kinderman katherine (26 resultados)

Condición: Good. 1st. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Soft cover. Condición: New. No Jacket. 1st Paper. "An American Woman in China During the Cultural Revolution" The author, married to a Chinese Professor of Psychology, was a language teacher in China for 40 years. "Her unforgettable story.is a stunning portrayal of the personal toll exacted by a government in upheaval - a revolution initiated by the state."(from the back cover. Published @ $10.95.

paperback. Condición: Good. some pages have highlighting; Satisfaction 100% guaranteed.

Condición: As New. Unread book in perfect condition.

Condición: New.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: new.

Paperback. Condición: New. New essays demonstrating and exploring the abiding fascination of Wagner's controversial work.Richard Wagner's Parsifal remains an inexhaustible yet highly controversial work. This "stage consecration festival play," as the composer described it, represents the culmination of his efforts to bring medieval myth and modern music together in a dynamic relationship. Wagner's engagement with religion--Buddhist as well as Christian--reaches a climax here, as he seeks through artistic means "to rescue the essence of religion by perceiving its mythical symbols . . . according to their figurative value, enabling us to see their profound, hidden truth through idealized representation." The contributors to this collection break fresh ground in exploring the text, the music, andthe reception history of Parsifal. Wagner's borrowings-and departures-from the medieval sources of the Grail legend, Wolfram's Parzival and Chrétien's Perceval, are considered in detail, and the tensional relation of the work to Christianity is probed. New perspectives emerge that bear on the long genesis of the text and music, its affinities to Wagner's earlier works, particularly Tristan und Isolde, and the precise way in which the music was composed. Essays address the work's bold, modernistic musical language and its unprecedented soundscape involving hidden choruses and other unseen sources of sound. The turbulent, astonishing, and sometimes disturbing history of Parsifal performances from 1882 until 2004 is traced in vivid detail for the first time, demonstrating the abiding fascination exerted by this uniquely challenging work of art. Contributors: MaryA. Cicora, James M. McGlathery, Ulrike Kienzle, Warren Darcy, Roger Allen. William Kinderman and Katherine Syer teach at the University of Illinois at Urbana-Champaign, and often lead study seminars during the Wagner Festival in Bayreuth, Germany.

Soft cover. Condición: Near Fine. Reprint. 2010 reprint of original edition of 2005. ix, 366pp. "Richard Wagner's Parsifal remains an inexhaustible yet highly controversial work. This "stage consecration festival play," as the composer described it, represents the culmination of his efforts to bring medieval myth and modern music together in a dynamic relationship. Wagner's engagement with religion--Buddhist as well as Christian--reaches a climax here, as he seeks through artistic means "to rescue the essence of religion by perceiving its mythical symbols . . . according to their figurative value, enabling us to see their profound, hidden truth through idealized representation." The contributors to this collection break fresh ground in exploring the text, the music, and the reception history of Parsifal. Wagner's borrowings-and departures-from the medieval sources of the Grail legend, Wolfram's Parzival and Chrétien's Perceval, are considered in detail, and the tensional relation of the work to Christianity is probed. New perspectives emerge that bear on the long genesis of the text and music, its affinities to Wagner's earlier works, particularly Tristan und Isolde, and the precise way in which the music was composed. Essays address the work's bold, modernistic musical language and its unprecedented soundscape involving hidden choruses and other unseen sources of sound. The turbulent, astonishing, and sometimes disturbing history of Parsifal performances from 1882 until 2004 is traced in vivid detail for the first time, demonstrating the abiding fascination exerted by this uniquely challenging work of art. Contributors: Mary A. Cicora, James M. McGlathery, Ulrike Kienzle, Warren Darcy, Roger Allen." The book is in excellent condition. No inscriptions. All contents are tight and clean.

Condición: New. In.

Condición: New.

Condición: As New. Unread book in perfect condition.

