grayson sue (24 resultados)

Paperback. Condición: Very Good. Rubi, Mel; McNeil, Carla Speed Ilustrador. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Trade Paperback. Condición: VG. Rubi, Mel; McNeil, Carla Speed Ilustrador. used trade paperback edition. lightly shelfworn, corners somewhat bumped. spine may be a bit sunned. light scuffing to covers, bottom edge of text block may be lightly discolored from shelfwear. pages and binding are clean, straight and tight. there are no marks to the text or other serious flaws.

Condición: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This is a pamphlet. In fair condition, suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,250grams, ISBN:0728702347.

Condición: New. Barrows, Laurie Ilustrador. In.

Paperback. Condición: Very Good. Unpaginated, approx 40 pages, 116 black and white illustrations. A Very Good clean bright copy.

Wrappers. Condición: Near Fine. Slim, small volume unpaginated (40 pages) 16 illustrations in color. Some rubbing and wear to the paper cover and edges. Introduction by Helen Lessore. Published on the occasion of the exhibition from the Serpentine Gallery, London 1 December 1981-24 January 1982. Catalogue of the Exhibition. Size: 8½" x 6". Book.

Paperback. Condición: Fine. Oblong Qto., 42 pages, colour illustrated. Looks as new, a Fine copy.

Paperback. Condición: New. Oblong Qto., 42 pages, colour illustrated. A NEW copy.

Paperback. Condición: Fair. ex library -tape to spine.

Paperback. Condición: Near fine in wraps. First Edition. 21 x 30cm 92pp exhibition catalogue including several texts: 'Morality, Darkness and Light: the Metropolis in Pictures', by Ian Jeffrey and 'Photographing Architecture' by Peter Greenaway together with black and white plus some colour reproductions throughout.

Magazine. Condición: Near Fine. 72pp. Quarto [26.5cm]; saddle-stapled in color printed wraps. Black and white newsprint inside. Illustrated with photographs and artwork. [Misprinted inside on the copyright page [p3] as "Vol. 35 No. 2, Litha - Summer 2015," but this is indeed the Mabon, Fall/Autumn, Sept-Oct 2015 issue.] Just a bit of shelf- and edge-wear. "No Compromise in Defense of Mother Earth!" - Earth First! Earth First! is a group of radical environmentalists that formed in the American Southwest in the spring of 1980, founded by Dave Foreman, Mike Roselle, Howie Wolke, Bart Koehler, and Ron Kezar, among others. Earth First! quickly came to national attention with their "cracking" of Glen Canyon Dam activist stunt, which was performed and filmed in the spring of 1981. Edward Abbey is considered to be the "literary father" of the group, and the monkey wrench is their ever-present emblem and tool. "Earth First! is the beginning of the new, bold environmental movement. And 'Earth First! The Radical Environmental Journal' is its voice" (Dave Foreman, 1980s). The late-1980s and early-1990s were a tumultuous time for Earth First! Law enforcement cracked down on its members, and various internal issues and factions began to form within the group. Earth First! embraced non-hierarchical structures and organic methods of organization and growth, while continuing to focus on direct action in defense of wilderness as its primary focus. Through the 1990's, 2000's, and 2010's, the journal continued to be published in various forms under the direction of a diverse and rotating collective of voices from within the broad Earth First! movement. Regular print publication of the Earth First! Journal under this title seems to have ceased sometime in the early 2020s, though the movement still survives and maintains a presence online and on social media. The front cover of this issue features an image from the Finnish Hyokyaalto Eco Action Group's occupation of Finland's Hanhikivi Cape nuclear power plant and the rear cover shows a Finnish coastal forest that was clear cut by the same nuclear project. The accompanying story "Hyokyaalto Eco Action Group Defends Finland's Coastal Forests From Nuclear Expansion" by Rabbit is printed on pages 19-23 of this issue. Front inner cover shows a striking image captioned "July 30, 2015, thirteen climbers hang from the St. Johns Bridge in Portland, Oregon, to block Shell Oil's icebreaker from heading to the Arctic." The accompanying story "Fighting the Leviathan: Activists in the Northwest Put Their Bodies Between Chell and the Arctic" by Sasha is printed on pages 4-9 of this issue.

