hayler matt (51 resultados)

Condición: Very Good. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Condición: New. The first volume to focus on digitising and curating data online as research methods for Digital HumanitiesAs all scholars increasingly use digital tools to support their research, and every internet user becomes used to data being available, elucidating, and engaging, the creative aspects of Digital Humanities work are coming under increasing scrutiny. This volume explores the practice of making new tools, new images, new collections, and new artworks in an academic environment, detailing who needs to be involved and what their roles might be, and how they come together to produce knowledge as a collective. The chapters presented here demonstrate that creation is never neutral with political and theoretical concerns intentionally or unavoidably always being written into the fabric of what is being made, even if that's the seeming neatness of computer code. In presenting their own creative research, the writers in this volume offer examples of practice that will be of use to anyone interested in learning more about contemporary Digital Humanities scholarship and its implications.Key features:First volume to explore digitisation practices as research methods for Humanities scholarsProvides a practical and critical approach to issues of digitisation Discusses actual digitisation projects on a 'how-to' basisAddresses issues such as digital photography, multi-spectral imaging, rekeying, metadata, online simulation, artistic practice online.

Paperback. Condición: new. Paperback. The first volume to focus on digitising and curating data online as research methods for Digital HumanitiesAs all scholars increasingly use digital tools to support their research, and every internet user becomes used to data being available, elucidating, and engaging, the creative aspects of Digital Humanities work are coming under increasing scrutiny. This volume explores the practice of making new tools, new images, new collections, and new artworks in an academic environment, detailing who needs to be involved and what their roles might be, and how they come together to produce knowledge as a collective. The chapters presented here demonstrate that creation is never neutral with political and theoretical concerns intentionally or unavoidably always being written into the fabric of what is being made, even if that's the seeming neatness of computer code. In presenting their own creative research, the writers in this volume offer examples of practice that will be of use to anyone interested in learning more about contemporary Digital Humanities scholarship and its implications.Key features:First volume to explore digitisation practices as research methods for Humanities scholarsProvides a practical and critical approach to issues of digitisation Discusses actual digitisation projects on a 'how-to' basisAddresses issues such as digital photography, multi-spectral imaging, rekeying, metadata, online simulation, artistic practice online In presenting their own creative research, the writers in this volume offer examples of practice that will be of use to anyone interested in learning more about contemporary Digital Humanities scholarship and its implications. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condición: new. Paperback. The first volume to introduce the techniques and methods of reading digital material for researchDigital Humanities has become one of the new domains of academe at the interface of technological development, epistemological change, and methodological concerns. This volume explores how digital material might be read or utilized in research, whether that material is digitally born as fanfiction, for example, mostly is, or transposed from other sources. The volume asks questions such as what happens when text is transformed from printed into digital matter, and how that impacts on the methods we bring to bear on exploring that technologized matter, for example in the case of digital editions. Issues such as how to analyse visual material in digital archives or Twitter feeds, how to engage in data mining, what it means to undertake crowd-sourcing, big data, and what digital network analyses can tell us about online interactions are dealt with. This will give Humanities researchers ideas for doing digitally based research and also suggest ways of engaging with new digital research methods.Key featuresFirst volume centred on the navigation and interpretation of digital material as research methods in the HumanitiesUp-to-date analyses of issues and methods including big data, crowdsourcing, digital network analysis, working with digital additionsBased on actual research projects such as para-textual work with fanfiction, reading twitter, different kinds of distant and close readings The first volume centred on the navigation and interpretation of digital material as research methods in the Humanities Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condición: New. The first volume to introduce the techniques and methods of reading digital material for researchDigital Humanities has become one of the new domains of academe at the interface of technological development, epistemological change, and methodological concerns. This volume explores how digital material might be read or utilized in research, whether that material is digitally born as fanfiction, for example, mostly is, or transposed from other sources. The volume asks questions such as what happens when text is transformed from printed into digital matter, and how that impacts on the methods we bring to bear on exploring that technologized matter, for example in the case of digital editions. Issues such as how to analyse visual material in digital archives or Twitter feeds, how to engage in data mining, what it means to undertake crowd-sourcing, big data, and what digital network analyses can tell us about online interactions are dealt with. This will give Humanities researchers ideas for doing digitally based research and also suggest ways of engaging with new digital research methods.Key featuresFirst volume centred on the navigation and interpretation of digital material as research methods in the HumanitiesUp-to-date analyses of issues and methods including big data, crowdsourcing, digital network analysis, working with digital additionsBased on actual research projects such as para-textual work with fanfiction, reading twitter, different kinds of distant and close readings.

Condición: new.

Condición: new.

Condición: New. pp.

Condición: New. pp.

Condición: New. pp.

Paperback. Condición: New.

