Guercio gabriele (75 resultados)

Hardback. Condición: Good. Is the artist's monograph an endangered species or a timeless genre? This critical history traces the formal and conceptual trajectories of art history's favorite form, from Vasari onward, and reconsiders the validity of the life-and-work model for the twenty-first century.…

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Soft cover. Condición: Very Good. Paperback in very good condition. Pages clean, no notes or highlights. Scuffing to front and back cover. Crease to bottom right corner of front cover. A couple other creases to front cover. Light wear along edges Slightly bumped at top of spine. Small thin rip across spine.…

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Quarter Cloth. Condición: Good. No Jacket. This copy is in good condition. The covers have light wear overall. A remainder mark has been placed on the lower text edge. Text is free of markings and tight in binding. Size: 8vo - over 7¾" - 9¾" tall.

Condición: New.

Hardcover without dustjacket as issued, 120 pages; very good condition; small scratch to top edge of cover; no internal marks. Foreign shipping may be extra.

paperback. Condición: Very Good. DETAILS: sewn PAPERBACK, attractive copy, very good with light wear to corners and covers slightly curled, binding and text strong and bright. GUERCIO, GABRIELE. Art as existence: the artist's monograph and its project. Cambridge, Mass: MIT Press, 2009, later printing number line ending in 2 of the stated first paperback edition, xiii, 378pp., . "The narrative of the artist's life and work is one of the oldest models in the Western literature of the visual arts. In Art as Existence, Gabriele Guercio investigates the metamorphosis of the artist's monograph, tracing its formal and conceptual trajectories from Vasari's sixteenth-century Lives of the Painters, Sculptors, and Architects (which provided the model and source for the genre) through its apogee in the nineteenth century and decline in the twentieth. He looks at the legacy of the life-and-work model and considers its prospects in an intellectual universe of deconstructionism, psychoanalysis, feminism, and postcolonialism. Since Vasari, the monograph has been notable for its fluidity and variety; it can be scrupulous and exact, probing and revelatory, poetic and imaginative, or any combination of these. In the nineteenth century, the monograph combined art-historical, biographical, and critical methods, and even added elements of fiction. Guercio explores some significant books that illustrate key phases in the model's evolution, including works by Gustav Friedrich Waagen, A.C. Quatremere de Quincy, Johann David Passavant, Bernard Berenson, and others. The hidden project of the artist's monograph, Guercio claims, comes from a utopian impulse; by commuting biography into art and art into biography, the life-and-work model equates art and existence, construing otherwise distinct works of an artist as chapters of a life story. Guercio calls for a contemporary reconsideration of the life-and-work model, arguing that the ultimate legacy of the artist's monograph does not lie in its established modes of writing but in its greater project and in the intimate portrait that we gain of the nature of creativity." - CONTENTS: Introduction : the artist's monograph as a project -- 1. Life and works -- Vasari's Lives and the dialectic of the model -- Circa 1800 : the artist's monograph becomes a genre -- 2. One artist only -- Narratives : endurance and metamorphosis -- Waagen's study of the Van Eycks -- The "who" question -- 3. The oeuvre -- Unity and multiplicity in Raphael's works -- Passavant's Rafael -- Resonances of the idea of the oeuvre -- 4. The ascendancy of biography -- Three books on Michelangelo -- Delecluze's David -- Justi and the indivisible remainder of Velazquez's singularity -- 5. Sites of identity -- Oeuvre and biography : a difficult balance -- Clement's Gericault -- The truth of the art and the truth of the facts. ISBN 9780262513203.…

Condición: New.

Condición: As New. Unread book in perfect condition.

Paperback. Condición: Good. No Jacket. This copy is in good condition. The covers have light rubbing and edge wear, the upper right corner of the front cover has a crease. The text is clean and tight in binding. Size: 8vo - over 7¾" - 9¾" tall.

hardcover. Condición: As New. First Edition. Publisher: MIT Press, Cambridge, 2006. FINE hardcover in pictorial/illustrated boards, as issued. First Edition. First Printing. Remainder stamp on the bottom edge, otherwise as new.

