Jarraway david (35 resultados)

Paperback. Condición: Very Good. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

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hardcover. Condición: Good. Bargain book.

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Hardback. Condición: Fine. Estado de la sobrecubierta: Fine. review slip.

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Hardcover. Condición: As New. Estado de la sobrecubierta: Almost Like New. First Priinting. Book is a clean tight unmarked copy.

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Near Fine.

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Near Fine.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Soft Cover. Condición: Very Good. 144 pp. Vol. 4, No. 1, 1998 issue only! ISSN 1064-2684. A great, almost spotlessly clean copy! Solidly and tightly bound, essentially and nearly flawless copy with minimal internal and external wear and use. Copy with crisp pages, clean text, and light shelf wear. Smooth covers. Stain on front cover. …

Paperback. Condición: new. Paperback. This bold new theoretical study explores dissident subjectivity, that is, the struggle for unique authorial identity in American literary discourse that has existed, according to David Jarraway, since the Romantics. From Emerson's "Experience" remarking upon the "focal distance within the actual horizon of human life" to Toni Morrison's Nobel Prize address sanctifying the artist's "sophisticated privileged space," American literature has continuously recognized a necessary "distance" between culturally accepted ideas of selfhood and the intractable reality of the self's never-completed construction in time. Jarraway's fascinating examination of modernist poets shows that engaging with this artistic space empowers writers and their readers to create and perceive identities that resist the frozen certainties of conventional gender, sexual, and social roles. Employing this theory with grace and precision, Jarraway ranges through the dissident process in Gertrude Stein, the cultural criticism of William Carlos Williams, the deferred racialism of Langston Hughes, the queer perversities of Frank O'Hara, and the spectral lesbian poetics of Elizabeth Bishop.Bolstered further by insights from the pragmatism of William James through the cultural critique of Theodor Adorno to the queer theory of Judith Butler, the author challenges his audience with politically engaged insistence on the life-affirming potentialities of human subjectivity in literature. Lucidly composed, theoretically sophisticated and up-to-the-minute, Going the Distance painstakingly recovers the dissident American subjective in modernist literary discourse within its fullest cultural context. This work explores dissident subjectivity, that is, the struggle for unique authorial identity in American literary discourse that has existed since the Romantics. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Paperback. Condición: New. Over the past forty years, Canadian literature has found its way to the silver screen with increasing regularity. Beginning with the adaptation of Margaret Laurence's A Jest of God to the Hollywood film Rachel, Rachel in 1966, Canadian writing would appear to have found a doubly successful life for itself at the movies: from the critically acclaimed Kamouraska and The Apprenticeship of Duddy Kravitz in the 1970s through to the award-winning Love and Human Remains and The English Patient in the 1990s. With the more recent notoriety surrounding the Oscar-nominated Away from Her, and the screen appearances of The Stone Angel and Fugitive Pieces, this seems like an appropriate time for a collection of essays to reflect on the intersection between literary publication in Canada, and its various screen transformations.This volume discusses and debates several double-edged issues: the extent to which the literary artefact extends its artfulness to the film artefact, the degree to which literary communities stand to gain (or lose) in contact with film communities, and perhaps most of all, the measure by which a viable relation between fiction and film can be said to exist in Canada, and where that double-life precisely manifests itself, if at all.…

Paperback. Condición: Brand New. 280 pages. 9.25x6.00x0.75 inches. In Stock.

Condición: New. In English.

Paperback / softback. Condición: New. New copy - Usually dispatched within 4 working days.

Condición: New.

Paperback. Condición: Brand New. 280 pages. 9.25x6.00x0.75 inches. In Stock.

Hardcover. Condición: Very Good. **HARDBACK** In unclipped dustjacket No stamps or inscriptions; clean condition.

Condición: Brand New.

Condición: Brand New.

Condición: New.

Hardcover. Condición: Good. Estado de la sobrecubierta: Good. First Edition. 339 pages. In this groundbreaking study David R. Jarraway considers the perplexing question of belief in Wallace Stevens' poetry. Bottom of dustjacket spine is bumped. Size: 8vo - over 7¾" - 9¾" tall. Book.

First Edition. First edition and first printing. Hardcover. 339 pages. A critical examination of the work of writer Wallace Stevens. A fine copy in blue cloth boards in a very near fine dust jacket with some slight sunning to and along the spine.

Hard Cover. Condición: Near Fine. Near Fine. First Edition. 230 pp. A bold theoretical study exploring dissident subjectivity - the struggle for unique authorial identity in American literary discourse.; 8vo - over 7¾" - 9¾" tall.

Condición: New. pp. 280.

Condición: New. pp. 280.

Taschenbuch. Condición: Neu. Neuware - This bold new theoretical study explores dissident subjectivity, that is, the struggle for unique authorial identity in American literary discourse that has existed, according to David Jarraway, since the Romantics. From Emerson's ''Experience'' remarking upon the ''focal distance within the actual horizon of human life'' to Toni Morrison's Nobel Prize address sanctifying the artist's ''sophisticated privileged space,'' American literature has continuously recognised a necessary ''distance'', the gap between culturally accepted ideas of selfhood and the intractable reality of the self's never-completed construction in time. Jarraway's fascinating examination of modernist poets shows that engaging with this artistic space, or ''going the distance,'' empowers writers and their readers to create and perceive identities that resist the frozen certainties of conventional gender, sexual, and social roles.Employing this theory with grace and precision, Jarraway ranges through the dissident process in Gertrude Stein, the cultural criticism of William Carlos Williams, the deferred racialism of Langston Hughes, the queer perversities of Frank O'Hara, and the spectral lesbian poetics of Elizabeth Bishop. Bolstered further by insights from the pragmatism of William James through the cultural critique of Theodor Adorno to the queer theory of Judith Butler, the author challenges his audience with politically engaged insistence on the life-affirming potentialities of human subjectivity in literature. His passionate conclusion demonstrates the liberating fluidity of self made possible by feminist chartings of modern identity's depths.Lucidly composed, theoretically sophisticated and up-to-the-minute, Going the Distance painstakingly recovers the dissident American subjective in modernist literary discourse within its fullest cultural context. Jarraway's readings are a major contribution to poetry scholarship and to cultural studies that will provoke further investigations into the history of subjectivity in American literature as a whole.…