Jacobsen lasse (49 resultados)

hardcover. Condición: Very Good. Meet Edvard Munch This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .…

hardcover. Condición: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Condición: new.

Condición: New.

Hardback. Condición: New. The jarring emptiness following the loss of a loved one, the expansive out-of-body sensation of sensual touch, the lassitude of melancholy and the ecstatic receptivity to sunshine. His ability to capture and convey sensation and feelings through the materials of art, places the Norwegian artist Edvard Munch (1863-1944) at the forefront of European art at the turn of the last century.Interestingly, Munch's artistic exploration of perception, and his persistent questioning of the objectivity of vision, intersect with ideas that matured within the fields of psychology and experimental optics at the time.Edvard Munch: Inner Fire examines these connections, demonstrating his continuing exploration of the conditions of sight. The essays in this catalogue examine this phenomenon while also probing a lesser-known aspect of the artist's work: Munch's relationship to Italy.The first essay, Lasse Jacobsen's 'Edvard Munch. Italian Impressions', explores this connection explicitly, as part of a general overview of Munch's life and work.The second text, 'Reflections in Munch's Inner Eye' by Patricia G. Berman, charts the art historical context of Munch's exploration of experience's subjective dimension. Emil Leth Meilvang's 'Seeing without Sight. Munch's Vision', on its part, explores the relationship between Munch's artistic development and simultaneous developments within the perceptual sciences. Edvard Munch. Inner Fire includes essayistic pieces by authors Melania G. Mazzucco and Hanne Ørstavik: 'I am a Romantic' and 'Who Am I'. Each demonstrates Munch's continuing ability to light the inner fires of other artists.…

Condición: As New. Unread book in perfect condition.

hardcover. Condición: New. Brand new book, sourced directly from publisher. Dispatch time is 9-10 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Hardback. Condición: New. The jarring emptiness following the loss of a loved one, the expansive out-of-body sensation of sensual touch, the lassitude of melancholy and the ecstatic receptivity to sunshine. His ability to capture and convey sensation and feelings through the materials of art, places the Norwegian artist Edvard Munch (1863-1944) at the forefront of European art at the turn of the last century.Interestingly, Munch's artistic exploration of perception, and his persistent questioning of the objectivity of vision, intersect with ideas that matured within the fields of psychology and experimental optics at the time.Edvard Munch: Inner Fire examines these connections, demonstrating his continuing exploration of the conditions of sight. The essays in this catalogue examine this phenomenon while also probing a lesser-known aspect of the artist's work: Munch's relationship to Italy.The first essay, Lasse Jacobsen's 'Edvard Munch. Italian Impressions', explores this connection explicitly, as part of a general overview of Munch's life and work.The second text, 'Reflections in Munch's Inner Eye' by Patricia G. Berman, charts the art historical context of Munch's exploration of experience's subjective dimension. Emil Leth Meilvang's 'Seeing without Sight. Munch's Vision', on its part, explores the relationship between Munch's artistic development and simultaneous developments within the perceptual sciences. Edvard Munch. Inner Fire includes essayistic pieces by authors Melania G. Mazzucco and Hanne Ørstavik: 'I am a Romantic' and 'Who Am I'. Each demonstrates Munch's continuing ability to light the inner fires of other artists.…

Paperback or Softback. Condición: New. Fictionality and Literature: Core Concepts Revisited. Book.

Condición: New. In English.

Condición: New.

Hardcover. Condición: Brand New. 240 pages. 11.76x9.51x9.45 inches. In Stock.

Paperback. Condición: New.

Hardback. Condición: New. The jarring emptiness following the loss of a loved one, the expansive out-of-body sensation of sensual touch, the lassitude of melancholy and the ecstatic receptivity to sunshine. His ability to capture and convey sensation and feelings through the materials of art, places the Norwegian artist Edvard Munch (1863-1944) at the forefront of European art at the turn of the last century.Interestingly, Munch's artistic exploration of perception, and his persistent questioning of the objectivity of vision, intersect with ideas that matured within the fields of psychology and experimental optics at the time.Edvard Munch: Inner Fire examines these connections, demonstrating his continuing exploration of the conditions of sight. The essays in this catalogue examine this phenomenon while also probing a lesser-known aspect of the artist's work: Munch's relationship to Italy.The first essay, Lasse Jacobsen's 'Edvard Munch. Italian Impressions', explores this connection explicitly, as part of a general overview of Munch's life and work.The second text, 'Reflections in Munch's Inner Eye' by Patricia G. Berman, charts the art historical context of Munch's exploration of experience's subjective dimension. Emil Leth Meilvang's 'Seeing without Sight. Munch's Vision', on its part, explores the relationship between Munch's artistic development and simultaneous developments within the perceptual sciences. Edvard Munch. Inner Fire includes essayistic pieces by authors Melania G. Mazzucco and Hanne Ørstavik: 'I am a Romantic' and 'Who Am I'. Each demonstrates Munch's continuing ability to light the inner fires of other artists.…

