Karl lyden (40 resultados)

Condición: New.

Paperback or Softback. Condición: New. Site 31-32: Remake Remodel. Book.

Paperback. Condición: New.

Condición: As New. Unread book in perfect condition.

Condición: New.

Condición: New.

Condición: New.

Paperback. Condición: New. Like a donkey dressed in zebra's clothing, criticism can appear in a borrowed coat; perhaps it can even reveal itself in stolen poems. Here, among fables of donkeys, shoemakers and barricades, German angels and non-German angels, and a few lines from Emily Dickinson, the transformative possibilities of art are unfolded in the figure of labor.Poems and Parables on the Political Utility of Art is a small book. It looks like poetry, but it is better described as a kind of criticism. Taking up some recent disqualifications of art's political potential, it refutes them in a threefold movement: against the notion of commodification of works of art; against the act of denouncing art as always-already reified from the safe position of a pure, untouched theory; against the notions that art must either reveal our alienation, or produce immediate effects on the social sphere. Outlining art's transformative possibilities in the figure of a certain labor, the argument is shaped among fables of donkeys, zebras from Gaza, apes from Adorno, and a particular barricade from the Paris Commune.…

Condición: As New. Unread book in perfect condition.

Condición: As New. Unread book in perfect condition.

Condición: New.

Paperback. Condición: new. Paperback. Like a donkey dressed in zebras clothing, criticism can appear in a borrowed coat; perhaps it can even reveal itself in stolen poems. Here, among fables of donkeys, shoemakers and barricades, German angels and non-German angels, and a few lines from Emily Dickinson, the transformative possibilities of art are unfolded in the figure of labor.Poems and Parables on the Political Utility of Art is a small book. It looks like poetry, but it is better described as a kind of criticism. Taking up some recent disqualifications of arts political potential, it refutes them in a threefold movement: against the notion of commodification of works of art; against the act of denouncing art as always-already reified from the safe position of a pure, untouched theory; against the notions that art must either reveal our alienation, or produce immediate effects on the social sphere. Outlining arts transformative possibilities in the figure of a certain labor, the argument is shaped among fables of donkeys, zebras from Gaza, apes from Adorno, and a particular barricade from the Paris Commune. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condición: New. In English.

PF. Condición: New.

Condición: New.

Condición: As New. Unread book in perfect condition.

Condición: New.

Paperback. Condición: Brand New. 266 pages. 6.00x0.60x9.00 inches. In Stock.

Condición: New. In English.

Condición: As New. Unread book in perfect condition.

Condición: New.

Condición: As New. Unread book in perfect condition.

90 pp. Publisher's printed wrappers. New from publisher.

Paperback. Condición: new. Paperback. Like a donkey dressed in zebras clothing, criticism can appear in a borrowed coat; perhaps it can even reveal itself in stolen poems. Here, among fables of donkeys, shoemakers and barricades, German angels and non-German angels, and a few lines from Emily Dickinson, the transformative possibilities of art are unfolded in the figure of labor.Poems and Parables on the Political Utility of Art is a small book. It looks like poetry, but it is better described as a kind of criticism. Taking up some recent disqualifications of arts political potential, it refutes them in a threefold movement: against the notion of commodification of works of art; against the act of denouncing art as always-already reified from the safe position of a pure, untouched theory; against the notions that art must either reveal our alienation, or produce immediate effects on the social sphere. Outlining arts transformative possibilities in the figure of a certain labor, the argument is shaped among fables of donkeys, zebras from Gaza, apes from Adorno, and a particular barricade from the Paris Commune. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

PAP. Condición: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Paperback. Condición: New. New Book, Direct from Publisher.

PAP. Condición: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Paperback. Condición: New.

Paperback. Condición: New. Like a donkey dressed in zebra's clothing, criticism can appear in a borrowed coat; perhaps it can even reveal itself in stolen poems. Here, among fables of donkeys, shoemakers and barricades, German angels and non-German angels, and a few lines from Emily Dickinson, the transformative possibilities of art are unfolded in the figure of labor.Poems and Parables on the Political Utility of Art is a small book. It looks like poetry, but it is better described as a kind of criticism. Taking up some recent disqualifications of art's political potential, it refutes them in a threefold movement: against the notion of commodification of works of art; against the act of denouncing art as always-already reified from the safe position of a pure, untouched theory; against the notions that art must either reveal our alienation, or produce immediate effects on the social sphere. Outlining art's transformative possibilities in the figure of a certain labor, the argument is shaped among fables of donkeys, zebras from Gaza, apes from Adorno, and a particular barricade from the Paris Commune.…

Condición: Sehr gut. Zustand: Sehr gut | Sprache: Englisch | Produktart: Bücher | Contents "French Philosophy Since 1945", Fredrika Spindler "Utopian Thinking in Past and Contemporary Times," Sinziana Ravini "Universal Modernism, Swedish Art Heroine," Charlotte Bydler "'Pastoral Power' and the Techniques for Controlling the Poor and Unemployed," Maurizio Lazzarato "Inventing a Silence," Alexandre Costanzo "The Ground Zero Mosque That Wasn't One: Media and Architecture in America," Joel McKim "Who's Afraid of Red, Blue and Yellow?," Sam Smiles "Water Lilies and the Gesture of Melancholy: On Monet's Late Works," Bente Larsen "Adorno and the Problem of Late Style," Sven-Olov Wallenstein "Introduction to 'Quality Education'," Kim West & Karl Lydén "Cogito Ergo Insurgo! The Italian University: Laboratory of Crisis and Critique," Sara R. Farris "On the Role of the University in the Age of Management Politics," Hans Ruin "The Multiple University and the Heroism of Forms: Variations on an Infinite Autonomy," Stéphane Douailler "Adventures in the Sausage Factory: A Cursory Overview of UK University Struggles, November 2010-2011," Danny Hayward "Dutch Austerity and Free Academies: An Interview With Katja Diefenbach," Karl Lydén.…