josef mueller brockmann (98 resultados)

Condición: Very Good.

Condición: New.

paperback. Condición: As New.

Condición: New. In English.

Couverture souple. Condición: Assez bon. Avec 291 reproductions dont 194 en couleurs : ALEXEIEFF, ARP, BEARDSLEY, CAPPIELLO, CARLU, CASSANDRE, CHERET, CIESLEWICZ, COLIN, GRASSET, LEWITT-HIM, LICHTENSEIN, LISSITZKY, LOUPOT, MAVIGNIER, MIRO, MOHOLY-NAGY, MUCHA, RAND, RODCHENKO, SAVIGNAC, SCHWITTERS, STEINLEN, TOULOUSE-LAUTREC, VILLEMOT, WARHOL, WILLETTE. - Phaidon, 2004, 25,5 x 25 cm, broché, couverture illustrée à larges rabats (S. MULLER-YOSHIKAWA), 244 pages. 9780714844039/0-7148-4403-9 - TRILINGUE FRANCAIS/ALLEMAND/ANGLAIS - Couverture un peu passée.

Paperback. Condición: Brand New. 263 pages. 9.50x6.50x0.75 inches. In Stock.

Hardback. Condición: New. Müller-Brockmann's book aimed to solve the graphic designer's problem of finding the appropriate contemporary form. It became a standard work that still serves as a historic practical guide well beyond the boundaries of Switzerland. This edition is an unabbreviated reconstruction of the original edition of 1961, as a hardcover with jacket. It includes the additions made by Josef Müller-Brockmann himself for the paperback edition of 1983. In the first part, the path from illustrative to functional graphic design is traced, as well as the meaning of design elements, their use and effect in every area of advertising: business printed matter, advertisements, brochures, books, posters, and exhibitions. The middle section of the book contains fundamental thoughts concerning the work of the graphic designer. The chapter "Science and Visual Communication" covers the area of semiotics and communications research. In the last part, the systematic education of the graphic designer is presented by means of a comprehensive documentation. Thus, the book offers graphic designers a valuable survey of the fundamental tasks of design.

Condición: new.

Condición: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Hardcover. Condición: new. Hardcover. Mueller-Brockmann's book aimed to solve the graphic designer's problem of finding the appropriate contemporary form. It became a standard work that still serves as a historic practical guide well beyond the boundaries of Switzerland. This edition is an unabbreviated reconstruction of the original edition of 1961, as a hardcover with jacket. It includes the additions made by Josef Mueller-Brockmann himself for the paperback edition of 1983. In the first part, the path from illustrative to functional graphic design is traced, as well as the meaning of design elements, their use and effect in every area of advertising: business printed matter, advertisements, brochures, books, posters, and exhibitions. The middle section of the book contains fundamental thoughts concerning the work of the graphic designer. The chapter "Science and Visual Communication" covers the area of semiotics and communications research. In the last part, the systematic education of the graphic designer is presented by means of a comprehensive documentation. Thus, the book offers graphic designers a valuable survey of the fundamental tasks of design. Intends to solve the graphic designer's problem of finding the appropriate contemporary form. This edition traces the path from illustrative to functional graphic design, as well as the meaning of design elements, their use and effect in every area of advertising: business printed matter, advertisements, brochures, books, posters, and exhibitions. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condición: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Condición: New. In.

Condición: New. pp. 272.

Condición: New. pp. 272.

Gewebe. 238 Seiten; überwiegend ill.; 32,5 cm x 25 cm. Schutzumschlag mit leichten Gebrauchsspuren (hinterer Einschlag leicht angeschmutzt), Buch selbst in sehr gutem Zustand. Fast reiner Bildband mit zahlreichen sowohl farbigen als auch schwarz-weißen Abbildungen. B11/256 Sprache: Deutsch Gewicht in Gramm: 1924.

Paperback. Condición: Brand New. 263 pages. 9.50x6.50x0.75 inches. In Stock.

Condición: New.

hardcover. Condición: GOOD. Estado de la sobrecubierta: GOOD. 176 clean, unmarked, tight pages; heavy spotting on upper edge of textblock; cover is clean and sturdy with bumped upper corners and yellowing along top edge; very light shelf and corner wear on dust jacket with bumped and worn upper corners and small creases and tears at top and bottom edges.

Encuadernación de tapa dura. Condición: Muy bueno. Arte.-Alas.-Portada, 179 pgnas.-Edición español/portugués.-Tapa dura ilustrada a color.-Con numerosas ilustraciones.-Buen ejemplar.

Keine An-und Unterstreichungen. Kleiner Stemepl auf Vorsatz, sonst guter Zustand. Hardcover. Original Leinenband. Kein Versand aufgrund von EPR Regelungen in EU-Länder außerhalb Deutschlands. No shipping to EU countries outside of Germany due to EPR regulations.

OLn., OSchu., 4°, 238 S., mit 300 farbige und schwarzweisse Reproduktionen der herausragendsten Beispiele. Zustand sehr gut. 'v-foto'.