Square super octavo, cream stapled light card wrappers, 52pp, illus/photos, VG+ (light tanning to cover & page edges, light chafing & soiling).

Card Covers. Condición: Very Good Plus. Estado de la sobrecubierta: N/a. First Edition. 56pp. This book was printed to coincide with an exhibition held at the Serpentine Gallery & the Museum of Modern Art in 1983. There are b/w & colour photographs of Raymond Mason's sculptures, bronzes & drawings. Slight shelf wear to the card covers. A lovely, well preserved copy.

Soft cover. Condición: Very Good. First Edition. 52p Catalogue of the memorial exhibition of this NZ - English teacher and sculptor, with many illustrations from the works assembled.

SOFTCOVER. Condición: New. 1st Edition. Published to accompany the touring exhibition 'Peter Randall-Page - new sculpture and works on paper' (starting at at the Peninsula Arts and Plymouth City Art Gallery, March 2014). Large landscape 4to. in colour printed stiff card covers, 42pp on thick art paper, colour plates of drawings, etc. PLUS cover letter from Peninsula Arts and two large 10 x 8 inch colour press photos of two of Randall-Page's large sculptures which were exhibited at the same time . [CONDITION: NEW unmarked copy ] . To see more of our Art Monographs etc type DbbARTIST in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.

SOFTCOVER. Condición: As New. 1st Edition. Extra Large 4to. in photo illustrated stiff card covers, 92pp, plates in colour and b/w, etc . [CONDITION: Neat ink name on fly-leaf else an extremely well preserved AS NEW unmarked copy ] . __To see more of our Photo books type DbbPHOTO in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.

Condición: Very Good. 4to. pp 92. Clean VG copy. Very good. First Edition. Wraps.

PAP. Condición: New. Barrows, Laurie Ilustrador. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Paperback. Condición: Very Good. 196 p. Contains: Illustrations. Audience: General/trade. 0.0.

SOFTCOVER. Condición: Fine. 1st Edition. Landscape 4to in colour printed stiff glossy card covers, unpaginated, approx. 84pp, numerous illustrations in text, etc . [CONDITION: A well preserved FINE clean and tight unmarked copy (few spots of slight shelf rub to cover edges, hint of tanning to covers) ] . . . We always ship in STRONG PROTECTIVE CARD PARCELS.