Condición: As New. Unread book in perfect condition.

Condición: As New. Unread book in perfect condition.

Condición: New.

Hardback. Condición: New.

Condición: New.

Condición: New.

Condición: New. In English.

Hardback. Condición: New. The jarring emptiness following the loss of a loved one, the expansive out-of-body sensation of sensual touch, the lassitude of melancholy and the ecstatic receptivity to sunshine. His ability to capture and convey sensation and feelings through the materials of art, places the Norwegian artist Edvard Munch (1863-1944) at the forefront of European art at the turn of the last century.Interestingly, Munch's artistic exploration of perception, and his persistent questioning of the objectivity of vision, intersect with ideas that matured within the fields of psychology and experimental optics at the time.Edvard Munch: Inner Fire examines these connections, demonstrating his continuing exploration of the conditions of sight. The essays in this catalogue examine this phenomenon while also probing a lesser-known aspect of the artist's work: Munch's relationship to Italy.The first essay, Lasse Jacobsen's 'Edvard Munch. Italian Impressions', explores this connection explicitly, as part of a general overview of Munch's life and work.The second text, 'Reflections in Munch's Inner Eye' by Patricia G. Berman, charts the art historical context of Munch's exploration of experience's subjective dimension. Emil Leth Meilvang's 'Seeing without Sight. Munch's Vision', on its part, explores the relationship between Munch's artistic development and simultaneous developments within the perceptual sciences. Edvard Munch. Inner Fire includes essayistic pieces by authors Melania G. Mazzucco and Hanne Ørstavik: 'I am a Romantic' and 'Who Am I'. Each demonstrates Munch's continuing ability to light the inner fires of other artists.…

Hardback. Condición: New.

Condición: New. &Uumlber den AutorLasse R. Gammelgaard is Associate Professor in the School of Communication and Culture at Aarhus University. Stefan Iversen is Associate Professor in the School of Communication and Culture at Aarhus University.

Paperback. Condición: New.

Hardback. Condición: New.

Condición: New.

Buch. Condición: Neu. Neuware - Taking its cues from Richard Walsh's influential 2007 book, The Rhetoric of Fictionality, Fictionality and Literature sets out to examine the implications of a rhetorical understanding of fictionality. A rhetorical approach understands fictionality and nonfictionality not as binary opposites but as different means to the same end: influencing an audience's understanding of the world. Arguing that fiction is not just a feature of particular works, such as novels, but an adaptable instrument used to achieve an author's specific rhetorical goals, the contributors theorize how to reconceive of core literary features and influences such as author, narrator, plot, character, consciousness, metaphor, metafiction/metalepsis, intertextuality, paratext, ethics, and social justice. Combining analyses of a wide range of texts by Colson Whitehead, Charles Dickens, Kazuo Ishiguro, Toni Morrison, Geoffrey Chaucer, and others with historical events such as the Nat Tate biography hoax and the Anders Breivik murders, contributors discuss not only a rhetorical definition of fictionality but also the wider consequences of such a conception. In addition, some chapters within Fictionality and Literature offer alternatives to a rhetorical paradigm, thus expanding the volume's representation of the current state of the conversation about fictionality in literature. Contributors: H. Porter Abbott, Catherine Gallagher, Lasse R. Gammelgaard, Stefan Iversen, Louise Brix Jacobsen, Rikke Andersen Kraglund, Susan S. Lanser, Jakob Lothe, Maria Mäkelä, Greta Olson, Sylvie Patron, James Phelan, Richard Walsh, Wendy Veronica Xin, Henrik Zetterberg-Nielsen, Simona Zetterberg-Nielsen.…

Hardback. Condición: New. Illustrated.

Condición: New.