Condición: New. 2010. Paperback. New essays demonstrating and exploring the abiding fascination of Wagner's controversial work. Editor(s): Kinderman, William; Syer, Katherine Rae. Series: Studies in German Literature, Linguistics, and Culture. Num Pages: 378 pages, black & white illustrations. BIC Classification: AVGC5; AVGC9. Category: (P) Professional & Vocational. Dimension: 227 x 153 x 19. Weight in Grams: 574. . . . . .

Condición: New. 2010. Paperback. New essays demonstrating and exploring the abiding fascination of Wagner's controversial work. Editor(s): Kinderman, William; Syer, Katherine Rae. Series: Studies in German Literature, Linguistics, and Culture. Num Pages: 378 pages, black & white illustrations. BIC Classification: AVGC5; AVGC9. Category: (P) Professional & Vocational. Dimension: 227 x 153 x 19. Weight in Grams: 574. . . . . . Books ship from the US and Ireland.

Paperback. Condición: Brand New. 364 pages. 8.75x6.00x0.75 inches. In Stock.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Good. 1st Edition. Scarce cloth hardcover, ix + 364 pages, NOT ex-library. A dedication to Wagner's great-granddaughter, signed by both Editors. Partial split in binding between pages 18-19 (cosmetic flaw). Book is clean and bright with unmarked text, free of stamps, securely bound. Bright dust jacket is torn along the lower flap edge of the rear panel. -- "New essays demonstrating and exploring the abiding fascination of Wagner's controversial work. Richard Wagner's Parsifal remains an inexhaustible yet highly controversial work. This "stage consecration festival play," as the composer described it, represents the culmination of his efforts to bring medieval myth and modern music together in a dynamic relationship. Wagner's engagement with religion - Buddhist as well as Christian - reaches a climax here, as he seeks through artistic means "to rescue the essence of religion by perceiving its mythical symbols, according to their figurative value, enabling us to see their profound, hidden truth through idealized representation." The contributors to this collection break fresh ground in exploring the text, the music, and the reception history of Parsifal. Wagner's borrowings - and departures - from the medieval sources of the Grail legend, Wolfram's Parzival and Chrétien's Perceval, are considered in detail, and the tensional relation of the work to Christianity is probed. New perspectives emerge that bear on the long genesis of the text and music, its affinities to Wagner's earlier works, particularly Tristan und Isolde, and the precise way in which the music was composed. Essays address the work's bold, modernistic musical language and its unprecedented soundscape involving hidden choruses and other unseen sources of sound. The turbulent, astonishing, and sometimes disturbing history of Parsifal performances from 1882 until 2004 is traced in vivid detail for the first time, demonstrating the abiding fascination exerted by this uniquely challenging work of art." -- Contents: Introduction: The Challenge of Wagner's Parsifal / William Kinderman; I. The Text: Sources and Sybmols 1. Medievalism and Metaphysics: The Literary Background for Parsifal / Mary Cicora; 2. Erotic Love in Chrétien's Perceval, Wolfram's Parzival, and Wagner's Parsifal / James M. McGlathery; 3. Parsifal and Religion: A Christian Music Drama? / Ulrike Kienzle; II. The Music: Evolution, Structure, Aesthetics 4. The Genesis of the Music / William Kinderman; 5. Unseen Voices: Wagner's Musical-Dramatic Shaping of the Grail Scene of Act 1 / Katherine R. Syer; 6. "Die Zeit ist da": Rotational Form and Hexatonic Magic in Act 2, Scene 1 / Warren Darcy; III. Reception and Interpretation 7. Die Weihe des Hauses (The Consecration of the House): Houston Stewart Chamberlain and the Early Reception of Parsifal / Roger Allen; 8. Parsifal on Stage / Katherine R. Syer; Works Cited; Notes on the Contributors; Index. Inscribed by Author(s).

