Hoch stefanie (69 resultados)

Softcover. Condición: Sehr gut. Ohne Schutzumschlag. 1. Auflage. No. 466 of 500 printed copies.

SingleIssueMagazine. Condición: Good to Very Good-. Vol. 119, No. 1. Edited by Janet Hutchings. Cover art by Victoria Green. Includes "The Girl Who Killed Santa Claus" by Val McDermid; "Thirty-Two Squares" by Conrad Lawrence; "Wheel in the Sky" by Edward D. Hoch; "The Christmas-Tree Farm" by Scott Mackay; "Sits. Vac." by Neil Schofield; "Death of a Penobscot Princess" by Stefanie Matteson; "A Real Crime" by Carmen Larrera; "The Zoroaster Grin" by James Powell; "Special Delivery" by Steve Hockensmith; "The Jury Box" (reviews) by Jon L. Breen; "Peace on Coolidge Drive" (first story) by Cathryn Grant. Illustrated by Mark Evans, June Levine, Neil Schofield, Laurie Harden, Allen Davis, and Evan Walker. Label pulls and bits remaining to front; corner wear; creasing; sterss. Book.…

SingleIssueMagazine. Condición: Good to Very Good-. Vol. 119, No. 1. Edited by Janet Hutchings. Cover art by Victoria Green. Includes "The Girl Who Killed Santa Claus" by Val McDermid; "Thirty-Two Squares" by Conrad Lawrence; "Wheel in the Sky" by Edward D. Hoch; "The Christmas-Tree Farm" by Scott Mackay; "Sits. Vac." by Neil Schofield; "Death of a Penobscot Princess" by Stefanie Matteson; "A Real Crime" by Carmen Larrera; "The Zoroaster Grin" by James Powell; "Special Delivery" by Steve Hockensmith; "The Jury Box" (reviews) by Jon L. Breen; "Peace on Coolidge Drive" (first story) by Cathryn Grant. Illustrated by Mark Evans, June Levine, Neil Schofield, Laurie Harden, Allen Davis, and Evan Walker. Label pulls to front; corner wear; creasing; sterss. Book.…

Condición: As New. Unread book in perfect condition.

Soft cover. Condición: Very Good+. Estado de la sobrecubierta: No Jacket as Issued. First Edition. Minor wear; otherwise a solid, clean copy with no marking or underlining; collectible condition; well illustrated with colour reproductions of the two artists' works. Book.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: New.

Paperback. Condición: New.

Softcover. Condición: Wie neu. Neu vom Verlag. Eingeschweißt. Sprache - Deutsch, Englisch. Rotation, Magnetismus, Kraftfelder - Das Werk der Künstlerin Judit Villiger aus den letzten JahrenMeteoriten aus Porzellan, künstliche Gärten oder fingierte archäologische Grabungen - die Werke der Künstlerin Judit Villiger spielen geschickt mit Täuschungen und lassen den Betrachter gerne in die eine oder andere Falle tappen. Ihr künstlerisches Universum steckt voller Parallelwelten, rätselhaft wuchernder Pflanzen, Tierpräparate und unergründlicher Phänomene. Sie verwebt Fakten mit eigenen Fiktionen, und zwischen verschachtelten Realitäts- und Zeitebenen lässt Judit Villiger Fragen gären: nach Geschichts(um)deutungen oder nach der Wechselwirkung zwischen der Realität und ihrer Nachahmung in Kunst und Wissenschaft.Wie Himbeerzweige ranken zwischen den Seiten des Buches die Texte der Schriftstellerin Zsuzsanna Gahse, die die humorvoll-poetischen Raffinessen in Villigers Kunst unterstreichen. Die Kuratorin Stefanie Hoch geht ihrem Geheimnis aus kunsthistorischer Sicht nach und wirft einen Blick hinter die Tapetentür.…

Hardcover. Condición: Good.

Paperback. Condición: Brand New. 104 pages. German language. 9.61x0.59x13.19 inches. In Stock.

hardcover. Condición: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Condición: New.

Condición: As New. Unread book in perfect condition.

