Hunter gill (33 resultados)

Condición: Good. [ No Hassle 30 Day Returns ][ Ships Daily ] [ Underlining/Highlighting: NONE ] [ Writing: NONE ] [ Edition: Reprint ] Publisher: Hunter Pub Inc Pub Date: 3/1/1995 Binding: Paperback Pages: 223 Reprint edition.

hardcover. Condición: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

Soft cover. Condición: Fine. 1st Edition. ISSN # 0440-2316. From the collection of Robert Hershon.

Soft cover. Condición: Near Fine. 1st Edition. Miles Davis photograph by Nancy Miller Elliot on the cover. ISSN # 0440-2316. From the collection of Robert Hershon.

Soft cover. Condición: Fine. 1st Edition. ISSN # 0440-2316. From the collection of Robert Hershon.

Condición: New. Brand New! Not Overstocks or Low Quality Book Club Editions! Direct From the Publisher! We're not a giant, faceless warehouse organization! We're a small town bookstore that loves books and loves it's customers! Buy from Lakeside Books.

Condición: New.

Hardback. Condición: New. In Tearing Down the Lost Cause: The Removal of New Orleans's Confederate Statues James Gill and Howard Hunter examine New Orleans's complicated relationship with the history of the Confederacy pre- and post-Civil War. The authors open and close their manuscript with the dramatic removal of the city's Confederate statues.On the eve of the Civil War, New Orleans was far more cosmopolitan than Southern, with its sizable population of immigrants, Northern-born businessmen, and white and Black Creoles. Ambivalent about secession and war, the city bore divided loyalties between the Confederacy and the Union. However, by 1880 New Orleans rivaled Richmond as a bastion of the Lost Cause. After Appomattox, a significant number of Confederate veterans moved into the city giving elites the backing to form a Confederate civic culture.While it's fair to say that the three Confederate monuments and the white supremacist Liberty Monument all came out of this dangerous nostalgia, the authors argue that each monument embodies its own story and mirrors the city and the times. The Lee monument expressed the bereavement of veterans and a desire to reconcile with the North, though strictly on their own terms. The Davis monument articulated the will of the Ladies Confederate Memorial Association to solidify the Lost Cause and Southern patriotism. The Beauregard Monument honored a local hero, but also symbolized the waning of French New Orleans and rising Americanization. The Liberty Monument, throughout its history, represented white supremacy and the cruel hypocrisy of celebrating a past that never existed.While the book is a narrative of the rise and fall of the four monuments, it is also about a city engaging history. Gill and Hunter contextualize these statues rather than polarize, interviewing people who are on both sides including citizens, academics, public intellectuals, and former mayor Mitch Landrieu. Using the statues as a lens, the authors construct a compelling narrative that provides a larger cultural history of the city.…

Condición: New.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Hardback. Condición: New. In Tearing Down the Lost Cause: The Removal of New Orleans's Confederate Statues James Gill and Howard Hunter examine New Orleans's complicated relationship with the history of the Confederacy pre- and post-Civil War. The authors open and close their manuscript with the dramatic removal of the city's Confederate statues.On the eve of the Civil War, New Orleans was far more cosmopolitan than Southern, with its sizable population of immigrants, Northern-born businessmen, and white and Black Creoles. Ambivalent about secession and war, the city bore divided loyalties between the Confederacy and the Union. However, by 1880 New Orleans rivaled Richmond as a bastion of the Lost Cause. After Appomattox, a significant number of Confederate veterans moved into the city giving elites the backing to form a Confederate civic culture.While it's fair to say that the three Confederate monuments and the white supremacist Liberty Monument all came out of this dangerous nostalgia, the authors argue that each monument embodies its own story and mirrors the city and the times. The Lee monument expressed the bereavement of veterans and a desire to reconcile with the North, though strictly on their own terms. The Davis monument articulated the will of the Ladies Confederate Memorial Association to solidify the Lost Cause and Southern patriotism. The Beauregard Monument honored a local hero, but also symbolized the waning of French New Orleans and rising Americanization. The Liberty Monument, throughout its history, represented white supremacy and the cruel hypocrisy of celebrating a past that never existed.While the book is a narrative of the rise and fall of the four monuments, it is also about a city engaging history. Gill and Hunter contextualize these statues rather than polarize, interviewing people who are on both sides including citizens, academics, public intellectuals, and former mayor Mitch Landrieu. Using the statues as a lens, the authors construct a compelling narrative that provides a larger cultural history of the city.…

Condición: New.

Condición: good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail. Goodloe Byron; Paul Pederson (ilustrador).…

Condición: New.

Hardcover. Condición: Brand New. 176 pages. 9.00x6.00x1.10 inches. In Stock.

Condición: New.

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Near Fine. 1st Edition. NF/NF. First edition, first printing. Signed and dated by both authors on title page. 225 pp. Signed by Author(s).

Hardcover. Condición: New.

Condición: New. In English.

