hausmann brigitte (52 resultados)

hardcover. Condición: Very Good. HARDCOVER Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Standard-sized.

hardcover. Condición: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

paperback. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Condición: Wie neu. Auflage: Bilingual. 72 Seiten B11-11-04F Sprache: Englisch Gewicht in Gramm: 298 8° 17,0 x 0,0 x 24,0 cm, Taschenbuch.

Hardcover. Condición: new. Hardcover. German-english edition As an artist, and as a theorist and collector of Art brut, Jean Dubuffet changed the concept of art in the 20th century. He provided a definition of Art brut in 1949: "we understand it as works executed by people untouched by artistic culture [.]." These included Gaston Chaissac, Louis Soutter, Adolf Woelfli, Madge Gill and Margarethe Held. The self-taught artists and social outsiders gave him inspiration on his own path in art; they released the delight in experimentation so characteristic of Dubuffets work, along with anti-cultural and anti-aesthetic ideas. The book presents a selection of works from the extensive holdings of the Klewan Collection. Jean Dubuffet and Art brut focusing on six artistic positions Exhibition: 20232024, Gutshaus Steglitz, Berlin Look inside Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condición: New.

Hardback. Condición: New. Deutsch-englische AusgabeJean Dubuffet veränderte den Kunstbegriff des 20. Jahrhunderts als Künstler und ebenso als Theoretiker und Sammler der Art brut. Ihre Definition lieferte er 1949: "Wir verstehen darunter Werke von Personen, die von der künstlerischen Kultur unversehrt geblieben sind [.]." Zu ihnen zählen Gaston Chaissac, Louis Soutter, Adolf Wölfli, Madge Gill und Margarethe Held. Auf seinem eigenen künstlerischen Weg waren Autodidakt/-innen und gesellschaftliche Außenseiter/-innen inspirierende Katalysator/-innen; sie setzten die immense Experimentierfreude in Dubuffet frei, die für sein von antikulturellen und antiästhetischen Vorstellungen geprägtes Werk so charakteristisch ist. Das Buch präsentiert eine spezifische Auswahl an Werken aus dem umfangreichen Bestand der Sammlung Klewan. Jean Dubuffet und die Art brut - sechs künstlerische Positionen im Fokus Ausstellung: 2023-2024, Gutshaus Steglitz, Berlin Blick ins Buch.

Condición: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Hardcover. Condición: new. Hardcover. Carol Rama is one of the most exciting artistic rediscoveries of the 20th century. Her creative period spanned more than 70 years - tirelessly testing different materials, styles, and media. Among other things, the artist created a body of graphic works and unique watercolors that will be presented at Berlin's Gutshaus Steglitz. This overview publication on the work of the self-taught artist is being published at the same time. The Italian artist received attention for her unique oeuvre only at an advanced age and posthumously. In the 1940s, Rama caused a sensation with the permissive and, at the time, progressive portrayal of her protagonists. In her late work she returned to the depictions of her youth. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condición: Neuf.

1. Aufl. Hrsg. von Brigitte Hausmann, Kunstverein Ulm; / Stichwörter: Semiotik, Umberto Ecco, Irak. - // Sprache : Englisch (Sehr gut erhalten - neuwertig / in very good condition - as new) Sprache: Englisch Gewicht in Gramm: 400 KlappBroschur-Umschlag / Softcover.

Paperback. Condición: New.

Paperback. Condición: new. Paperback. Barbed Wire and SilkQin Yufen (*1954 in Shandong, lives in Beijing and Berlin) is one of the leading Chinese artists of her generation. In her large-scale installations, she works with barbed wire, bamboo, silk and clothes hangers--a collection of materials that has since come to be her trademark. In her work she often reflects on political and social concerns yet not in a conspicuous way. In her earlier installations, she preferred to focus on the cultural past of China and, against this background, her own influences and identity, today she is primarily concerned with the global increase of victimization. This catalog presents for the first time a concise insight into her artistic development over the past 25 years, with the main focus on the two installations realized in 2018 for the exhibition at Schwartzsche Villa in Berlin. The spaces and the works enter into a compositional relationship that may be described as an aesthetic state of tension between emptiness and intervention. The result are images of a reality in which, to name just two of the materials used, the contrast of silk and barbed wire represent the contradictions that tend to determine modern life.Exhibition: Schwartzsche Villa, Berlin-Steglitz, 29/6- 26/8/2018 Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardcover. Condición: Brand New. bilingual edition. 111 pages. 10.00x8.25x0.75 inches. In Stock.