Hardback. Condición: Near Fine. Pictorial boards. 275 x 235 mm. [256 pp.] Published to accompany the exhibition at Kunstmuseum Thurgau, Kartause Ittingen, Warth, Switzerland. Parallel English-German text. With contributions from Katharina Ammann, Adrian Dürrwang, Stefanie Hoch, Markus Landert, Fiona Liewehr and Helga Rietz. Copiously illustrated. Very slightly rubbed at corners. A clean, bright copy. Book.…

Taschenbuch. Condición: Neu. Neuware -Fabrice Hyber (\*1961) is one of the world's most renowned French artists. His inspiration for his artworks is rooted in observations of nature's cycles and transformations in his environment. This is especially visible in his famous project 'La Vallée', which he started in 1990 when he bought 100 hectares of land surrounding his childhood home in the rural West of France. The artist has been restoring the land to its natural state ever since and encapsulates this process in his art. This book chronicles the exhibition of his work, a two-part cooperation between the Kunstmuseum Thun and Kunstmuseum Thurgau. It features 42 of Hyber's paintings and sculptures, as well as objects the artist calls 'POF' (Prototypes d'Objects en Fonctionnement). These artworks showcase the Hyber's unique way of portraying the complex relationship between humans and nature in vivid colours, organic materials, and installations. Reminiscent of a scientist's work, Hyber's canvasses are not only filled with paint but formulae, texts, and sketches resembling diagrams that represent his artistic process. In this connection, he enables the recipients to reflect on their understanding of nature and agriculture, thereby inspiring the creation of new perspectives and a newfound appreciation for natural products and dynamics. Texts by curators Helen Hirsch (Kunstmuseum Thun) and Stefanie Hoch (Kunstmuseum Thurgau), as well as curator Chiara Ottavi's interview with Fabrice Hyber complement the publication. 104 pp. Deutsch, Französisch.…

Taschenbuch. Condición: Neu. Neuware -Fabrice Hyber (\*1961) is one of the world's most renowned French artists. His inspiration for his artworks is rooted in observations of nature's cycles and transformations in his environment. This is especially visible in his famous project 'La Vallée', which he started in 1990 when he bought 100 hectares of land surrounding his childhood home in the rural West of France. The artist has been restoring the land to its natural state ever since and encapsulates this process in his art. This book chronicles the exhibition of his work, a two-part cooperation between the Kunstmuseum Thun and Kunstmuseum Thurgau. It features 42 of Hyber's paintings and sculptures, as well as objects the artist calls 'POF' (Prototypes d'Objects en Fonctionnement). These artworks showcase the Hyber's unique way of portraying the complex relationship between humans and nature in vivid colours, organic materials, and installations. Reminiscent of a scientist's work, Hyber's canvasses are not only filled with paint but formulae, texts, and sketches resembling diagrams that represent his artistic process. In this connection, he enables the recipients to reflect on their understanding of nature and agriculture, thereby inspiring the creation of new perspectives and a newfound appreciation for natural products and dynamics. Texts by curators Helen Hirsch (Kunstmuseum Thun) and Stefanie Hoch (Kunstmuseum Thurgau), as well as curator Chiara Ottavi's interview with Fabrice Hyber complement the publication. 104 pp. Deutsch, Französisch.…

hardcover. Condición: New. **HARDBACK** **SHRINKWRAPPED** German and English edition.

Condición: New.

Taschenbuch. Condición: Neu. Neuware -Fabrice Hyber (\*1961) is one of the world's most renowned French artists. His inspiration for his artworks is rooted in observations of nature's cycles and transformations in his environment. This is especially visible in his famous project 'La Vallée', which he started in 1990 when he bought 100 hectares of land surrounding his childhood home in the rural West of France. The artist has been restoring the land to its natural state ever since and encapsulates this process in his art. This book chronicles the exhibition of his work, a two-part cooperation between the Kunstmuseum Thun and Kunstmuseum Thurgau. It features 42 of Hyber's paintings and sculptures, as well as objects the artist calls 'POF' (Prototypes d'Objects en Fonctionnement). These artworks showcase the Hyber's unique way of portraying the complex relationship between humans and nature in vivid colours, organic materials, and installations. Reminiscent of a scientist's work, Hyber's canvasses are not only filled with paint but formulae, texts, and sketches resembling diagrams that represent his artistic process. In this connection, he enables the recipients to reflect on their understanding of nature and agriculture, thereby inspiring the creation of new perspectives and a newfound appreciation for natural products and dynamics. Texts by curators Helen Hirsch (Kunstmuseum Thun) and Stefanie Hoch (Kunstmuseum Thurgau), as well as curator Chiara Ottavi's interview with Fabrice Hyber complement the publication.…

Condición: As New. Unread book in perfect condition.

