Ilaria bignotti (53 resultados)

Condición: New.

Paperback. Condición: New. Between 1970 and 1971, Italian artists Paolo Scheggi and Vincenzo Agnetti worked together on a project they called The Temple. Birth of Eidos. Due to Scheggi's untimely death in 1971 at the age of 31, the project remained unfinished. These previously unpublished preparatory sketches, drawings, and notes, which were shown at the Museo Novecento in Florence, are examined in essays by Ilaria Bignotti and Bruno Corà and texts by Germana Agnetti and Cosima Scheggi, daughters of the two artists and directors of their respective archives. The concept of the project was to create a sacred place, a temple, to contain linguistic objects representing primary forms of community, subjectivity and power, linking these with the artistic and theoretical research the two artists were conducting at the time.Agnetti died 10 years after his friend and colleague. His research followed a new route but remained closely linked with that idea born in 1968, that "any work, any artistic object, any gesture is a critical reminder of reality and our existence". (Germana Agnetti).…

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: As New. Unread copy in mint condition.

Condición: New. Brand New.

Paperback. Condición: Brand New. 128 pages. 9.50x6.50x0.39 inches. In Stock.

Condición: As New. Unread book in perfect condition.

Condición: As New. Unread copy in mint condition.

Condición: New. Brand New.

Condición: New. In English.

Condición: New.

Condición: New. 2022. Paperback. . . . . .

Condición: NEW.

Condición: New. 2022. Paperback. . . . . . Books ship from the US and Ireland.

Condición: NEW.

Condición: NEW.

Paperback. Condición: New.

paperback. Condición: New. **PAPERBACK**.

Hard Cover. Condición: Very Good. This is a very good hardcover copy without dust jacket as issued, with just light cover wear. Completely clean inside and out. Text in English and Italian. Illustrated in color and black & white. This monograph was prepared to accompany the exhibition in London at the Cortesi Gallery, from May 26 to July 22, 2016. Exhibition curated by Ilaria Bignotti, who also edited the catalog and writes the title essay 'The Concrete Utopia: Ivan Picelj and New Tendencies 1961- 1973'. The exhibition explored the work of Ivan Picelj (1924- 2011) and his contributions to the 1960's art movement New Tendencies. Bibliography. 12" high X 8" wide, 150 pages. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.…

Kartoniert / Broschiert. Condición: New. Documents a collaborative project by Vincenzo Agnetti and Paolo Scheggi that remained unfinished due to Scheggi s untimely death in 1971: The Temple. Birth of Eidos.&Uumlber den AutorIlaria Bignotti has a PhD in Theory and History o.

Taschenbuch. Condición: Neu. Neuware - Between 1970 and 1971, Italian artists Paolo Scheggi and Vincenzo Agnetti worked together on a project they called The Temple. Birth of Eidos. Due to Scheggi's untimely death in 1971 at the age of 31, the project remained unfinished. These previously unpublished preparatory sketches, drawings, and notes, which were shown at the Museo Novecento in Florence, are examined in essays by Ilaria Bignotti and Bruno Corà and texts by Germana Agnetti and Cosima Scheggi, daughters of the two artists and directors of their respective archives. The concept of the project was to create a sacred place, a temple, to contain linguistic objects representing primary forms of community, subjectivity and power, linking these with the artistic and theoretical research the two artists were conducting at the time. Agnetti died 10 years after his friend and colleague. His research followed a new route but remained closely linked with that idea born in 1968, that "any work, any artistic object, any gesture is a critical reminder of reality and our existence". (Germana Agnetti).…

Exhibition catalogue. Hardcover. Many full-page ills in color. 86 p. -very good, as new.

Condición: NEW.

Paperback. Condición: New. "A point, a hole, a gap. A cut, a gash, a wound. The gaze stretches out towards openings, discovers small and large concavities, focal lines converge and branch out between chromatic shadows and traces of light: we go with our eyes towards what wants to be looked at, the object of perceptive desire. [.] The work as the starting point of a venture between what exists and what can only be imagined."This book is a moment of reflection on Paolo Scheggi's (1940-1971) multidisciplinary research and his intense investigation developed over little more than a decade: a seemingly insignificant stretch of time in the slow and irrevocable evolution of the history of modern and contemporary Western art which defines him as a very young protagonist of the Italian spatialist and monochrome neo-avant-garde, and pioneer of contemporary languages.Text in English and Italian.…

Condición: Buone. Condizioni dell'esterno: Ottime Condizioni dell'interno: Ottime.

Hardcover. Condición: Fine. Qto., 152 pages, illustrated. Unused, a Fine copy.

Condición: Buone. italiano Condizioni dell'esterno: Buone Condizioni dell'interno: Buone.

Taschenbuch. Condición: Neu. Il Tempio. La nascita dell'Eidos | The Temple. Birth of the Eidos | Ilaria Bignotti (u. a.) | Taschenbuch | Forma Edizioni | Kartoniert / Broschiert | Englisch | 2022 | ACC Art Books - IPSUK | EAN 9788855210836 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu.…

Paperback. Condición: New. Between 1970 and 1971, Italian artists Paolo Scheggi and Vincenzo Agnetti worked together on a project they called The Temple. Birth of Eidos. Due to Scheggi's untimely death in 1971 at the age of 31, the project remained unfinished. These previously unpublished preparatory sketches, drawings, and notes, which were shown at the Museo Novecento in Florence, are examined in essays by Ilaria Bignotti and Bruno Corà and texts by Germana Agnetti and Cosima Scheggi, daughters of the two artists and directors of their respective archives. The concept of the project was to create a sacred place, a temple, to contain linguistic objects representing primary forms of community, subjectivity and power, linking these with the artistic and theoretical research the two artists were conducting at the time.Agnetti died 10 years after his friend and colleague. His research followed a new route but remained closely linked with that idea born in 1968, that "any work, any artistic object, any gesture is a critical reminder of reality and our existence". (Germana Agnetti).…