Ibou paul (82 resultados)

Hardcover. Condición: Used - Very Good. Graphis U.S. Inc., New York, copyright 1996. 224 pages. Text in English, German, French. Color illustrated. 12 x 7.5", cloth, dj. Owner name (graphic designer Robert Cipriani), clean, tight, very good/very good.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. 1st Edition. 264 Pp. Black Cloth Printed In Silver. 11 3/4" X 10 1/4" X 1". Text In Dutch, French, German And English. Special Hardcover Presentation Book With Signed Presentation Plate From C. Paulus, Governor Of Antwerp Province, Dated 1998 Bound In. Fine In Fine Dj. Photographs By Gerrit Op De Beeck (ilustrador).…

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: New.

Condición: As New. Unread book in perfect condition.

Condición: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: Good. First Edition. Ik vier het alle dagen is een boek van Durnez; Gebonden boek met fris en schoon binnenwerk. Gave omslag. Licht scheurtje op voorplat.

Hardback. Condición: New. Paul Ibou designed during his career more than 350 logos and symbols and is one of the important pioneers in modern graphic design. Next to his design activities he published numerous books on symbols and logo's. In 1991 he built the foundations of the book Letters As Symbols: the concept, the cover and the basic layout. The book was never released and remained untouched for decades until young graphic designer Christophe De Pelsemaker and Paul Ibou established a collaboration in 2017. Paul Ibou acquired an enormous amount of logos through submission forms that were sent to him by the leading logo and brand identity designers of that time like Saul Bass, Burton Kramer, Anton Stankowski, Yasaburo Kuwayama, Ken Cato, Wim Crouwel and many more. Letters As Symbols, contains logos from these submissions and was completed with contemporary work. Each logo is based on a letter of the Latin alphabet (A-Z) and forms an excellent source of inspiration for designers, artists, agencies, teachers, typographers, students, and many others.…

Hardcover. Condición: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Gebundene Ausgabe, 4". Condición: Sehr gut. 176 S. Das Buch ist in exzellentem, sauberen Zustand. Gebundenes Buch mit Original-Schutzumschlag. Dieser mit minimalsten Randläsuren. Sonst perfekt sauberes und wohlerhaltenes Exemplar. Provenienz: Numeriertes, typographisches Ex Libris der Wochenzeitung Die Zeit, Hamburg auf Innendeckel. Nr. 49. ISBN: 9789071614088 Due to new EU packaging regulations, we are currently unable to ship to many EU countries. Shipping to Germany, the Netherlands, Ireland, Finland, and the Baltic states is possible. Deliveries to border-based parcel lockers or cross-border parcel forwarding services remain possible. Shipping to all countries outside the EU also remains possible. Sprache: Englisch Gewicht in Gramm: 1023.…

Hard Cover. Condición: Fine. Estado de la sobrecubierta: Fine. This is a fine hardcover copy in a fine dust jacket with no wear at all. Completely clean inside and out. Text in English and French. Edited by Paul Ibou. Introduction by Wim Crouwel. Superb collection of logos and symbols used by art world institutions, designed by the leading designers of the period. Illustrated mostly in black & white, some color. All illustrations printed on high quality heavy paper stock. Index of over 200 designers. 12" high X 9" wide, 201 pages. Heavy book, foreign shipping extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.…

Gebundene Ausgabe, 4". Condición: Sehr gut. 266 S. Das Buch ist in exzellentem, sauberen Zustand. Gebundenes Buch mit Original-Schutzumschlag. Provenienz: Numeriertes, typographisches Ex Libris der Wochenzeitung Die Zeit, Hamburg auf Innendeckel. Nr. 465. ISBN: 9789071614095 Due to new EU packaging regulations, we are currently unable to ship to many EU countries. Shipping to Germany, the Netherlands, Ireland, Finland, and the Baltic states is possible. Deliveries to border-based parcel lockers or cross-border parcel forwarding services remain possible. Shipping to all countries outside the EU also remains possible. Sprache: Englisch Gewicht in Gramm: 2317.…

Hardcover, with dust jacket. 210 pages. Text in English. As new. 777g.

Condición: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Condición: As New. Unread book in perfect condition.

Condición: New. In English.

Condición: New.