Condición: New.

Hardcover. Condición: Brand New. 312 pages. 8.50x6.00x8.50 inches. In Stock.

Buch. Condición: Neu. Neuware -Gino De Dominicis: A Reader casts new light on the elusive Italian artist Gino De Dominicis, whose belief that artworks may provide a valuable model for achieving the immortality of the body inspired his entire life and oeuvre. A culmination of Gabriele Guercio's extensive research, the book features a selection of texts, archival materials and images. It is the first English reader to include not only the reflections of De Dominicis, but also an impressive collection of essays and interviews penned by a wide range of artists, art historians, critics and curators, including Marina Abramovi¿, Jean-Christophe Ammann, Achille Bonito Oliva, Norman Bryson, Germano Celant, Anselm Kiefer, Richard Shiff and Italo Tomassoni.Text: Gabriele Guercio, Gino De Dominicis Andrea Bellini , Germano Celant, Laura Cherubini, Duccio Trombadori, Federica Negroni Manzini, Domitilla S. Delfino, Miriam Mirolla, Claudia Koll, Franco Fanelli, Adriana Polveroni, Ela Caroli, Andrea Cortellessa Ombretta Celeste, Octavia Stocker, Creighton Gilbert, Marco Senaldi, Jean-Christophe Ammann, Norman Bryson, Giovanni Pettinato, Achille Bonito Oliva, Richard Shiff, Anselm Kiefer, Luigi Ontani, Marina Abramovi¿, Daniel Buren, Joseph Kosuth, Jannis Kounellis, Emilio Prini 312 pp. Englisch.…

Buch. Condición: Neu. Neuware -Gino De Dominicis: A Reader casts new light on the elusive Italian artist Gino De Dominicis, whose belief that artworks may provide a valuable model for achieving the immortality of the body inspired his entire life and oeuvre. A culmination of Gabriele Guercio's extensive research, the book features a selection of texts, archival materials and images. It is the first English reader to include not only the reflections of De Dominicis, but also an impressive collection of essays and interviews penned by a wide range of artists, art historians, critics and curators, including Marina Abramovi¿, Jean-Christophe Ammann, Achille Bonito Oliva, Norman Bryson, Germano Celant, Anselm Kiefer, Richard Shiff and Italo Tomassoni.Text: Gabriele Guercio, Gino De Dominicis Andrea Bellini , Germano Celant, Laura Cherubini, Duccio Trombadori, Federica Negroni Manzini, Domitilla S. Delfino, Miriam Mirolla, Claudia Koll, Franco Fanelli, Adriana Polveroni, Ela Caroli, Andrea Cortellessa Ombretta Celeste, Octavia Stocker, Creighton Gilbert, Marco Senaldi, Jean-Christophe Ammann, Norman Bryson, Giovanni Pettinato, Achille Bonito Oliva, Richard Shiff, Anselm Kiefer, Luigi Ontani, Marina Abramovi¿, Daniel Buren, Joseph Kosuth, Jannis Kounellis, Emilio Prini 312 pp. Englisch.…

First Edition. First edition. Oblong hardcover. 115 pages. Published in conjunction with an exhibition that ran December 12, 2007 through April 6 2008. Features essays by Carlos Basualdo, Gabriele Guercio, Okwui Enwezor, and Ivan Vladislavic. Includes numerous illustrations and a checklist. A very near fine copy in illustrated boards. No dust jacket as issued.…

Hardcover. Condición: Very Good. No Jacket. 1st Edition. 2006.Hardcover.Very good condition.378 pages.Ships from Japan.Usually ships in 1-2 working days.

Condición: NEW.

