Jessamyn fiore (20 resultados)

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. Exhibition catalog. Color and black and white photographs throughout. First printing. Corrigenda slip laid in. Fine in a fine dust jacket.

Hardcover. Condición: New. Brand new book, sourced directly from publisher. Dispatch time is 3-4 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Hardcover. Black and b&w-photo illustrated DJ with white and grey lettering; orange cloth over boards with black lettering; xi, 169 pp.; richly illustrated. "This revealing book looks at the groundbreaking work of Gordon Matta-Clark (1943-1978), whose socially conscious practice blurred the boundaries between contemporary art and architecture. After completing a degree in architecture at Cornell University, Matta-Clark returned to his home city of New York, where he initiated a series of site-specific works in derelict areas of the South Bronx. The borough's many abandoned buildings, the result of economic decline and middle-class flight, served as Matta-Clark's raw material. His series 'Bronx Floors' dissected these structures, performing an anatomical study of ther ravaged urban landscape. Moving from New York to Paris with 'Conical Interserct', a piece that became emblematic of artistic protest, Matta-Clark applied this same method to a pair of seventeenth-century row houses slatted for demolition as a result of the Centre Pompidou's construction. This compelling volume grounds Matta-Clark's practice against the framework of architectural and urban history, stressing his pioneering activist-inspired approach, as well as his contribution to the nascent fields of social practice and relational aesthetics." -- Dust Jacket. VG. Minimally marked ex-lib just a sticker on the spine and inside rear cover.…

Hardcover. Black and b&w-photo illustrated DJ with white and grey lettering; orange cloth over boards with black lettering; xi, 169 pp.; richly illustrated. "This revealing book looks at the groundbreaking work of Gordon Matta-Clark (1943-1978), whose socially conscious practice blurred the boundaries between contemporary art and architecture. After completing a degree in architecture at Cornell University, Matta-Clark returned to his home city of New York, where he initiated a series of site-specific works in derelict areas of the South Bronx. The borough's many abandoned buildings, the result of economic decline and middle-class flight, served as Matta-Clark's raw material. His series 'Bronx Floors' dissected these structures, performing an anatomical study of ther ravaged urban landscape. Moving from New York to Paris with 'Conical Interserct', a piece that became emblematic of artistic protest, Matta-Clark applied this same method to a pair of seventeenth-century row houses slatted for demolition as a result of the Centre Pompidou's construction. This compelling volume grounds Matta-Clark's practice against the framework of architectural and urban history, stressing his pioneering activist-inspired approach, as well as his contribution to the nascent fields of social practice and relational aesthetics." -- Dust Jacket. Good DJ with VG book (Light edge/shelfwear to DJ; book appears unread.).…

Hardcover. Condición: New in shrinkwrap. Cream and color-illustrated boards with black lettering. 179 pp. Color and illustrations. Published to accompany the exhibition held at David Zwirmer, New York, 2015.

Condición: New.

Condición: As New. Unread book in perfect condition.

Hardcover. Condición: As New. Estado de la sobrecubierta: As New. (DJ and Text are clean, neat and tight). Book.

Hardback. Condición: New. "Undoing is just as much a democratic right as doing."---Gordon Matta-Clark This revealing book looks at the groundbreaking work of Gordon Matta-Clark (1943-1978), whose socially conscious practice blurred the boundaries between contemporary art and architecture. After completing a degree in architecture at Cornell University, Matta-Clark returned to his home city of New York. There he employed the term "anarchitecture," combining "anarchy" and "architecture," to describe the site-specific works he initially realized in the South Bronx. The borough's many abandoned buildings, the result of economic decline and middle-class flight, served as Matta-Clark's raw material. His series Cuts dissected these structures, performing an anatomical study of the ravaged urban landscape. Moving from New York to Paris with Conical Intersect, a piece that became emblematic of artistic protest, Matta-Clark applied this same method to a pair of 17th-century row houses slated for demolition as a result of the Centre Pompidou's construction. This compelling volume grounds Matta-Clark's practice against the framework of architectural and urban history, stressing his pioneering activist-inspired approach, as well as his contribution to the nascent fields of social practice and relational aesthetics.Published in association with The Bronx Museum of the ArtsExhibition Schedule:Bronx Museum of the Arts (11/08/17-04/08/18)Jeu de Paume, Paris (06/04/18-09/23/18)Kumu Kunstimuuseum, Tallinn, Estonia (03/01/19-08/04/19)Rose Art Museum, Waltham, MA (09/12/19-12/15/2019).…

Hardcover. Condición: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Hardcover. Condición: Brand New. 179 pages. 12.50x9.50x1.00 inches. In Stock.