Condición: Good. Testo anche in inglese. ill. a colori. in quarto leg. bross. con sovraccoperta edit. pp. non numerate Buono (Good) Buon es. leg. bross. con sovraccoperta edit.

Gebundene Ausgabe, 4". Condición: Gut. 266 S. Das Buch ist in gutem, sauberen Zustand. Gebundenes Buch mit Original-Schutzumschlag. Dieser mit Läsuren, eingerissen und getönt. Sonst sauberes und wohlerhaltenes Exemplar. Provenienz: Numeriertes, typographisches Ex Libris der Wochenzeitung Die Zeit, Hamburg auf Innendeckel. Nr. 464. ISBN: 9789071614064 Due to new EU packaging regulations, we are currently unable to ship to many EU countries. Shipping to Germany, the Netherlands, Ireland, Finland, and the Baltic states is possible. Deliveries to border-based parcel lockers or cross-border parcel forwarding services remain possible. Shipping to all countries outside the EU also remains possible. Sprache: Englisch Gewicht in Gramm: 2336. …

Hardcover. Condición: Brand New. 320 pages. 11.75x8.25x8.27 inches. In Stock.

Condición: Good. Volume 2. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. Dust jacket in good condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,2450grams, ISBN:9071614093.…

Hardcover. Condición: new. Hardcover. Paul Ibou designed during his career more than 350 logos & symbols and is one of the important pioneers in modern graphic design. Next to his design activities he published numerous books on symbols and logo's. In 1991 he built the foundations of the book Letters As Symbols: the concept, the cover and the basic layout. The book was never released and remained untouched for decades until young graphic designer Christophe De Pelsemaker and Paul Ibou established a collaboration in 2017. Paul Ibou acquired an enormous amount of logos through submission forms that were sent to him by the leading logo and brand identity designers of that time like Saul Bass, Burton Kramer, Anton Stankowski, Yasaburo Kuwayama, Ken Cato, Wim Crouwel and many more. Letters As Symbols, contains logos from these submissions and was completed with contemporary work. Each logo is based on a letter of the Latin alphabet (A-Z) and forms an excellent source of inspiration for designers, artists, agencies, teachers, typographers, students, and many others. AUTHOR: Paul Ibou was was a Belgian graphic designer and sculptor. He designed, among other things, a number of logos for large organizations. At the age of 17, Paul created his personal logo and pseudonym. Based on a few spheres and a simple body shape, he made a stylized owl. This owl shape would later return in many of his designs. Owl is "hibou" in French. Vermeersch left out the "h" and looked for a way to make "Ibou" an acronym. It became "Inventive Book Designer and Publisher". Paul Ibou worked first at an advertising studio and then briefly at a photogravure studio. In 1958 he completed the course "Publicity and Letters" at the Royal Academy of Fine Arts of Antwerp . He further studied at the "Higher Institute for Printing" of the Plantin Institute for Typography. Ibou then went to work for Nutricia as an art director. In 1961 Ibou became an independent designer and a few years later he received the first important commissions, including in 1965 for the Biennale for Sculpture in the Middelheim Park in Antwerp. In 1967 he made his first international study trip, which took him to New York. Ibou's fame increased and he received numerous assignments for major institutions. In 1980 he founded a magazine about design: Vorm in Vlaanderen. Of these, 14 issues and 2 yearbooks were published. In 1984 the magazine was stopped after Ibou was involved in a serious car accident, for which he had to recuperate for a long time. In 2001, Ibou stopped working as a graphic designer and focused on painting and sculpture. He sadly passed away in 2023, but his archive lives on through printed matter. SELLING POINTS: . The book is not only a celebration of letters as symbols, it is also a celebration of the skill and knowledge that goes into logo design . It is clear that Paul Ibou has had an impressive artistic career in more than half a century. He rightly describes himself as a 'total multi-artist'. Probably because that sounds better than 'constructivist image builder, graphic and plastic designer, designer, typewriter and typographer, writer, publicist, publisher and specialist in visual communication', which he was 309 b/w illustrations The logos by Paul Ibou featured in 'Letters As Symbols' are looking purely at the aesthetics of logos, that are all equal and have the qualities a good logo must have. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condición: Good. Original stapled wrappers, softcover, illustrations (including photographs) in colour and b/w, unpaged, square (circa 20x20cm). Signed on title page by Paul Ibou.; Few creases in front and rear cover.

hardcover. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Hardcover. Condición: Good. Original green cloth, dust jacket, numerous illustrations in colour, text in English, French and Japanese, unpaged, folio.; Top corners bumped, foxing to verso dust jacket.

