Jill beaulieu (45 resultados)

Condición: Very Good. Estado de la sobrecubierta: 47835993. 1780914822. 6/8/2026 10:33:42 AM.

Condición: Fine. Used book that is in almost brand-new condition. May contain a remainder mark. Better World Books: Buy Books. Do Good.

paperback. Condición: Like New. Most items will be dispatched the same or the next working day. An apparently unread copy in perfect condition. Dust cover is intact with no nicks or tears. Spine has no signs of creasing. Pages are clean and not marred by notes or folds of any kind.

Soft cover. Condición: Fine. 1st Edition. With a black remainder mark on the bottom edge, otherwise a fine, obviously unread first edition, paperback copy, white-blue spine.

Condición: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.…

Soft cover. Condición: Very Good.

Paperback. Condición: Fine. 1st. 407 pages, illustrations; 22 cm. Tight, clean copy. *** "Essays on the Writings of Michael Fried From his early career as an art critic during the sixties to his art historical writings of recent decades, Michael Fried has remained one of the most controversial and fascinating art writers of the late twentieth century. Refracting Vision brings together for the first time a range of scholarly responses to Fried's art criticism, art history, and poetry, illuminating his distinguished contributions and taking his work in exciting new directions." - Publisher. *** CONTENTS: 1 Immanence and Outsideness: The Absorptive Aesthetics of Diderot's Existential Reverie and Courbet's Embodied Merger, by Jill Beaulieu; 2 The Writing of "Art and Objecthood", by James Meyer; 3 The Difference Manet Makes, by Stephen Melville; 4 Before and After Pollock, by Keith Broadfoot; 5 "The Man Who Knows Too Much": On Michael Fried's "Impressionism", by Rex Butler; 6 Paradoxes of Authorship and Reception in Michael Fried's Art History, by Toni Ross; 7 Difference and Deferral: The Sexual Economy of Courbet's "Femininity", by Mary Roberts; 8 Eavesdropping/Eve's Dropping, by K. Malcolm Richards; 9 Mutual Facing: A Memoir of Friedom, by Steven Z. Levine; 10 The Outcome of the Dance: Michael Fried and the Iconoclastic Prescription, by Isabelle Loring Wallace; 11 Poetry and Art Theory in Michael Fried, by Hans-Jost Frey; 12 An Interview with Michael Fried, by Toni Ross. Size: 8vo.…

Condición: As New. Unread book in perfect condition.

paperback. Condición: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority.

Condición: sehr gut. 407 S., Abb., 23 cm. Sprache: Englisch.

Condición: New.

Paperback. Condición: New.

Paperback. Condición: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Soft cover. Condición: Near Fine. Pbk, 407pp, b+w text illustrations, faint reading creases to spine but otherwise an excellent, clean, tight and unmarked copy, almost as new.

Condición: New. 2012. Paperback. . . . . .

Condición: As New. Unread book in perfect condition.

Paperback. Condición: Brand New. reprint edition. 407 pages. 8.50x5.50x1.25 inches. In Stock.

Condición: Used - Good. Good paperback. 1st edition. A little biro sidelining, otherwise VG Used - Good. Good paperback.

Condición: New. 2012. Paperback. . . . . . Books ship from the US and Ireland.

Condición: As New. Unread book in perfect condition.

Condición: New.

Condición: New.

