Hugh mcintosh (76 resultados)

Paperback. Condición: Fair. Illustrated. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.

Paperback. Condición: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Standard-sized.

Paperback. Condición: As New. Text clean and tight; 8vo 8" - 9" tall; 184 pages.

Condición: As New. Like new paperback with light shelf wear. Pages are clean and unmarked.

Paperback. Condición: New.

Condición: As New. Paperback with light shelf wear. Pages are clean, unmarked, and unread.

Condición: New. Brand New.

Condición: New.

Paperback. Condición: New. Guilty pleasures in one's reading habits are nothing new. Late-nineteenth-century American literary culture even championed the idea that popular novels need not be great. Best-selling novels arrived in the public sphere as at once beloved and contested objects, an ambivalence that reflected and informed America's cultural insecurity. This became a matter of nationhood as well as aesthetics: the amateurism of popular narratives resonated with the discourse of new nationhood.In Guilty Pleasures, Hugh McIntosh examines reactions to best-selling fiction in the United States from 1850 to 1920, including reader response to such best-sellers as Uncle Tom's Cabin, Ben Hur, and Trilby as well as fictional representations-from Trollope to Baldwin-of American culture's lack of artistic greatness. Drawing on a transatlantic archive of contemporary criticism, urban display, parody, and advertising, Guilty Pleasures thoroughly documents how the conflicted attitude toward popular novels shaped these ephemeral modes of response. Paying close attention to this material history of novel reading, McIntosh reveals how popular fiction's unique status as socially saturating and aesthetically questionable inspired public reflection on what it meant to belong to a flawed national community.…

Condición: Good. 1902. 723 pages. No dust jacket. Blue cloth with gilt lettering. Pages are lightly tanned and thumbed at the edges, with light foxing. Binding has remained firm. Boards are a little rub worn, slight shelf wear to corners, spine and edges. Corners are a little bumped. Spine ends are mildly crushed. Light tanning to spine and edges. Boards are bowed. Book has a forward lean.…

Condición: As New. Unread book in perfect condition.

Paperback or Softback. Condición: New. Guilty Pleasures: Popular Novels and American Audiences in the Long Nineteenth Century. Book.

paperback. Condición: Very Good. Softcover. Clean text - NO writing, NO highlighting to text. Light wear to cover. Very good-.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: New. In English.

Condición: New.

Condición: New.

hardcover. Condición: Good. No markings on text. Historic Oklahoma Bookstore on Route 66. Packages shipped daily, Mon-Friday.

Cloth. Condición: Very good. good +. First Edition, Stated. [x], 177p. Jacket rubbed with folds scraped and top front edge creased with small tears. A "text for training pilots and navigators in the essential techniques of aircraft operation for long distance flight." 3 copies each of Flight Analysis - Flight Plan and Flight Log - Flight Graph in envelope on back pastedown. B&w charts, graphs, and photographs. (8-1/2"x5-1/2").…

Paperback. Condición: Brand New. 171 pages. 8.75x6.00x0.50 inches. In Stock.

Condición: New.

Condición: As New. Unread book in perfect condition.

Taschenbuch. Condición: Neu. Neuware - This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.…

Condición: As New. Unread book in perfect condition.

PAP. Condición: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Condición: New. In English.

Condición: New.

Hardcover. Condición: Very Good. No Jacket. 1st Edition. McGraw-Hill Book Company, Inc, 1944. Hard Cover. Book Condition: Very Good. No Jacket. First Edition, third impression. Light edge-wear to boards, spine darkened a little. Interior is clean, free from previous owner¿s names or annotation and with all six inserts in the rear pocket of the inside rear board in pristine condition.…

Paperback. Condición: new. Paperback. Guilty pleasures in ones reading habits are nothing new. Late-nineteenth-century American literary culture even championed the idea that popular novels need not be great. Best-selling novels arrived in the public sphere as at once beloved and contested objects, an ambivalence that reflected and informed Americas cultural insecurity. This became a matter of nationhood as well as aesthetics: the amateurism of popular narratives resonated with the discourse of new nationhood.In Guilty Pleasures, Hugh McIntosh examines reactions to best-selling fiction in the United States from 1850 to 1920, including reader response to such best-sellers as Uncle Toms Cabin, Ben Hur, and Trilby as well as fictional representationsfrom Trollope to Baldwinof American cultures lack of artistic greatness. Drawing on a transatlantic archive of contemporary criticism, urban display, parody, and advertising, Guilty Pleasures thoroughly documents how the conflicted attitude toward popular novels shaped these ephemeral modes of response. Paying close attention to this material history of novel reading, McIntosh reveals how popular fictions unique status as socially saturating and aesthetically questionable inspired public reflection on what it meant to belong to a flawed national community. Examines reactions to best-selling fiction in the United States from 1850 to 1920, including reader response to such bestsellers as Uncle Tom's Cabin, Ben Hur, and Trilby, as well as fictional representations - from Trollope to Baldwin - of American culture's lack of artistic greatness. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. …