Paperback. Condición: New. New essays demonstrating and exploring the abiding fascination of Wagner's controversial work.Richard Wagner's Parsifal remains an inexhaustible yet highly controversial work. This "stage consecration festival play," as the composer described it, represents the culmination of his efforts to bring medieval myth and modern music together in a dynamic relationship. Wagner's engagement with religion--Buddhist as well as Christian--reaches a climax here, as he seeks through artistic means "to rescue the essence of religion by perceiving its mythical symbols . . . according to their figurative value, enabling us to see their profound, hidden truth through idealized representation." The contributors to this collection break fresh ground in exploring the text, the music, andthe reception history of Parsifal. Wagner's borrowings-and departures-from the medieval sources of the Grail legend, Wolfram's Parzival and Chrétien's Perceval, are considered in detail, and the tensional relation of the work to Christianity is probed. New perspectives emerge that bear on the long genesis of the text and music, its affinities to Wagner's earlier works, particularly Tristan und Isolde, and the precise way in which the music was composed. Essays address the work's bold, modernistic musical language and its unprecedented soundscape involving hidden choruses and other unseen sources of sound. The turbulent, astonishing, and sometimes disturbing history of Parsifal performances from 1882 until 2004 is traced in vivid detail for the first time, demonstrating the abiding fascination exerted by this uniquely challenging work of art. Contributors: MaryA. Cicora, James M. McGlathery, Ulrike Kienzle, Warren Darcy, Roger Allen. William Kinderman and Katherine Syer teach at the University of Illinois at Urbana-Champaign, and often lead study seminars during the Wagner Festival in Bayreuth, Germany.

Condición: New. Print on Demand pp. 378 2:B&W 6 x 9 in or 229 x 152 mm Perfect Bound on Creme w/Gloss Lam.

Condición: New. Print on Demand pp. 378.

Condición: New. PRINT ON DEMAND pp. 378.

Paperback. Condición: Brand New. 364 pages. 8.75x6.00x0.75 inches. In Stock. This item is printed on demand.

Paperback / softback. Condición: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.

Kartoniert / Broschiert. Condición: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. New essays demonstrating and exploring the abiding fascination of Wagner s controversial work.&Uumlber den AutorProfessor in the School of Music, University of Illinois at Urbana-Champaign. Ph.D. 1999, University of Victoria, Canad.

Taschenbuch. Condición: Neu. A Companion to Wagner's Parsifal | William Kinderman (u. a.) | Taschenbuch | Einband - flex.(Paperback) | Englisch | 2010 | Camden House | EAN 9781571134578 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.

Taschenbuch. Condición: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Richard Wagner's Parsifal remains an inexhaustible yet highly controversial work. This 'stage consecration festival play,' as the composer described it, represents the culmination of his efforts to bring medieval myth and modern music together in a dynamic relationship. Wagner's engagement with religion--Buddhist as well as Christian--reaches a climax here, as he seeks through artistic means 'to rescue the essence of religion by perceiving its mythical symbols . . . according to their figurative value, enabling us to see their profound, hidden truth through idealized representation.' The contributors to this collection break fresh ground in exploring the text, the music, and the reception history of Parsifal. Wagner's borrowings-and departures-from the medieval sources of the Grail legend, Wolfram's Parzival and Chrétien's Perceval, are considered in detail, and the tensional relation of the work to Christianity is probed. New perspectives emerge that bear on the long genesis of the text and music, its affinities to Wagner's earlier works, particularly Tristan und Isolde, and the precise way in which the music was composed. Essays address the work's bold, modernistic musical language and its unprecedented soundscape involving hidden choruses and other unseen sources of sound. The turbulent, astonishing, and sometimes disturbing history of Parsifal performances from 1882 until 2004 is traced in vivid detail for the first time, demonstrating the abiding fascination exerted by this uniquely challenging work of art.William Kinderman and Katherine Syer teach at the University of Illinois at Urbana-Champaign, and often lead study seminars during the Wagner Festival in Bayreuth, Germany.