Hardback. Condición: New. In Tearing Down the Lost Cause: The Removal of New Orleans's Confederate Statues James Gill and Howard Hunter examine New Orleans's complicated relationship with the history of the Confederacy pre- and post-Civil War. The authors open and close their manuscript with the dramatic removal of the city's Confederate statues.On the eve of the Civil War, New Orleans was far more cosmopolitan than Southern, with its sizable population of immigrants, Northern-born businessmen, and white and Black Creoles. Ambivalent about secession and war, the city bore divided loyalties between the Confederacy and the Union. However, by 1880 New Orleans rivaled Richmond as a bastion of the Lost Cause. After Appomattox, a significant number of Confederate veterans moved into the city giving elites the backing to form a Confederate civic culture.While it's fair to say that the three Confederate monuments and the white supremacist Liberty Monument all came out of this dangerous nostalgia, the authors argue that each monument embodies its own story and mirrors the city and the times. The Lee monument expressed the bereavement of veterans and a desire to reconcile with the North, though strictly on their own terms. The Davis monument articulated the will of the Ladies Confederate Memorial Association to solidify the Lost Cause and Southern patriotism. The Beauregard Monument honored a local hero, but also symbolized the waning of French New Orleans and rising Americanization. The Liberty Monument, throughout its history, represented white supremacy and the cruel hypocrisy of celebrating a past that never existed.While the book is a narrative of the rise and fall of the four monuments, it is also about a city engaging history. Gill and Hunter contextualize these statues rather than polarize, interviewing people who are on both sides including citizens, academics, public intellectuals, and former mayor Mitch Landrieu. Using the statues as a lens, the authors construct a compelling narrative that provides a larger cultural history of the city.…

paperback. Condición: Very Good. Most of our very good books have only minor imperfections such as shelf wear consistent with a new book that's sat on a bookshop shelf for a year or two. Occasionally we may miss other minor imperfections as we have to grade books at speed. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only.…

Hardcover. Condición: Fine. Dust Jacket Included. 338 pages, portrait frontispiece and many colour and b/w illustrations, 10.4"x 8", hardback, a FINE copy in a fine dust-jacket [9781904965268].

paperback. Condición: Very Good. Secondhand. Clean pages. Very good book.

Gebunden. Condición: New. Examines New Orleans s complicated relationship with the history of the Confederacy pre- and post-Civil War. The book opens and closes with the dramatic removal of the city s Confederate statues. While the book is a narrative of the rise and fall of the fou.

Hardcover. Condición: Very Good. 338 pages. William White (1825-1900) was one of the leading architects in Victorian Engl and. His originality, sensitivity and vibrant use of colour put him at the foref ront of the Gothic Revival from the late 1840s. Referred to in his time as 'inve ntive and ingenious', he pioneered, for example, the use of double-glazing and w ood-block flooring. His work is found not only throughout Britain but also in Ir eland, South Africa and Madagascar. It encompassed cathedrals, churches, houses and parsonages, schools, commercial buildings, furniture, stained glass, ironwor k and even the first frame rucksack. White was a prolific writer and contributed to the architectural debates of his age. Working into the late Victorian period , he contributed to the development of the Queen Anne style and the Arts & C rafts Movement.…

Soft cover. Condición: Near Fine. 8vo, pp, ii, 58, well illustrated of which some are in colour, pictorial art card covers.

Hardback. Condición: New. In Tearing Down the Lost Cause: The Removal of New Orleans's Confederate Statues James Gill and Howard Hunter examine New Orleans's complicated relationship with the history of the Confederacy pre- and post-Civil War. The authors open and close their manuscript with the dramatic removal of the city's Confederate statues.On the eve of the Civil War, New Orleans was far more cosmopolitan than Southern, with its sizable population of immigrants, Northern-born businessmen, and white and Black Creoles. Ambivalent about secession and war, the city bore divided loyalties between the Confederacy and the Union. However, by 1880 New Orleans rivaled Richmond as a bastion of the Lost Cause. After Appomattox, a significant number of Confederate veterans moved into the city giving elites the backing to form a Confederate civic culture.While it's fair to say that the three Confederate monuments and the white supremacist Liberty Monument all came out of this dangerous nostalgia, the authors argue that each monument embodies its own story and mirrors the city and the times. The Lee monument expressed the bereavement of veterans and a desire to reconcile with the North, though strictly on their own terms. The Davis monument articulated the will of the Ladies Confederate Memorial Association to solidify the Lost Cause and Southern patriotism. The Beauregard Monument honored a local hero, but also symbolized the waning of French New Orleans and rising Americanization. The Liberty Monument, throughout its history, represented white supremacy and the cruel hypocrisy of celebrating a past that never existed.While the book is a narrative of the rise and fall of the four monuments, it is also about a city engaging history. Gill and Hunter contextualize these statues rather than polarize, interviewing people who are on both sides including citizens, academics, public intellectuals, and former mayor Mitch Landrieu. Using the statues as a lens, the authors construct a compelling narrative that provides a larger cultural history of the city.…

Condición: Fine. First edition in publisher's original colour illustrated card wrap covers (soft back). 8vo. 8½'' x 6¼''. Pugin is principally remembered for his pioneering role in the Gothic Revival style of architecture. His work culminated in designing the interior of the Palace of Westminster in Westminster, London, and its clock tower, the Elizabeth Tower, which houses the bell known as Big Ben. Contains 58 pp + covers with monochrome and colour illustrations and photographs throughout. In Fine condition, no dust wrapper as issued. Member of the P.B.F.A. ARCHITECTURE.…

Condición: Fine. First edition in publisher's original colour illustrated card wrap covers (soft back). 8vo. 8½'' x 6¼''. Pugin is principally remembered for his pioneering role in the Gothic Revival style of architecture. His work culminated in designing the interior of the Palace of Westminster in Westminster, London, and its clock tower, the Elizabeth Tower, which houses the bell known as Big Ben. Contains 58 pp + covers with monochrome and colour illustrations and photographs throughout. In Fine condition, no dust wrapper as issued. Loosely inserted is a folded 4 pp flyer 'A Brief Walk Round Guide.' Member of the P.B.F.A. ARCHITECTURE.…