judithe hernandez (25 resultados)

paperback. Condición: Good. Hernandez, Judithe Ilustrador. Satisfaction 100% guaranteed.

paperback. Condición: Good. Hernandez, Judithe Ilustrador. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized. PAPERBACK.

Condición: New. Hernandez, Judithe Ilustrador.

Paperback. Condición: new. Hernandez, Judithe Ilustrador. Paperback. With these one hundred poems Alurista created a highly original poetics that upset the literary conventions of the era. Floricanto en Aztlan was published in 1971, a time of Chicano activism and the search for a Chicano identity. Using Aztlan, the mythical homeland of the Aztecs, as a unifying metaphor and employing indigenous symbols to describe barrio life, the poet inspired his readers, cultivating pride in their cultural past. The poems blend English, Spanish, and pre-Columbian languages to explore themes of alienation and exploitation in a decidedly Chicano voice.This new edition of Floricanto en Aztlan, Alurista's first book of poetry, includes a new preface by the poet and a new foreword that considers the lasting influence of this important work. The poems blend English, Spanish, and pre-Columbian languages to explore themes of alienation and exploitation in a decidedly Chicano voice.This new edition of Floricanto en Aztlan, Alurista's first book of poetry, includes a new preface by the poet and a new foreword that considers the lasting influence of this important work. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condición: As New. Hernandez, Judithe Ilustrador. Unread book in perfect condition.

Paperback. Condición: New. Hernandez, Judithe Ilustrador. With these one hundred poems Alurista created a highly original poetics that upset the literary conventions of the era. Floricanto en Aztlán was published in 1971, a time of Chicano activism and the search for a Chicano identity. Using Aztlán, the mythical homeland of the Aztecs, as a unifying metaphor and employing indigenous symbols to describe barrio life, the poet inspired his readers, cultivating pride in their cultural past. The poems blend English, Spanish, and pre-Columbian languages to explore themes of alienation and exploitation in a decidedly Chicano voice.This new edition of Floricanto en Aztlán, Alurista's first book of poetry, includes a new preface by the poet and a new foreword that considers the lasting influence of this important work.

Paperback. Condición: New. Hernandez, Judithe Ilustrador. With these one hundred poems Alurista created a highly original poetics that upset the literary conventions of the era. Floricanto en Aztlán was published in 1971, a time of Chicano activism and the search for a Chicano identity. Using Aztlán, the mythical homeland of the Aztecs, as a unifying metaphor and employing indigenous symbols to describe barrio life, the poet inspired his readers, cultivating pride in their cultural past. The poems blend English, Spanish, and pre-Columbian languages to explore themes of alienation and exploitation in a decidedly Chicano voice.This new edition of Floricanto en Aztlán, Alurista's first book of poetry, includes a new preface by the poet and a new foreword that considers the lasting influence of this important work.

Condición: New. Hernandez, Judithe Ilustrador. Includes a new preface by the poet and a new foreword that considers the lasting influence of this important work Illustrator(s): Hernandez, Judithe. Num Pages: 112 pages, 15 color illus. BIC Classification: 1KLCM; 2AB; 2ADS; DCF. Category: (P) Professional & Vocational. Dimension: 5830 x 7765 x 10. Weight in Grams: 499. . 2012. 2nd Revised ed. Paperback. . . . .

Condición: New. Hernandez, Judithe Ilustrador. Includes a new preface by the poet and a new foreword that considers the lasting influence of this important work Illustrator(s): Hernandez, Judithe. Num Pages: 112 pages, 15 color illus. BIC Classification: 1KLCM; 2AB; 2ADS; DCF. Category: (P) Professional & Vocational. Dimension: 5830 x 7765 x 10. Weight in Grams: 499. . 2012. 2nd Revised ed. Paperback. . . . . Books ship from the US and Ireland.

Hardcover. Condición: new. Hardcover. Chicana painter Judithe Hernandezs subversive female archetypes offer her perspective on the historical and contemporary roles of womenPublished with Riverside Art Museum and The Cheech Marin Center for Chicano Art & Culture.As the fifth and only female member of the art collective Los Four, Judithe Hernandez (born 1948) was a figurehead of Chicano/a art in California. She began her artistic career as a muralist in the 1970s, executing commissions for Cesar Chavez and the United Farm Workers Union, and at the Ramona Gardens Housing Project in East Los Angeles. Her paintings and pastel drawings place women against vague, dreamlike backgrounds, clothed in traditional garb or surrounded by animals, gesturing beyond the picture plane while gazing solidly at the viewer. Art historian Margarita Nieto writes that Hernandez "speaks of woman hidden in her masks of rolesenhanced by a subconscious precognition of a mythic past." Beyond Myself, Somewhere, I Wait for My Arrival represents the first comprehensive evaluation of Hernandezs 50-year career, and how it has informed Chicano/a artistic practices today. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condición: New.

Paperback. Condición: Brand New. Hernandez, Judithe Ilustrador. 2nd blg edition. 100 pages. 8.75x11.75x0.25 inches. In Stock.

Condición: As New. Unread book in perfect condition.