Hardcover. Condición: Brand New. 184 pages. 10.50x8.00x0.75 inches. In Stock.

Condición: New.

Condición: New. In English.

Condición: New. Undoing is just as much a democratic right as doing. ---Gordon Matta-Clark&Uumlber den AutorAntonio Sergio Bessa is director of curatorial and education programs at the Bronx Museum of the Arts. Jessamyn Fiore is a Ne.

Buch. Condición: Neu. Neuware - 'Undoing is just as much a democratic right as doing.'---Gordon Matta-Clark This revealing book looks at the groundbreaking work of Gordon Matta-Clark (1943-1978), whose socially conscious practice blurred the boundaries between contemporary art and architecture. After completing a degree in architecture at Cornell University, Matta-Clark returned to his home city of New York. There he employed the term 'anarchitecture,' combining 'anarchy' and 'architecture,' to describe the site-specific works he initially realized in the South Bronx. The borough's many abandoned buildings, the result of economic decline and middle-class flight, served as Matta-Clark's raw material. His series Cuts dissected these structures, performing an anatomical study of the ravaged urban landscape. Moving from New York to Paris with Conical Intersect, a piece that became emblematic of artistic protest, Matta-Clark applied this same method to a pair of 17th-century row houses slated for demolition as a result of the Centre Pompidou's construction. This compelling volume grounds Matta-Clark's practice against the framework of architectural and urban history, stressing his pioneering activist-inspired approach, as well as his contribution to the nascent fields of social practice and relational aesthetics. Published in association with The Bronx Museum of the Arts Exhibition Schedule: Bronx Museum of the Arts (11/08/17-04/08/18)Jeu de Paume, Paris (06/04/18-09/23/18)Kumu Kunstimuuseum, Tallinn, Estonia (03/01/19-08/04/19)Rose Art Museum, Waltham, MA (09/12/19-12/15/2019). …

Condición: As New. Unread book in perfect condition.

Hardback. Condición: New. "Undoing is just as much a democratic right as doing."---Gordon Matta-Clark This revealing book looks at the groundbreaking work of Gordon Matta-Clark (1943-1978), whose socially conscious practice blurred the boundaries between contemporary art and architecture. After completing a degree in architecture at Cornell University, Matta-Clark returned to his home city of New York. There he employed the term "anarchitecture," combining "anarchy" and "architecture," to describe the site-specific works he initially realized in the South Bronx. The borough's many abandoned buildings, the result of economic decline and middle-class flight, served as Matta-Clark's raw material. His series Cuts dissected these structures, performing an anatomical study of the ravaged urban landscape. Moving from New York to Paris with Conical Intersect, a piece that became emblematic of artistic protest, Matta-Clark applied this same method to a pair of 17th-century row houses slated for demolition as a result of the Centre Pompidou's construction. This compelling volume grounds Matta-Clark's practice against the framework of architectural and urban history, stressing his pioneering activist-inspired approach, as well as his contribution to the nascent fields of social practice and relational aesthetics.Published in association with The Bronx Museum of the ArtsExhibition Schedule:Bronx Museum of the Arts (11/08/17-04/08/18)Jeu de Paume, Paris (06/04/18-09/23/18)Kumu Kunstimuuseum, Tallinn, Estonia (03/01/19-08/04/19)Rose Art Museum, Waltham, MA (09/12/19-12/15/2019).…

Hardcover. Condición: New.

Hardcover. Condición: New. 112 Greene Street was one of New York's first alternative, artist-run venues. Started in October 1970 by Jeffrey Lew, Gordon Matta-Clark and Alan Saret, among others, the building became a focal point for a young generation of artists seeking a substitute for New York's established gallery circuit, and provided the stage for a singular moment of artistic invention and freedom that was at its peak between 1970 and 1974. This extensively researched volume is the culmination of David Zwirner's January 2011 exhibition of the same name, gathering a number of works exhibited at 112 Greene Street (by Matta-Clark, Vito Acconci, Tina Girouard, Suzanne Harris, Jene Highstein, Larry Miller, Alan Saret and Richard Serra among others), alongside extensive interviews with many of the artists involved, a timeline of the early years at 112 Greene Street and installation views of the 2011 exhibition.…