Joel cohn (52 resultados)

Paperback. Condición: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condición: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

paperback. Condición: Very Good. very clean softcover with jacket. no marks. clean text. solid binding. verlight age wear. ISBN matches listing Fast service with confirmation, no international or priority orders over 4lbs.

Condición: As New. Unread book in perfect condition.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Condición: new. Hardcover. Unlike traditional Japanese literature, which has a rich tradition of comedy, modern Japanese literature is commonly associated with a high seriousness of purpose. In this path-breaking study, Joel R. Cohn analyzes works by three writers-Ibuse Masuji (1898-1993), Dazai Osamu (1909-1948), and Inoue Hisashi (1934- )-whose works constitute a relentless assault on the notion that comedy cannot be part of serious literature. Cohn focuses on thematic, structural, and stylistic elements in the works of these writers to show that modern Japanese comedic literature is a product of a particular set of historical, social, and cultural experiences. Cohn finds that cultural and social forces in modern Japan have led to the creation of comic literature that tends to deflect attention away from a human other and turn in on itself in different forms. Unlike traditional Japanese literature, with its rich tradition of comedy, modern Japanese literature is commonly associated with high seriousness. Cohn analyzes works by three writersIbuse Masuji (18981993), Dazai Osamu (19091948), and Inoue Hisashi (1934 )that assault the notion that comedy cannot be part of serious literature. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condición: New.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Hardback. Condición: New. Unlike traditional Japanese literature, which has a rich tradition of comedy, modern Japanese literature is commonly associated with a high seriousness of purpose. In this path-breaking study, Joel R. Cohn analyzes works by three writers-Ibuse Masuji (1898-1993), Dazai Osamu (1909-1948), and Inoue Hisashi (1934- )-whose works constitute a relentless assault on the notion that comedy cannot be part of serious literature. Cohn focuses on thematic, structural, and stylistic elements in the works of these writers to show that modern Japanese comedic literature is a product of a particular set of historical, social, and cultural experiences. Cohn finds that cultural and social forces in modern Japan have led to the creation of comic literature that tends to deflect attention away from a human other and turn in on itself in different forms.…

Condición: new.

Hardcover. Condición: New. Brand new book, sourced directly from publisher. Dispatch time is 3-4 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Condición: New. Modern Japanese literature is commonly associated with high seriousness of purpose. In this study, Joel R. Cohn analyzes works by three writers whose works constitute an assault on the notion that comedy cannot be part of serious literature. Series: Harvard-Yenching Institute Monograph Series. Num Pages: 250 pages. BIC Classification: 2GJ; DSBH; DSK. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 235 x 158 x 23. Weight in Grams: 520. . 1998. Hardcover. . . . .…

Condición: New.

Hardback. Condición: New. New copy - Usually dispatched within 4 working days.

Condición: New. pp. 268.

Condición: As New. Unread book in perfect condition.

Paperback. Condición: Brand New. 512 pages. 9.00x6.00x1.25 inches. In Stock.

Condición: New. Modern Japanese literature is commonly associated with high seriousness of purpose. In this study, Joel R. Cohn analyzes works by three writers whose works constitute an assault on the notion that comedy cannot be part of serious literature. Series: Harvard-Yenching Institute Monograph Series. Num Pages: 250 pages. BIC Classification: 2GJ; DSBH; DSK. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 235 x 158 x 23. Weight in Grams: 520. . 1998. Hardcover. . . . . Books ship from the US and Ireland.…

Condición: New. In English.

Hardcover. Condición: Brand New. 253 pages. 9.25x6.25x0.75 inches. In Stock.

Condición: New. pp. 268.

Gebunden. Condición: New. Unlike traditional Japanese literature, with its rich tradition of comedy, modern Japanese literature is commonly associated with high seriousness. Cohn analyzes works by three writers-Ibuse Masuji (1898-1993), Dazai Osamu (1909-1948), and Inoue Hisashi (19.

Buch. Condición: Neu. Neuware - Unlike traditional Japanese literature, which has a rich tradition of comedy, modern Japanese literature is commonly associated with a high seriousness of purpose. In this path-breaking study, Joel R. Cohn analyzes works by three writers--Ibuse Masuji (1898-1993), Dazai Osamu (1909-1948), and Inoue Hisashi (1934- )--whose works constitute a relentless assault on the notion that comedy cannot be part of serious literature. Cohn focuses on thematic, structural, and stylistic elements in the works of these writers to show that modern Japanese comedic literature is a product of a particular set of historical, social, and cultural experiences. Cohn finds that cultural and social forces in modern Japan have led to the creation of comic literature that tends to deflect attention away from a human other and turn in on itself in different forms. …

Paperback. Condición: new. New Copy. Customer Service Guaranteed.

Hardcover. Condición: new. Hardcover. Unlike traditional Japanese literature, which has a rich tradition of comedy, modern Japanese literature is commonly associated with a high seriousness of purpose. In this path-breaking study, Joel R. Cohn analyzes works by three writers-Ibuse Masuji (1898-1993), Dazai Osamu (1909-1948), and Inoue Hisashi (1934- )-whose works constitute a relentless assault on the notion that comedy cannot be part of serious literature. Cohn focuses on thematic, structural, and stylistic elements in the works of these writers to show that modern Japanese comedic literature is a product of a particular set of historical, social, and cultural experiences. Cohn finds that cultural and social forces in modern Japan have led to the creation of comic literature that tends to deflect attention away from a human other and turn in on itself in different forms. Unlike traditional Japanese literature, with its rich tradition of comedy, modern Japanese literature is commonly associated with high seriousness. Cohn analyzes works by three writersIbuse Masuji (18981993), Dazai Osamu (19091948), and Inoue Hisashi (1934 )that assault the notion that comedy cannot be part of serious literature. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Hardcover. Condición: Brand New. 512 pages. 9.00x6.25x1.00 inches. In Stock.

Hardback. Condición: New. Unlike traditional Japanese literature, which has a rich tradition of comedy, modern Japanese literature is commonly associated with a high seriousness of purpose. In this path-breaking study, Joel R. Cohn analyzes works by three writers-Ibuse Masuji (1898-1993), Dazai Osamu (1909-1948), and Inoue Hisashi (1934- )-whose works constitute a relentless assault on the notion that comedy cannot be part of serious literature. Cohn focuses on thematic, structural, and stylistic elements in the works of these writers to show that modern Japanese comedic literature is a product of a particular set of historical, social, and cultural experiences. Cohn finds that cultural and social forces in modern Japan have led to the creation of comic literature that tends to deflect attention away from a human other and turn in on itself in different forms.…

Condición: Fine. Number of pages: 172 pages Size: B6.