Honess roe annabelle (79 resultados)

Soft cover. Condición: Good. 1st Edition. 194 pages, bibliography, index. pen notes and green highlighting in chapter one, clean thereafter.

paperback. Condición: Fine.

Paperback. Condición: new. Paperback. The Animation Studies Reader brings together both key writings within animation studies and new material in emerging areas of the field. The collection provides readers with seminal texts that ground animation studies within the contexts of theory and aesthetics, form and genre, and issues of representation. The first section collates key readings on animation theory, on how we might conceptualise animation, and on some of the fundamental qualities of animation. New material is also introduced in this section specifically addressing questions raised by the nature, style and materiality of animation. The second section outlines some of the main forms that animation takes, which includes discussions of genre. Although this section cannot be exhaustive, the material chosen is particularly useful as it provides samples of analysis that can illuminate some of the issues the first section of the book raises. The third section focuses on issues of representation and how the medium of animation might have an impact on how bodies, gender, sexuality, race and ethnicity are represented. These representations can only be read through an understanding of the questions that the first two sections of the book raise; we can only decode these representations if we take into account form and genre, and theoretical conceptualisations such as visual pleasure, spectacle, the uncanny, realism etc. "The first collection of definitive texts that explores and examines key areas of animation studies through three points of focus: theoretical approaches; form and genre; issues of representation"-- Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Paperback. Condición: New. The Bristol-based animation company Aardman is best known for its most famous creations Wallace and Gromit and Shaun the Sheep. But despite the quintessentially British aesthetic and tone of its movies, this very British studio continues to enjoy international box office success with movies such as Shaun the Sheep Movie, Flushed Away and Wallace and Gromit: Curse of the Were-Rabbit. Aardman has always been closely linked with one of its key animators, Nick Park, and its stop motion, Plasticine-modelled family films, but it has more recently begun to experiment with modern digital filmmaking effects that either emulate 'Claymation' methods or form a hybrid animation style. This unique volume brings together leading film and animation scholars with children's media/animation professionals to explore the production practices behind Aardman's creativity, its history from its early shorts to contemporary hits, how its films fit within traditions of British animation, social realism and fantasy cinema, the key personalities who have formed its ethos, its representations of 'British-ness' on screen and the implications of traditional animation methods in a digital era.…

Condición: New.

Condición: New.

Condición: New. In English.

Condición: New. pp. 352.

Condición: New.

Condición: New. pp. 288.

Paperback. Condición: Brand New. 304 pages. 9.00x6.00x1.25 inches. In Stock.

Paperback. Condición: Brand New. 288 pages. 8.50x5.43x0.61 inches. In Stock.

Paperback. Condición: new. Paperback. The Animation Studies Reader brings together both key writings within animation studies and new material in emerging areas of the field. The collection provides readers with seminal texts that ground animation studies within the contexts of theory and aesthetics, form and genre, and issues of representation. The first section collates key readings on animation theory, on how we might conceptualise animation, and on some of the fundamental qualities of animation. New material is also introduced in this section specifically addressing questions raised by the nature, style and materiality of animation. The second section outlines some of the main forms that animation takes, which includes discussions of genre. Although this section cannot be exhaustive, the material chosen is particularly useful as it provides samples of analysis that can illuminate some of the issues the first section of the book raises. The third section focuses on issues of representation and how the medium of animation might have an impact on how bodies, gender, sexuality, race and ethnicity are represented. These representations can only be read through an understanding of the questions that the first two sections of the book raise; we can only decode these representations if we take into account form and genre, and theoretical conceptualisations such as visual pleasure, spectacle, the uncanny, realism etc. "The first collection of definitive texts that explores and examines key areas of animation studies through three points of focus: theoretical approaches; form and genre; issues of representation"-- Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Paperback. Condición: new. Paperback. The Animation Studies Reader brings together both key writings within animation studies and new material in emerging areas of the field. The collection provides readers with seminal texts that ground animation studies within the contexts of theory and aesthetics, form and genre, and issues of representation. The first section collates key readings on animation theory, on how we might conceptualise animation, and on some of the fundamental qualities of animation. New material is also introduced in this section specifically addressing questions raised by the nature, style and materiality of animation. The second section outlines some of the main forms that animation takes, which includes discussions of genre. Although this section cannot be exhaustive, the material chosen is particularly useful as it provides samples of analysis that can illuminate some of the issues the first section of the book raises. The third section focuses on issues of representation and how the medium of animation might have an impact on how bodies, gender, sexuality, race and ethnicity are represented. These representations can only be read through an understanding of the questions that the first two sections of the book raise; we can only decode these representations if we take into account form and genre, and theoretical conceptualisations such as visual pleasure, spectacle, the uncanny, realism etc. "The first collection of definitive texts that explores and examines key areas of animation studies through three points of focus: theoretical approaches; form and genre; issues of representation"-- Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