Paperback. Condición: Good. Dutch.

Buch. Condición: Neu. Neuware - Paul Ibou designed during his career more than 350 logos & symbols and is one of the important pioneers in modern graphic design. Next to his design activities he published numerous books on symbols and logo's. In 1991 he built the foundations of the book Letters As Symbols: the concept, the cover and the basic layout. The book was never released and remained untouched for decades until young graphic designer Christophe De Pelsemaker and Paul Ibou established a collaboration in 2017. Paul Ibou acquired an enormous amount of logos through submission forms that were sent to him by the leading logo and brand identity designers of that time like Saul Bass, Burton Kramer, Anton Stankowski, Yasaburo Kuwayama, Ken Cato, Wim Crouwel and many more. Letters As Symbols, contains logos from these submissions and was completed with contemporary work. Each logo is based on a letter of the Latin alphabet (A-Z) and forms an excellent source of inspiration for designers, artists, agencies, teachers, typographers, students, and many others.…

Hardcover. Condición: Fair. 180 pages : illustrations ; 30 cm Dutch.

Hardcover. Condición: new. Hardcover. Paul Ibou designed during his career more than 350 logos & symbols and is one of the important pioneers in modern graphic design. Next to his design activities he published numerous books on symbols and logo's. In 1991 he built the foundations of the book Letters As Symbols: the concept, the cover and the basic layout. The book was never released and remained untouched for decades until young graphic designer Christophe De Pelsemaker and Paul Ibou established a collaboration in 2017. Paul Ibou acquired an enormous amount of logos through submission forms that were sent to him by the leading logo and brand identity designers of that time like Saul Bass, Burton Kramer, Anton Stankowski, Yasaburo Kuwayama, Ken Cato, Wim Crouwel and many more. Letters As Symbols, contains logos from these submissions and was completed with contemporary work. Each logo is based on a letter of the Latin alphabet (A-Z) and forms an excellent source of inspiration for designers, artists, agencies, teachers, typographers, students, and many others. AUTHOR: Paul Ibou was was a Belgian graphic designer and sculptor. He designed, among other things, a number of logos for large organizations. At the age of 17, Paul created his personal logo and pseudonym. Based on a few spheres and a simple body shape, he made a stylized owl. This owl shape would later return in many of his designs. Owl is "hibou" in French. Vermeersch left out the "h" and looked for a way to make "Ibou" an acronym. It became "Inventive Book Designer and Publisher". Paul Ibou worked first at an advertising studio and then briefly at a photogravure studio. In 1958 he completed the course "Publicity and Letters" at the Royal Academy of Fine Arts of Antwerp . He further studied at the "Higher Institute for Printing" of the Plantin Institute for Typography. Ibou then went to work for Nutricia as an art director. In 1961 Ibou became an independent designer and a few years later he received the first important commissions, including in 1965 for the Biennale for Sculpture in the Middelheim Park in Antwerp. In 1967 he made his first international study trip, which took him to New York. Ibou's fame increased and he received numerous assignments for major institutions. In 1980 he founded a magazine about design: Vorm in Vlaanderen. Of these, 14 issues and 2 yearbooks were published. In 1984 the magazine was stopped after Ibou was involved in a serious car accident, for which he had to recuperate for a long time. In 2001, Ibou stopped working as a graphic designer and focused on painting and sculpture. He sadly passed away in 2023, but his archive lives on through printed matter. SELLING POINTS: . The book is not only a celebration of letters as symbols, it is also a celebration of the skill and knowledge that goes into logo design . It is clear that Paul Ibou has had an impressive artistic career in more than half a century. He rightly describes himself as a 'total multi-artist'. Probably because that sounds better than 'constructivist image builder, graphic and plastic designer, designer, typewriter and typographer, writer, publicist, publisher and specialist in visual communication', which he was 309 b/w illustrations The logos by Paul Ibou featured in 'Letters As Symbols' are looking purely at the aesthetics of logos, that are all equal and have the qualities a good logo must have. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Softcover. Condición: Good. Paperback, veel (paginagrote) illustraties in z/w, 8vo.; Spine slightly skew.