Buch. Condición: Neu. Neuware -Gino De Dominicis: A Reader casts new light on the elusive Italian artist Gino De Dominicis, whose belief that artworks may provide a valuable model for achieving the immortality of the body inspired his entire life and oeuvre. A culmination of Gabriele Guercio's extensive research, the book features a selection of texts, archival materials and images. It is the first English reader to include not only the reflections of De Dominicis, but also an impressive collection of essays and interviews penned by a wide range of artists, art historians, critics and curators, including Marina Abramovi¿, Jean-Christophe Ammann, Achille Bonito Oliva, Norman Bryson, Germano Celant, Anselm Kiefer, Richard Shiff and Italo Tomassoni.Text: Gabriele Guercio, Gino De Dominicis Andrea Bellini , Germano Celant, Laura Cherubini, Duccio Trombadori, Federica Negroni Manzini, Domitilla S. Delfino, Miriam Mirolla, Claudia Koll, Franco Fanelli, Adriana Polveroni, Ela Caroli, Andrea Cortellessa Ombretta Celeste, Octavia Stocker, Creighton Gilbert, Marco Senaldi, Jean-Christophe Ammann, Norman Bryson, Giovanni Pettinato, Achille Bonito Oliva, Richard Shiff, Anselm Kiefer, Luigi Ontani, Marina Abramovi¿, Daniel Buren, Joseph Kosuth, Jannis Kounellis, Emilio Prini.…

Brossura. Condición: new. Milano, 2015; br., pp. 128, ill., cm 24x12. (Saggi d'Arte. 17). Priva di radici accertabili, sganciata dalla sequenzialità di un prima e un dopo, l'opera d'arte abbatte le barriere del tempo e ci proietta in uno spazio estraneo al progresso. Che l'arte non evolva, cioè non proceda per via di un lineare sviluppo temporale ma sia invece capace di introdurre novità di cui non c'era sentore in precedenza, è la tesi di questo saggio sulla poetica dell'immortalità in Gino De Dominicis. Un'indagine su un enigma - quello della creazione ex nihilo - e una meditazione sull'origine di tutte le cose. Guercio prende le mosse dal lavoro più emblematico e controverso dell'artista, la Seconda soluzione d'immortalità (l'universo è immobile), esposto nel 1972 alla Biennale di Venezia in una sala che è la summa delle riflessioni di De Dominicis e che viene subito chiusa al pubblico per lo scalpore che desta. Motivo dello scandalo è la presenza di un giovane veneziano affetto dalla sindrome di Down. Posto davanti a tre oggetti sul pavimento - una pietra, una palla di gomma e il perimetro di un quadrato bianco - Paolo Rosa non rappresenta una mera provocazione come pensano i più reazionari (di destra e di sinistra), ma è il fulcro attorno al quale si dispongono gli altri elementi, la chiave di tutto l'insieme. Grazie alle molteplici dinamiche che questa figura innesca, l'artista conferisce all'opera una facoltà senza precedenti: aprire una breccia nell'eternità. Libro.…

Hardcover. Condición: Brand New. Hardcover.Width: 15 cm. Height: 21cm. 312 pages. English text.

leg. bross. Condición: Buono (Good). Testo in italiano e in inglese. ill. in bianco e nero. in ottavo leg. bross. pp. 146 Buono (Good) Buon es. Book.

Condición: New.

Condición: As New. Unread book in perfect condition.

Condición: new.

Condición: New. KlappentextGino De Dominicis: A Reader casts new light on the elusive Italian artist Gino De Dominicis, whose belief that artworks may provide a valuable model for achieving the immortality of the body inspired his entire life and oeuvre.

Condición: NEW.

Cartonato. Con immagini in bianco e nero f.t. I testimoni dell'arte Numero di tavole: 0 pp.223 altezza 0 larghezza 0 Esemplare in buone condizioni.Copertina con leggere macchie di polvere e lievi segni di usura ai bordi e agli angoli.Testo in Lingua Italiana.

Paperback. Condición: Brand New. Italian language. 9.06x6.14x0.39 inches. In Stock.