Holsinger bruce w (40 resultados)

Paperback. Condición: Good.

Condición: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condición: Good.

Condición: New.

Condición: As New. Unread book in perfect condition.

Paperback. Condición: New. Ranging chronologically from the twelfth to the fifteenth centuries and thematically from Latin to vernacular literary modes, this book challenges standard assumptions about the musical cultures and philosophies of the European Middle Ages. Engaging a wide range of premodern texts and contexts, from the musicality of sodomy in twelfth-century polyphony to Chaucer's representation of pedagogical violence in the Prioress's Tale, from early Christian writings on the music of the body to the plainchant and poetry of Hildegard of Bingen, the author argues that medieval music was quintessentially a practice of the flesh. The book reveals a sonorous landscape of flesh and bone, pleasure and pain, a medieval world in which erotic desire, sexual practice, torture, flagellation, and even death itself resonated with musical significance and meaning. In its insistence on music as an integral part of the material cultures of the Middle Ages, the book presents a revisionist account of an important aspect of premodern European civilization that will be of compelling interest to historians of literature, music, religion, and sexuality, as well as scholars of cultural, gender, and queer studies.…

Condición: New. 2001. Illustrated. Paperback. . . . . .

Condición: New. pp. 496.

Condición: Near Fine. Near Fine. ~No ownership marks. With dustwrapper. ~Robust packaging. Tracking can be added to overseas orders on request. Used books are exempt from USA tariffs. 1st edn. Size: xiii,392pp., illus.

Condición: New.

Condición: New. 2001. Illustrated. Paperback. . . . . . Books ship from the US and Ireland.

Paperback. Condición: Brand New. 1st edition. 472 pages. 8.75x6.00x1.00 inches. In Stock.

Paperback / softback. Condición: New. New copy - Usually dispatched within 4 working days.

Condición: New. pp. 496.

Condición: As New. Unread book in perfect condition.

Paperback / softback. Condición: New. New copy - Usually dispatched within 4 working days.

Paperback. Condición: New. Ranging chronologically from the twelfth to the fifteenth centuries and thematically from Latin to vernacular literary modes, this book challenges standard assumptions about the musical cultures and philosophies of the European Middle Ages. Engaging a wide range of premodern texts and contexts, from the musicality of sodomy in twelfth-century polyphony to Chaucer's representation of pedagogical violence in the Prioress's Tale, from early Christian writings on the music of the body to the plainchant and poetry of Hildegard of Bingen, the author argues that medieval music was quintessentially a practice of the flesh. The book reveals a sonorous landscape of flesh and bone, pleasure and pain, a medieval world in which erotic desire, sexual practice, torture, flagellation, and even death itself resonated with musical significance and meaning. In its insistence on music as an integral part of the material cultures of the Middle Ages, the book presents a revisionist account of an important aspect of premodern European civilization that will be of compelling interest to historians of literature, music, religion, and sexuality, as well as scholars of cultural, gender, and queer studies.…

paperback. Condición: New. In shrink wrap. Looks like an interesting title.

Kartoniert / Broschiert. Condición: New. Ranging chronologically from the 12th to the 15th centuries and thematically from Latin to vernacular literary modes, this book challenges standard assumptions about the musical cultures and philosophies of the European Middle Ages.&Uumlber den Aut.

Hardcover. Condición: Near Fine. No Jacket. 1st Edition. Hardcover book in near fine condition. Slight wear at edges and bumps on corners, otherwise a lovely copy. Questions welcome. We ship internationally from the United States and Canada every week. If buying internationally, please be aware that additional charges may apply for heavier books. We guarantee a safe, quick, and secure transaction. 10+ years in online bookselling experience.…

Tapa blanda. Condición: New. FULTON, R. / B. W. HILSINGER, EDS.: HISTORY IN THE COMIC MODE (MEDIEVAL COMMUNITIES AND THE MATTER OF PERSON). IRVINGTON, NY, 2007, xv 392 p. figuras, 725 gr. Encuadernacion original. Nuevo. (NB-7-1) 725 gr. Libro.

Taschenbuch. Condición: Neu. Music, Body, and Desire in Medieval Culture | Hildegard of Bingen to Chaucer | Bruce W Holsinger | Taschenbuch | Einband - flex.(Paperback) | Englisch | 2002 | Stanford University Press | EAN 9780804740586 | Verantwortliche Person für die EU: Mare Nostrum Group B.V., Doelen 72, 4831 GR BREDA, NIEDERLANDE, gpsr[at]mare-nostrum[dot]co[dot]uk | Anbieter: preigu. …

Condición: As New. Unread book in perfect condition.

Hardcover. Condición: Brand New. 392 pages. 9.50x6.25x1.25 inches. In Stock.

Condición: New.

Condición: new.

Hardback. Condición: New. Ranging chronologically from the twelfth to the fifteenth centuries and thematically from Latin to vernacular literary modes, this book challenges standard assumptions about the musical cultures and philosophies of the European Middle Ages. Engaging a wide range of premodern texts and contexts, from the musicality of sodomy in twelfth-century polyphony to Chaucer's representation of pedagogical violence in the Prioress's Tale, from early Christian writings on the music of the body to the plainchant and poetry of Hildegard of Bingen, the author argues that medieval music was quintessentially a practice of the flesh. The book reveals a sonorous landscape of flesh and bone, pleasure and pain, a medieval world in which erotic desire, sexual practice, torture, flagellation, and even death itself resonated with musical significance and meaning. In its insistence on music as an integral part of the material cultures of the Middle Ages, the book presents a revisionist account of an important aspect of premodern European civilization that will be of compelling interest to historians of literature, music, religion, and sexuality, as well as scholars of cultural, gender, and queer studies.…

Condición: New. In English.

Hardback. Condición: New. New copy - Usually dispatched within 4 working days.

Buch. Condición: Neu. Neuware - 'The Premodern Condition' identifies and explains a surprising affinity for medievalism and medieval studies among the leading figures of critical theory. Drawing on a wide range of philosophical, literary-critical, and sociological works produced within the French 'nouvelle critique' of the 1960s, Holsinger argues for reconceiving these discourses, in part, as a brilliant amalgamation of medievalisms. Holsinger shows that the preoccupation with medieval cultures and practices among Bataille, Derrida, Lacan, Barthes, Bourdieu, and their cohorts was so wide ranging that it merits recognition as one of the most significant epiphenomena of postwar French thought. Not simply an object of nostalgic longing or an occasional source of literary exempla, the medieval epoch was continually mined by these thinkers for specific philosophical vocabularies, social formations, and systems of thought. To supplement its master thesis, 'The Premodern Condition' also contains original essays by Bataille and Bourdieu--translated here for the first time into English--that testify in various ways to the strange persistence of medievalisms in French postwar avant-garde writings. What results is an important and original work that will be a touchstone for specialists in medieval studies and critical theory alike.…