Condición: New. 2003. 3rd Edition. Hardcover. Intends to solve the graphic designer's problem of finding the appropriate contemporary form. This edition traces the path from illustrative to functional graphic design, as well as the meaning of design elements, their use and effect in every area of advertising: business printed matter, advertisements, brochures, books, posters, and exhibitions. Num Pages: 200 pages, 735 illustrations. BIC Classification: AKC. Category: (G) General (US: Trade). Dimension: 230 x 265 x 19. Weight in Grams: 1136. 200 pages, 735 illustrations. Intends to solve the graphic designer's problem of finding the appropriate contemporary form. This edition traces the path from illustrative to functional graphic design, as well as the meaning of design elements, their use and effect in every area of advertising: business printed matter, advertisements, brochures, books, posters, and exhibitions. Cateogry: (G) General (US: Trade). BIC Classification: AKC. Dimension: 230 x 265 x 19. Weight: 1136. . . . . . Books ship from the US and Ireland.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. 2nd Edition. Second Niggli edition, 2023. 200 pages. Book measures 10.5 x 9.25 inches. Includes 735 illustrations. Fine in Fine dust jacket. As New condition. Müller-Brockmann's publication, first published in 1961, was intended to solve the problems of contemporary form-finding for the graphic artist and became a standard work that still serves as a historical guide far beyond Switzerland's borders. In 1983, an abridged, paperback version - simultaneously published in the USA and Canada - was distributed worldwide. This book is the unabridged reconstruction of the 1961 original, in a cloth binding with a jacket. The additions that Josef Müller-Brockmann himself made for the 1983 paperback version have been incorporated. Thus, the comprehensive Müller-Brockmann is now available again. The first part explores the path from illustrative to objective graphics, the significance of design elements, their application, and their impact in all areas of advertising: business stationery, advertisements, brochures, catalogs, books, posters, outdoor advertising, and exhibitions. The middle part of the book covers fundamental considerations of the work of the graphic designer. The chapter "Science and Visual Communication," for example, touches on topics such as semiotics, communication research, and information theory. The final third, based on comprehensive documentation, presents the systematic training of the graphic designer as taught by Müller-Brockmann at the Zurich School of Design during his time.

26 x 23 cm. Condición: Gut. 186 Seiten ; Überwiegend mit Illustrationen Hardcover, original Pappeinband sehr stark angestaubt und fleckig. Innen mit Besitzstempel, zwei Seiten lose und zwei Seiten etwas gelöst, fast sauberes Exemplar. Mehrsprachig. Bitte beachten Sie unsere Bilder. PG-56 Sprache: Deutsch Gewicht in Gramm: 860.

Hardcover. Condición: Very Good. Fifth Edition. Very nice copy, tight binding, clean pages. Stamp on title page says "Fontbonne University College" ; German And English Edition; 29.9 X 21.4 X 1.2 centimeters; 176 pages.

Buch. Condición: Neu. Neuware -Das Werk eignet sich für das Arbeiten in der automatischen Text-/Bildgestaltung. Es zeigt Beispiele für konzeptionell richtiges Vorgehen. Dem Benützer werden genaue Anleitungen für die Anwendung aller vorkommenden Rastersysteme vermittelt (8 bis 32 Rasterfelder). Diese können für die verschiedensten Arbeiten angewendet werden. Auch der dreidimensionale Raster wird behandelt. Kurz: ein Leitfaden aus der Praxis für die Praxis. Die Entwicklung von Ordnungssystemen in der visuellen Kommunikation war der Verdienst und die Leistung der Vertreter der sachlich-funktionellen Typografie und Grafik. Bereits in den 1920er-Jahren entstanden in Europa auf den Gebieten der Typografie, Grafik und Fotografie Arbeiten mit objektivierter Konzeption und strenger Komposition. 1961 erschien zum ersten Mal eine kurz gefasste textliche und bildliche Darstellung des Rasters in einem früheren Buch des Autors. In der Folge wurden hauptsächlich Artikel in Fachzeitschriften publiziert. Dieses Buch versucht nun, eine Lücke zu schliessen, indem es dem visuellen Gestalter mit anschaulichen Beispielen und konkreten Anleitungen bei der Lösung diverser Rasterprobleme weiterhilft. 176 pp. Deutsch, Englisch.

Buch. Condición: Neu. Neuware -Das Werk eignet sich für das Arbeiten in der automatischen Text-/Bildgestaltung. Es zeigt Beispiele für konzeptionell richtiges Vorgehen. Dem Benützer werden genaue Anleitungen für die Anwendung aller vorkommenden Rastersysteme vermittelt (8 bis 32 Rasterfelder). Diese können für die verschiedensten Arbeiten angewendet werden. Auch der dreidimensionale Raster wird behandelt. Kurz: ein Leitfaden aus der Praxis für die Praxis. Die Entwicklung von Ordnungssystemen in der visuellen Kommunikation war der Verdienst und die Leistung der Vertreter der sachlich-funktionellen Typografie und Grafik. Bereits in den 1920er-Jahren entstanden in Europa auf den Gebieten der Typografie, Grafik und Fotografie Arbeiten mit objektivierter Konzeption und strenger Komposition. 1961 erschien zum ersten Mal eine kurz gefasste textliche und bildliche Darstellung des Rasters in einem früheren Buch des Autors. In der Folge wurden hauptsächlich Artikel in Fachzeitschriften publiziert. Dieses Buch versucht nun, eine Lücke zu schliessen, indem es dem visuellen Gestalter mit anschaulichen Beispielen und konkreten Anleitungen bei der Lösung diverser Rasterprobleme weiterhilft. 176 pp. Deutsch, Englisch.

Buch. Condición: Neu. Neuware -Josef Müller-Brockmann studied architecture, design and history of art in Zurich and worked as a graphic designer and teacher. His work is recognized for its simple designs and his clean use of fonts, shapes and colors, which still inspires many graphic designers throughout the world today. Since the 1950s grid systems help the designer to organize the graphic elements and have become a world wide standard. This volume provides guidelines and rules for the function and use for grid systems from 8 to 32 grid fields which can be used for the most varied of projects, the three-dimensional grid being treated as well. Exact directions for using all of the grid systems possible presented are given to the user, showing examples of working correctly on a conceptual level. Or simply put: a guidebook from the profession for the profession.

Condición: New.

Condición: Neuf.