Taschenbuch. Condición: Neu. Neuware -New York als neues Fluxus-ZentrumFluxus war eine der ersten internationalen und intermediären Kunstbewegungen und hatte ihren Höhepunkt in den 1960er-Jahren. Nach dem Auftakt in Deutschland wurde New York zum Knotenpunkt zahlreicher Aktionen der Bewegung. Eine Schlüsselfigur dabei war George Maciunas (geb. 1931 in Kaunas, Litauen; gest. 1978 in Boston, USA), der Theorie, Programmatik und Ästhetik der Bewegung stark beeinflusste. Dabei wurden vor allem die Praktiken der Nicht-Kunst, der Identität von Kunst und (Alltags-)Leben und des Konkretismus, der Anti-Kunst, Kollektivität, Partizipation, des Do it yourself und des Konzeptuellen unter Maciunas Mentorschaft zu einem unerschöpflichen Bilderuniversums verschmolzen, das klassische Genregrenzen nicht nur hinterfragt, sondern auf humorvolle Weise dekonstruiert. Schon sein beruflicher Werdegang - er war Grafiker und studierter Architekt und Kunsthistoriker - spiegelt den interdisziplinären Charakter der Bewegung wider.Die im Gutshaus Steglitz ausgestellten Exponate, u.a. Zeitungen, Filme, Partituren sowie Gebrauchsgegenstände, vermitteln die vielfältigen Aktivitäten der Fluxus-Künstler\*innen und des großen Ideengenerators und unermüdlichen Organisators George Maciunas in der New Yorker Zeit.Der Ausstellungsbegleitende Katalog schafft eine vielseitige Übersicht über die Kunst und Akteur\*innen der Fluxus-Bewegung,mit einem Text von Thomas Kellein und Dorothee Richter sowie einem Vorwort von Brigitte Hausmann.New York as a new Fluxus centerFluxus was one of the first international and intermedial art movements which had its peak in the 1960s. Following its initial phase in Germany, New York became the nexus of its decentralized activities. Many Fluxus artists lived there permanently or temporarily, numerous events were held there and many worldwide projects were initiated there. A Fluxus's central figure was George Maciunas (b.1931 Kaunas, Lit Lithuania; \* 1978 in Boston, USA), who substantially shaped its theory, program and aesthetic. In the process, the practices of non-art, the identity of art and (everyday) life as well as concretism, anti-art, collectivity, participation, do-it-yourself and the conceptual in particular were merged under Maciunas' mentorship into an inexhaustible universe of images that not only questions traditional genre boundaries but also deconstructs them in a humorous way.The professional path he followed - he was a graphic designer and trained as an architect and art historian - already reflects the interdisciplinary character of the movement.The exhibits on display at the Gutshaus Steglitz, including newspapers, films, scores, and everyday objects, convey the diverse activities of the Fluxus artists and the great idea generator and tireless organizer George Maciunas during the New York period.The catalog accompanying the exhibition presents a multifaceted overview of the art and actors of the Fluxus movement, with a text by Thomas Kellein and Dorothee Richter and a foreword by Brigitte Hausmann. 108 pp. Deutsch, Englisch.

Taschenbuch. Condición: Neu. Neuware -New York als neues Fluxus-ZentrumFluxus war eine der ersten internationalen und intermediären Kunstbewegungen und hatte ihren Höhepunkt in den 1960er-Jahren. Nach dem Auftakt in Deutschland wurde New York zum Knotenpunkt zahlreicher Aktionen der Bewegung. Eine Schlüsselfigur dabei war George Maciunas (geb. 1931 in Kaunas, Litauen; gest. 1978 in Boston, USA), der Theorie, Programmatik und Ästhetik der Bewegung stark beeinflusste. Dabei wurden vor allem die Praktiken der Nicht-Kunst, der Identität von Kunst und (Alltags-)Leben und des Konkretismus, der Anti-Kunst, Kollektivität, Partizipation, des Do it yourself und des Konzeptuellen unter Maciunas Mentorschaft zu einem unerschöpflichen Bilderuniversums verschmolzen, das klassische Genregrenzen nicht nur hinterfragt, sondern auf humorvolle Weise dekonstruiert. Schon sein beruflicher Werdegang - er war Grafiker und studierter Architekt und Kunsthistoriker - spiegelt den interdisziplinären Charakter der Bewegung wider.Die im Gutshaus Steglitz ausgestellten Exponate, u.a. Zeitungen, Filme, Partituren sowie Gebrauchsgegenstände, vermitteln die vielfältigen Aktivitäten der Fluxus-Künstler\*innen und des großen Ideengenerators und unermüdlichen Organisators George Maciunas in der New Yorker Zeit.Der Ausstellungsbegleitende Katalog schafft eine vielseitige Übersicht über die Kunst und Akteur\*innen der Fluxus-Bewegung,mit einem Text von Thomas Kellein und Dorothee Richter sowie einem Vorwort von Brigitte Hausmann.New York as a new Fluxus centerFluxus was one of the first international and intermedial art movements which had its peak in the 1960s. Following its initial phase in Germany, New York became the nexus of its decentralized activities. Many Fluxus artists lived there permanently or temporarily, numerous events were held there and many worldwide projects were initiated there. A Fluxus's central figure was George Maciunas (b.1931 Kaunas, Lit Lithuania; \* 1978 in Boston, USA), who substantially shaped its theory, program and aesthetic. In the process, the practices of non-art, the identity of art and (everyday) life as well as concretism, anti-art, collectivity, participation, do-it-yourself and the conceptual in particular were merged under Maciunas' mentorship into an inexhaustible universe of images that not only questions traditional genre boundaries but also deconstructs them in a humorous way.The professional path he followed - he was a graphic designer and trained as an architect and art historian - already reflects the interdisciplinary character of the movement.The exhibits on display at the Gutshaus Steglitz, including newspapers, films, scores, and everyday objects, convey the diverse activities of the Fluxus artists and the great idea generator and tireless organizer George Maciunas during the New York period.The catalog accompanying the exhibition presents a multifaceted overview of the art and actors of the Fluxus movement, with a text by Thomas Kellein and Dorothee Richter and a foreword by Brigitte Hausmann. 108 pp. Deutsch, Englisch.