Hardcover. Condición: Very Good. 2018 Bloomsbury Academic hardcover edition. Light reading wear else very good condition. Contents: 1 Playing God: Film Stars as Documentary Narrators by Annabelle Honess Roe; 2 Auditing the Call Centre Voice: Accented Speech and Listening in Sonali Gulati's Nalini by Day, Nancy by Night (2005) by Pooja Rangan; 3 The Fundamental Lie: Lip Sync, Dubbing, Ventriloquism and the Othering of Voice in Documentary Media by Patrik Sjoberg; 4 Hearing Voices in Singer-Songwriter Music Documentaries by Maria Pramaggiore; 5 'The Voice' and Sound in Indian Documentary Film: Listening to Surabhi Sharma's Bidesia in Bambai (2013) by Deborah Matzner; 6 Hum, Buzz, Gurgle: Ecological Soundscapes in Poetic Ecodocs by Shilyh Warren; 7 Literally Documenting Her Voice: Valie Export's Vocal-Visual Experiments with Screen Media by Helen Hughes; 8 The Voice of Mockumentary by Sarah Kessler; 9 Fabulous Thinking, Chimeric Voice: Kathy High's Lily Does Derrida: A Dog's Video (2010) by Brenda Hollweg; 10 Animating Voices, On-Screen and Off, in Kathleen Shannon's Working Mothers (1974-75) by Jean Walton; 11 The Voice in Documentary Sound Design: A Digital Revolution by Chris Cagle; 12 Kazuhiro Soda's Migrant Voices by Luke Robinson; 13 Vocal Hierarchy in Documentary by James Nicholson; 14 Crime Documentary's Confessing Voice by Kristen Fuhs; 15 Sounds of Disillusionment and Discord: When Pasolini and Sontag Visited Israel by Ohad Landesman; 16 Beyond Words: Speech, Ethical Time and the Politics of the Local in Nicolas Philibert's Retour en Normandie (2007) by Rhiannon Harries.…

Condición: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.…

Condición: New.

Condición: New. Num Pages: 194 pages, biography. BIC Classification: APFN; APFR; APFV; JFD. Category: (G) General (US: Trade). Dimension: 145 x 250 x 12. Weight in Grams: 264. . 2013. 1st ed. 2013. Paperback. . . . .

Condición: New. In English.

Taschenbuch. Condición: Neu. Neuware - The Bristol-based animation company Aardman is best known for its most famous creations Wallace and Gromit and Shaun the Sheep. But despite the quintessentially British aesthetic and tone of its movies, this very British studio continues to enjoy international box office success with movies such as Shaun the Sheep Movie, Flushed Away and Wallace and Gromit: Curse of the Were-Rabbit. Aardman has always been closely linked with one of its key animators, Nick Park, and its stop motion, Plasticine-modelled family films, but it has more recently begun to experiment with modern digital filmmaking effects that either emulate 'Claymation' methods or form a hybrid animation style. This unique volume brings together leading film and animation scholars with children's media/animation professionals to explore the production practices behind Aardman's creativity, its history from its early shorts to contemporary hits, how its films fit within traditions of British animation, social realism and fantasy cinema, the key personalities who have formed its ethos, its representations of 'British-ness' on screen and the implications of traditional animation methods in a digital era.…

Condición: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In fair condition, suitable as a study copy. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,350grams, ISBN:9781137017451.…

Condición: New. In English.

Paperback. Condición: New. The Bristol-based animation company Aardman is best known for its most famous creations Wallace and Gromit and Shaun the Sheep. But despite the quintessentially British aesthetic and tone of its movies, this very British studio continues to enjoy international box office success with movies such as Shaun the Sheep Movie, Flushed Away and Wallace and Gromit: Curse of the Were-Rabbit. Aardman has always been closely linked with one of its key animators, Nick Park, and its stop motion, Plasticine-modelled family films, but it has more recently begun to experiment with modern digital filmmaking effects that either emulate 'Claymation' methods or form a hybrid animation style. This unique volume brings together leading film and animation scholars with children's media/animation professionals to explore the production practices behind Aardman's creativity, its history from its early shorts to contemporary hits, how its films fit within traditions of British animation, social realism and fantasy cinema, the key personalities who have formed its ethos, its representations of 'British-ness' on screen and the implications of traditional animation methods in a digital era.…

Condición: New. Num Pages: 194 pages, biography. BIC Classification: APFN; APFR; APFV; JFD. Category: (G) General (US: Trade). Dimension: 145 x 250 x 12. Weight in Grams: 264. . 2013. 1st ed. 2013. Paperback. . . . . Books ship from the US and Ireland.

Condición: New. pp. 194.

Condición: New. Animated Documentary, the first book to be published on this fascinating topic, considers how animation is used as a representational strategy in nonfiction film and television and explores the ways animation expands the range and depth of what documentary can show us about the world. Num Pages: 194 pages, biography. BIC Classification: APFR; APFV. Category: (P) Professional & Vocational. Dimension: 156 x 224 x 16. Weight in Grams: 376. . 2013. 2013th Edition. hardcover. . . . .…

Condición: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,450grams, ISBN:9781137017451.

Hardback. Condición: New. Animated Documentary, the first book to be published on this fascinating topic, considers how animation is used as a representational strategy in nonfiction film and television and explores the ways animation expands the range and depth of what documentary can show us about the world.On behalf of the Society for Animation Studies(SAS), the Chair of the Jury announced the book as the winner of the delayed 2015 SAS McLaren-Lambart Award with the following words:'Animated Documentary is a vital addition to both animation scholarship and film studies scholarship more broadly, expertly achieving the tricky challenge of synthesising these two scholarly traditions to provide a compelling and brilliantly coherent account of the animated documentary form. At the heart of Roe's book is the conviction that animated documentary "has the capacity to represent temporally, geographically, and psychologically distal aspects of life beyond the reach of live action" (p. 22). As a representational strategy, Roe details how animated documentary can be seen to adopt techniques of "mimetic substitution, non-mimetic substitution and evocation" in response to the limitations of live action material (p. 26). Animated Documentary will without doubt become an essential resource for many years to come for anyone interested in the intersection of animation and documentary.'.…

Condición: New. pp. 204.

Taschenbuch. Condición: Neu. Animated Documentary | Annabelle Honess Roe | Taschenbuch | viii | Englisch | 2013 | Palgrave Macmillan | EAN 9781349437092 | Verantwortliche Person für die EU: Springer Verlag GmbH, Tiergartenstr. 17, 69121 Heidelberg, juergen[dot]hartmann[at]springer[dot]com | Anbieter: preigu.…