Hardback. Condición: New. Chicana painter Judithe Hernández's subversive female archetypes offer her perspective on the historical and contemporary roles of womenPublished with Riverside Art Museum and The Cheech Marin Center for Chicano Art and Culture.As the fifth and only female member of the art collective Los Four, Judithe Hernández (born 1948) was a figurehead of Chicano/a art in California. She began her artistic career as a muralist in the 1970s, executing commissions for Cesar Chavez and the United Farm Workers Union, and at the Ramona Gardens Housing Project in East Los Angeles. Her paintings and pastel drawings place women against vague, dreamlike backgrounds, clothed in traditional garb or surrounded by animals, gesturing beyond the picture plane while gazing solidly at the viewer. Art historian Margarita Nieto writes that Hernández "speaks of woman hidden in her masks of roles.enhanced by a subconscious precognition of a mythic past." Beyond Myself, Somewhere, I Wait for My Arrival represents the first comprehensive evaluation of Hernández's 50-year career, and how it has informed Chicano/a artistic practices today.

Condición: New.

Condición: As New. Unread book in perfect condition.

hardcover. Condición: New. Special order direct from the distributor.

Paperback. Condición: New. Hernandez, Judithe Ilustrador. With these one hundred poems Alurista created a highly original poetics that upset the literary conventions of the era. Floricanto en Aztlán was published in 1971, a time of Chicano activism and the search for a Chicano identity. Using Aztlán, the mythical homeland of the Aztecs, as a unifying metaphor and employing indigenous symbols to describe barrio life, the poet inspired his readers, cultivating pride in their cultural past. The poems blend English, Spanish, and pre-Columbian languages to explore themes of alienation and exploitation in a decidedly Chicano voice.This new edition of Floricanto en Aztlán, Alurista's first book of poetry, includes a new preface by the poet and a new foreword that considers the lasting influence of this important work.

Hardcover. Condición: Brand New. 160 pages. 10.50x9.50x0.75 inches. In Stock.

Paperback. Condición: new. Hernandez, Judithe Ilustrador. Paperback. With these one hundred poems Alurista created a highly original poetics that upset the literary conventions of the era. Floricanto en Aztlan was published in 1971, a time of Chicano activism and the search for a Chicano identity. Using Aztlan, the mythical homeland of the Aztecs, as a unifying metaphor and employing indigenous symbols to describe barrio life, the poet inspired his readers, cultivating pride in their cultural past. The poems blend English, Spanish, and pre-Columbian languages to explore themes of alienation and exploitation in a decidedly Chicano voice.This new edition of Floricanto en Aztlan, Alurista's first book of poetry, includes a new preface by the poet and a new foreword that considers the lasting influence of this important work. The poems blend English, Spanish, and pre-Columbian languages to explore themes of alienation and exploitation in a decidedly Chicano voice.This new edition of Floricanto en Aztlan, Alurista's first book of poetry, includes a new preface by the poet and a new foreword that considers the lasting influence of this important work. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Condición: New. Hernandez, Judithe Ilustrador. Includes a new preface by the poet and a new foreword that considers the lasting influence of this important work&Uumlber den AutorAlurista Hayes-Bautista. illustrated by Judithe HernandezKlappentextI.

Hardcover. Condición: Brand New. 160 pages. 10.50x9.50x0.75 inches. In Stock.

Paperback. Condición: New. Hernandez, Judithe Ilustrador. With these one hundred poems Alurista created a highly original poetics that upset the literary conventions of the era. Floricanto en Aztlán was published in 1971, a time of Chicano activism and the search for a Chicano identity. Using Aztlán, the mythical homeland of the Aztecs, as a unifying metaphor and employing indigenous symbols to describe barrio life, the poet inspired his readers, cultivating pride in their cultural past. The poems blend English, Spanish, and pre-Columbian languages to explore themes of alienation and exploitation in a decidedly Chicano voice.This new edition of Floricanto en Aztlán, Alurista's first book of poetry, includes a new preface by the poet and a new foreword that considers the lasting influence of this important work.

Hardback. Condición: New. Chicana painter Judithe Hernández's subversive female archetypes offer her perspective on the historical and contemporary roles of womenPublished with Riverside Art Museum and The Cheech Marin Center for Chicano Art and Culture.As the fifth and only female member of the art collective Los Four, Judithe Hernández (born 1948) was a figurehead of Chicano/a art in California. She began her artistic career as a muralist in the 1970s, executing commissions for Cesar Chavez and the United Farm Workers Union, and at the Ramona Gardens Housing Project in East Los Angeles. Her paintings and pastel drawings place women against vague, dreamlike backgrounds, clothed in traditional garb or surrounded by animals, gesturing beyond the picture plane while gazing solidly at the viewer. Art historian Margarita Nieto writes that Hernández "speaks of woman hidden in her masks of roles.enhanced by a subconscious precognition of a mythic past." Beyond Myself, Somewhere, I Wait for My Arrival represents the first comprehensive evaluation of Hernández's 50-year career, and how it has informed Chicano/a artistic practices today.

Hardcover. Condición: new. Hardcover. Chicana painter Judithe Hernandezs subversive female archetypes offer her perspective on the historical and contemporary roles of womenPublished with Riverside Art Museum and The Cheech Marin Center for Chicano Art & Culture.As the fifth and only female member of the art collective Los Four, Judithe Hernandez (born 1948) was a figurehead of Chicano/a art in California. She began her artistic career as a muralist in the 1970s, executing commissions for Cesar Chavez and the United Farm Workers Union, and at the Ramona Gardens Housing Project in East Los Angeles. Her paintings and pastel drawings place women against vague, dreamlike backgrounds, clothed in traditional garb or surrounded by animals, gesturing beyond the picture plane while gazing solidly at the viewer. Art historian Margarita Nieto writes that Hernandez "speaks of woman hidden in her masks of rolesenhanced by a subconscious precognition of a mythic past." Beyond Myself, Somewhere, I Wait for My Arrival represents the first comprehensive evaluation of Hernandezs 50-year career, and how it has informed Chicano/a artistic practices today. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.