Hardcover. Condición: New. Drawing on previously untapped historical photo archives in Switzerland, a visual history of the modernization of psychiatric hospitals. Many psychiatric hospitals in Switzerland house a treasure trove of historical photographs that go back to the nineteenth century and until now have never been studied properly. Glass slides and negatives, loose paper prints, and photo albums allow fascinating insights into the modernization of these establishments--and at the same time into the history of photography. Even as a new medium, photography was used by psychiatrists to record diagnoses, as well as to show the public life behind institutional walls. Thanks to increasingly handy cameras, it was also possible to record the hospital residents' modest celebrations, as well as leisure and creative activities. Behind Walls gathers these visual testimonials of life and scientific practice in psychiatric institutions from the late nineteenth and early twentieth centuries, making them accessible to the public for the first time. The accompanying essays critically study the use of photography as a medium in psychiatry from different perspectives.…

30 cm x 24.7 cm x 3.5 cm. Condición: Gut. 1., Auflage/edition- englisch/deutsch. 256 pages Leineneinband in gutem Zustand. Außen mit nur minimalen Lager- oder Gebrauchspuren, innen tadellos. Bitte beachten Sie unsere Bilder. Linen binding in good condition. Minimal signs of storage or use on the outside; pristine on the inside. Please see our photos. PG-97 Sprache: Englisch Gewicht in Gramm: 2040.…

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Condición: New. hardcover, new condition. German with English translations.

Hardcover. Condición: new. Hardcover. Many psychiatric hospitals in Switzerland house a treasure trove of historical photographs that go back to the 19th century and until now have never been studied properly. Glass slides and negatives, loose paper prints, and photo albums allow fascinating insights into the modernisation of these establishments - and at the same time into the history of photography. The medium that was new at the time was used by psychiatrists to record diagnoses, as well as to show the public life behind institutional walls. Thanks to increasingly handy cameras, it was also possible to record the modest celebrations, and leisure and creative activities. Behind Walls introduces these testimonials of life and scientific practice in psychiatric institutions from the late 19th and early 20th centuries that are accessible to the public for the first time. The essays critically study the use of photography as a medium in psychiatry from different perspectives. Text in English and German. AUTHORS: Katrin Luchsinger is an art historian and a freelance publicist and curator working on topics such as art and psychology, material cultures, and inclusion. She has taught as a professor at Zurich University of the Arts' Institute for Cultural Studies in the Arts until 2019, where she directed various research projects on art and creativity in psychiatric institutions around 1900. Stefanie Hoch is a scholar of cultural studies and a curator at Thurgauer Kunstmuseum in Warth, Switzerland. SELLING POINTS: . Features for the first-time images from previously unresearched historical photo archives of psychiatric establishments in Switzerland . Illuminates and explains the use of these photographs e.g. for diagnosis, public relations work, and documentation of institutional life . Offers insights into the modernisation of psychiatric hospitals between 1880 and 1935 . The first book to address this highly current topic . Accompanies the Behind Walls Photography in Psychiatric Institutions from 1880 to 1935 exhibition at the Prinzhorm Collection in Heidelberg, Germany (24 March to 31 July 2022), Thurgauer Kunstmuseum in Warth, Switzerland (2 October 2022 to 18 April 2023), and Psychiatrie Museum in Bern, Switzerland (26 May 2023 to April 2024) 35 colour, 66 b/w illustrations A critical study on the use of photography in psychiatric institutions in the late 19th and early 20th centuries, featuring some 100 images from previously unresearched archives. Text in English and German. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Hardcover. Condición: Brand New. 132 pages. 11.75x9.50x0.75 inches. In Stock.

Taschenbuch. Condición: Neu. Neuware - Fabrice Hyber (\*1961) is one of the world's most renowned French artists. His inspiration for his artworks is rooted in observations of nature's cycles and transformations in his environment. This is especially visible in his famous project 'La Vallée', which he started in 1990 when he bought 100 hectares of land surrounding his childhood home in the rural West of France. The artist has been restoring the land to its natural state ever since and encapsulates this process in his art. This book chronicles the exhibition of his work, a two-part cooperation between the Kunstmuseum Thun and Kunstmuseum Thurgau. It features 42 of Hyber's paintings and sculptures, as well as objects the artist calls 'POF' (Prototypes d'Objects en Fonctionnement). These artworks showcase the Hyber's unique way of portraying the complex relationship between humans and nature in vivid colours, organic materials, and installations. Reminiscent of a scientist's work, Hyber's canvasses are not only filled with paint but formulae, texts, and sketches resembling diagrams that represent his artistic process. In this connection, he enables the recipients to reflect on their understanding of nature and agriculture, thereby inspiring the creation of new perspectives and a newfound appreciation for natural products and dynamics. Texts by curators Helen Hirsch (Kunstmuseum Thun) and Stefanie Hoch (Kunstmuseum Thurgau), as well as curator Chiara Ottavi's interview with Fabrice Hyber complement the publication.…

Condición: As New. Unread book in perfect condition.