Paperback. Condición: New. Until now, Orientalist art-exemplified by paintings of harems, slave markets, or bazaars-has predominantly been understood to reflect Western interpretations and to perpetuate reductive, often demeaning stereotypes of the exotic East. Orientalism's Interlocutors contests the idea that Orientalist art simply expresses the politics of Western domination and argues instead that it was often produced through cross-cultural interactions. Focusing on paintings and other representations of North African and Ottoman cultures, by both local artists and westerners, the contributors contend that the stylistic similarities between indigenous and Western Orientalist art mask profound interpretive differences, which, on examination, can reveal a visual language of resistance to colonization. The essays also demonstrate how marginalized voices and viewpoints-especially women's-within Western Orientalism decentered and destabilized colonial authority.Looking at the political significance of cross-cultural encounters refracted through the visual languages of Orientalism, the contributors engage with pressing recent debates about indigenous agency, postcolonial identity, and gendered subjectivities. The very range of artists, styles, and forms discussed in this collection broadens contemporary understandings of Orientalist art. Among the artists considered are the Algerian painters Azouaou Mammeri and Mohammed Racim; Turkish painter Osman Hamdi; British landscape painter Barbara Bodichon; and the French painter Henri Regnault. From the liminal "Third Space" created by mosques in postcolonial Britain to the ways nineteenth-century harem women negotiated their portraits by British artists, the essays in this collection force a rethinking of the Orientalist canon.This innovative volume will appeal to those interested in art history, theories of gender, and postcolonial studies.Contributors. Jill Beaulieu, Roger Benjamin, Zeynep Çelik, Deborah Cherry, Hollis Clayson, Mark Crinson, Mary Roberts.…

Paperback / softback. Condición: New. New copy - Usually dispatched within 4 working days.

Condición: New. Suitable for those interested in art history, theories of gender, and postcolonial studies, this book contests the idea that Orientalist art simply expresses the politics of Western domination and argues instead that it was often produced through cross-cultural interactions. Editor(s): Beaulieu, Jill; Roberts, Mary. Series: Objects/Histories. Num Pages: 244 pages, 53 photographs (6 in color). BIC Classification: ACV; AG. Category: (P) Professional & Vocational. Dimension: 5817 x 3887 x 18. Weight in Grams: 440. . 2002. Illustrated. Paperback. . . . . …

Condición: New.

Paperback / softback. Condición: New. New copy - Usually dispatched within 4 working days.

Paperback. Condición: New. Until now, Orientalist art-exemplified by paintings of harems, slave markets, or bazaars-has predominantly been understood to reflect Western interpretations and to perpetuate reductive, often demeaning stereotypes of the exotic East. Orientalism's Interlocutors contests the idea that Orientalist art simply expresses the politics of Western domination and argues instead that it was often produced through cross-cultural interactions. Focusing on paintings and other representations of North African and Ottoman cultures, by both local artists and westerners, the contributors contend that the stylistic similarities between indigenous and Western Orientalist art mask profound interpretive differences, which, on examination, can reveal a visual language of resistance to colonization. The essays also demonstrate how marginalized voices and viewpoints-especially women's-within Western Orientalism decentered and destabilized colonial authority.Looking at the political significance of cross-cultural encounters refracted through the visual languages of Orientalism, the contributors engage with pressing recent debates about indigenous agency, postcolonial identity, and gendered subjectivities. The very range of artists, styles, and forms discussed in this collection broadens contemporary understandings of Orientalist art. Among the artists considered are the Algerian painters Azouaou Mammeri and Mohammed Racim; Turkish painter Osman Hamdi; British landscape painter Barbara Bodichon; and the French painter Henri Regnault. From the liminal "Third Space" created by mosques in postcolonial Britain to the ways nineteenth-century harem women negotiated their portraits by British artists, the essays in this collection force a rethinking of the Orientalist canon.This innovative volume will appeal to those interested in art history, theories of gender, and postcolonial studies.Contributors. Jill Beaulieu, Roger Benjamin, Zeynep Çelik, Deborah Cherry, Hollis Clayson, Mark Crinson, Mary Roberts.…

Condición: New. In English.

Condición: New. Suitable for those interested in art history, theories of gender, and postcolonial studies, this book contests the idea that Orientalist art simply expresses the politics of Western domination and argues instead that it was often produced through cross-cultural interactions. Editor(s): Beaulieu, Jill; Roberts, Mary. Series: Objects/Histories. Num Pages: 244 pages, 53 photographs (6 in color). BIC Classification: ACV; AG. Category: (P) Professional & Vocational. Dimension: 5817 x 3887 x 18. Weight in Grams: 440. . 2002. Illustrated. Paperback. . . . . Books ship from the US and Ireland. …