge-building practices at midcentury.Taking up case studies of four poets who began writing during the 1950s and 1960s, including Charles Olson (1910-1970), Diane di Prima (1934-2020), Gerrit Lansing (1928-2018), and Audre Lorde (1934-1992), M. C. Kinniburgh shows that the postwar American poet's library should not just be understood according to individual books within their collection but rather as an archival resource that reveals how poets managed knowledge in a growing era of information overload. Exploring traditions and systems that had been overlooked, buried, occulted, or censored, these poets sought to recover a sense of history and chart a way forward. 224 pp. Englisch.…

Buch. Condición: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Information science was a burgeoning field in the early years of the Cold War, and while public and academic libraries acted as significant sites for the information boom, it is unsurprising that McCarthyism and censorship would shape what they granted readers access to and acquired. Wild Intelligence traces a different history of information management, examining the privately assembled collections of poets and their knowledge-building practices at midcentury.Taking up case studies of four poets who began writing during the 1950s and 1960s, including Charles Olson (1910-1970), Diane di Prima (1934-2020), Gerrit Lansing (1928-2018), and Audre Lorde (1934-1992), M. C. Kinniburgh shows that the postwar American poet's library should not just be understood according to individual books within their collection but rather as an archival resource that reveals how poets managed knowledge in a growing era of information overload. Exploring traditions and systems that had been overlooked, buried, occulted, or censored, these poets sought to recover a sense of history and chart a way forward.…