PAP. Condición: New. Barrows, Laurie Ilustrador. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Brossura. Condición: come nuovo. Estado de la sobrecubierta: ottimo. prima edizione. Offering unique insight into the world of contemporary art, this book looks at four generations of artists, from the established to the newly emerged. Photographs of each of the artists, taken by Amanda Eliasch during 2002 in the artists' studios, are set alongside examples of their work. The text by Gemma de Cruz provides a brief overview of who the artists are, what they do and how their work and ideas fit into the art world at this time. This book draws attention to a particular selection of artists who together form a strong idea of what is happening now in contemporary art in London, featuring artists who are influential alongside those they have influenced. Descrizione bibliografica Title: British Artists at Work Author: Gemma De Cruz (Texts by) Other Authors: with additional material by Kay Hartenstein-Saatchi and Martin Maloney Photographs by: Amanda Eliasch Original concept by: Franca Sozzani Publisher: New York: Assouline, 2003 Physical Description: 192 pagine; 28 cm; Fully illustrated; In shrink wrap (In pellicola termoretraibile) Weight: 2,4 Kilograms; hundreds of b/w and colour illustrations ISBN: 2843235057, 9782843235054 Language: English Soggetti: Arte contemporanea, Young British Artists, Concettuale, Collezionismo, Libri illustrati, Artisti emergenti, Opere, Collezioni, Installazioni, Mostre, Astrattismo, Pittura, Scultura, Plastica, Esposizioni, Personali, Trend, Cultura, Edizioni pregiate, Moda, Fotografia, Inghilterra, Gran Bretagna, Various, Contemporary British Painting, Modern Art, Peter Thomas Blake, Britannique, Groupe d'artistes, Peintures, Aquarelles, Dessins, Gravures, Dipinti, Acquerelli, Disegni, Incisioni, Olio, Tele, Ritratti, Paesaggio, Video, Cinema, Sessualità, Pop, Fumetti, Postmoderno, Giovani, Quotazioni, Oggetti, Kartell, Design, Monument, Incisioni, Incisori, Sculture geometriche, Biomorfiche, Granito, Pietra calcarea, Marmo, Pigmenti, Malta, Acciaio inossidabile, Colori, Decorazioni, Progetti architettonici, Scenografie, Testi, Frasi, Superblack, Nero, Vantablack, Damien Hirst, Formaldeide, Stile, Prêt-à-porter, YBAs, Brit Pack, Britart, Visual, Goldsmiths College, Tattiche shock, Materiali di recupero, Charles Saatchi, Tracey Emin, Fine Art, Freeze, Videoarte, Immagini, Readymade, Turner Prize, Sensation, Biennale, Venezia, Vogue Italia, Vitrine, Tate, Anni Ottanta, Anni Novanta, Anni Duemila, Gallerie commerciali, My Bed, Femminismo, The Physical Impossibility Of Death In the Mind Of Someone Living, Libri fuori catalogo, Contemporary art, Conceptual, Collecting, Illustrated books, Emerging artists, Works, Collections, Installations, Exhibitions, Abstractionism, Painting, Sculpture, Plastic, Exhibitions, Personal, Culture, Fine editions, Fashion, Photography, England, Great Britain, Paintings, Watercolors, Drawings, Engravings, Oil, Canvases, Portraits, Landscape, Video, Cinema, Sexuality, Comics, Postmodern, Young people, Quotes, Objects, Engravings, Engravers, Geometric sculptures, Biomorphic, Granite, Limestone, Marble, Pigments, Mortar, Steel stainless steel, Colors, Decorations, Architectural projects, Scenography, Texts, Phrases, Black, Formaldehyde, Style, Shocking tactics, Recycled materials, Video art, Images, Venice, Italy, Eighties, Nineties, Years 2000, Commercial galleries, Feminism, Out of print books Parole e frasi comuni abstract painting ACRYLIC ON CANVAS ANTONY GORMLEY history world body CHANTAL JOFFE colour contemporary create D.J. SIMPSON Damien decorative DETAIL DEXTER DALWOOD dress emotional exhibition feel figures film FIONA RAE Gagosian GARY HUME GAVIN TURK gestures GILBERT & GEORGE GILLIAN WEARING girl Goldsmiths College GRAYSON PERRY HOUSEHOLD GLOSS PAINT HOWARD HODGKIN huge IAN DAVENPORT images installation Jay Jopling White Cube JENNY SAVILLE JIM LAMBIE JUN HASEGAWA KIRSTEN GLASS landscape LISA MILROY look magazines MARC QUINN MARTIN MALONEY MARTIN MCGINN MAT COLLISHAW MICHAEL CRAIG-MARTIN MICHAEL RAEDECKER NEIL RUMMING objects OIL BOARD White Cube I know n.

Paperback. Condición: Good. Ex-library book, usual markings. Hardback rebound by library with the original cover intergrated on the rebind. Clean copy, sound binding. Quick dispatch from UK seller.

Paper folder, loose sheets. Condición: Good. First Edition. 25 x 32cm a reasonable paper folder containing a large number of loose sheets pertaining to the exhibits/exhibitors related to The Video Show. The folder shows signs of wear and browning, internal sheets good. A superb document of Europe s most comprehensive video exhibition at the time.The Video Show was a festival of independent video with performances, artists videos, video graphics, community video, closed-circuit installations, a tape library, a giant TV screen, and live participatory events. The exhibition included a combination of British and international programmes to offer a comprehensive survey of world video (13 countries were included). Only a small proportion of the British videos had been publicly screened before, and the show was an opportunity to see the variety of work undertaken in Britain over the preceding few years. A series of closed-circuit installations and live performances from artists working in the field were commissioned to demonstrate the live qualities of video. Many of these programmes required audience interaction.