Hardcover. Condición: new. Hardcover. Maria Lassnig (19192014) is one of the most important women artists in art after 1960. Over her decades-long career, she produced an extensive and singular oeuvre in the fields of painting, drawing, and graphic reproductions, with intermittent excursions into (animation) film and sculpture. At the centre of her work are visualisations of physical perceptions, or so-called body-awareness pictures. Her painstaking self-analyses are also expressed in numerous self-portraits. Helmut Klewan accompanied Maria Lassnig as a gallerist for over three decades. This led to the development of a rich inventory of oil paintings and works on paper as well as one sculpture. Forty works from various creative phases were selected for the exhibition in Berlin. Text in English and German. SELLING POINTS: . Presents works by Maria Lassnig in the collection of Helmut Klewan, her gallerist for many years 40 colour illustrations Maria Lassnig (19192014) is one of the most important women artists in art after 1960. This book presents her works in the collection of Helmut Klewan, who accompanied her as a gallerist for over three decades. Text in English and German. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condición: Neuf.

Paperback. Condición: Brand New. 64 pages. French language. 8.30x7.90x0.20 inches. In Stock.

Paperback. Condición: New.

Hardcover. Condición: Brand New. 96 pages. 10.75x10.25x0.59 inches. In Stock.

Hardcover. Condición: new. Hardcover. Carol Rama is one of the most exciting artistic rediscoveries of the 20th century. Her creative period spanned more than 70 years - tirelessly testing different materials, styles, and media. Among other things, the artist created a body of graphic works and unique watercolors that will be presented at Berlin's Gutshaus Steglitz. This overview publication on the work of the self-taught artist is being published at the same time. The Italian artist received attention for her unique oeuvre only at an advanced age and posthumously. In the 1940s, Rama caused a sensation with the permissive and, at the time, progressive portrayal of her protagonists. In her late work she returned to the depictions of her youth. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Condición: Neuf.

Condición: Wie Neu!!! Original verpackt.

Reichlich mit teils farb.Abb. illustriert. Orig.Pappe. 112 Seiten. 4°. Gut erhalten. Werke aus der Sammlung Klewan. Works from the Klewan Collection. Enthält: Jean Dubuffet, Gaston Chaissac, Louis Soutter, Adolf Wölfli, Madge Gill, Margarthe Held. ISBN 9783422801776.

Paperback. Condición: New.

Hardcover. Condición: new. Hardcover. Carol Rama is one of the most exciting artistic rediscoveries of the 20th century. Her creative period spanned more than 70 years - tirelessly testing different materials, styles, and media. Among other things, the artist created a body of graphic works and unique watercolors that will be presented at Berlin's Gutshaus Steglitz. This overview publication on the work of the self-taught artist is being published at the same time. The Italian artist received attention for her unique oeuvre only at an advanced age and posthumously. In the 1940s, Rama caused a sensation with the permissive and, at the time, progressive portrayal of her protagonists. In her late work she returned to the depictions of her youth. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

hardcover. Condición: New. **HARDBACK**.

Condición: New. New York als neues Fluxus-ZentrumFluxus war eine der ersten internationalen und intermediaeren Kunstbewegungen und hatte ihren Hoehepunkt in den 1960er-Jahren. Nach dem Auftakt in Deutschland wurde New York zum Knotenpunkt zahlreich.

Condición: New. Apokalyptische Landschaften und konstruktivistische Architekturfantasien Hubert Scheibl (geb. 1952 in Gmunden, Oesterreich lebt und arbeitet in Wien) ist einer der wichtigsten oesterreichischen Vertreter abstrakter Malerei. Sein OEuvre ist von der Farbe u.