Paperback. Condición: New.

Condición: New. pp.

Condición: New. Editor(s): Griffin, Professor Gabriele (University of York, UK University of Hull, UK University of York, UK University of York, UK University of York, UK University of Hull, UK University of York University of Hull, UK University of Hull, UK University of Hull, UK University of York); Hayler, Lecturer Matt (University of Birmingham). Series: Research Methods for the Arts and Humanities Eup. Num Pages: 256 pages. BIC Classification: 1DBK; DSB; DSR; GBC; GPS. Category: (G) General (US: Trade). . . 2016. 1st Edition. Paperback. . . . .

Condición: New. . . 2016. 1st Edition. Paperback. . . . .

Condición: New. pp.

Condición: New. pp.

Paperback / softback. Condición: New. New copy - Usually dispatched within 4 working days.

Paperback / softback. Condición: New. New copy - Usually dispatched within 4 working days.

Condición: New.

Condición: New. Editor(s): Griffin, Professor Gabriele (University of York, UK University of Hull, UK University of York, UK University of York, UK University of York, UK University of Hull, UK University of York University of Hull, UK University of Hull, UK University of Hull, UK University of York); Hayler, Lecturer Matt (University of Birmingham). Series: Research Methods for the Arts and Humanities Eup. Num Pages: 256 pages. BIC Classification: 1DBK; DSB; DSR; GBC; GPS. Category: (G) General (US: Trade). . . 2016. 1st Edition. Paperback. . . . . Books ship from the US and Ireland.

Condición: New. . . 2016. 1st Edition. Paperback. . . . . Books ship from the US and Ireland.

Soft cover. Condición: Very Good. 1st Edition. Binding is tight, all pages crisp. Some very minor signs of shelf wear that do not affect the integrity of the book. *All international orders must choose priority shipping (tracked and signed) at checkout. UK orders are sent via Royal Mail Tracked 48.* ----SHELF A4----.

Condición: As New. Unread book in perfect condition.

Condición: New.

Paperback. Condición: new. Paperback. The first volume to focus on digitising and curating data online as research methods for Digital HumanitiesAs all scholars increasingly use digital tools to support their research, and every internet user becomes used to data being available, elucidating, and engaging, the creative aspects of Digital Humanities work are coming under increasing scrutiny. This volume explores the practice of making new tools, new images, new collections, and new artworks in an academic environment, detailing who needs to be involved and what their roles might be, and how they come together to produce knowledge as a collective. The chapters presented here demonstrate that creation is never neutral with political and theoretical concerns intentionally or unavoidably always being written into the fabric of what is being made, even if that's the seeming neatness of computer code. In presenting their own creative research, the writers in this volume offer examples of practice that will be of use to anyone interested in learning more about contemporary Digital Humanities scholarship and its implications.Key features:First volume to explore digitisation practices as research methods for Humanities scholarsProvides a practical and critical approach to issues of digitisation Discusses actual digitisation projects on a 'how-to' basisAddresses issues such as digital photography, multi-spectral imaging, rekeying, metadata, online simulation, artistic practice online In presenting their own creative research, the writers in this volume offer examples of practice that will be of use to anyone interested in learning more about contemporary Digital Humanities scholarship and its implications. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Condición: New. Series: New Directions in Philosophy and Cognitive Science. Num Pages: 260 pages, biography. BIC Classification: HPCF3; HPM; PDA; UB. Category: (G) General (US: Trade). Dimension: 216 x 140 x 14. Weight in Grams: 339. . 2015. Paperback. . . . .

Paperback. Condición: new. Paperback. The first volume to introduce the techniques and methods of reading digital material for researchDigital Humanities has become one of the new domains of academe at the interface of technological development, epistemological change, and methodological concerns. This volume explores how digital material might be read or utilized in research, whether that material is digitally born as fanfiction, for example, mostly is, or transposed from other sources. The volume asks questions such as what happens when text is transformed from printed into digital matter, and how that impacts on the methods we bring to bear on exploring that technologized matter, for example in the case of digital editions. Issues such as how to analyse visual material in digital archives or Twitter feeds, how to engage in data mining, what it means to undertake crowd-sourcing, big data, and what digital network analyses can tell us about online interactions are dealt with. This will give Humanities researchers ideas for doing digitally based research and also suggest ways of engaging with new digital research methods.Key featuresFirst volume centred on the navigation and interpretation of digital material as research methods in the HumanitiesUp-to-date analyses of issues and methods including big data, crowdsourcing, digital network analysis, working with digital additionsBased on actual research projects such as para-textual work with fanfiction, reading twitter, different kinds of distant and close readings The first volume centred on the navigation and interpretation of digital material as research methods in the Humanities Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.