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Publicado por The Chicago Literary Club, Chicago, 1982
Librería: Alkahest Books, Deerfield, IL, Estados Unidos de America
softcover. Condición: Very good. Club Paper LXXXVI. Printed green card covers approx. 5 1/2" by 8 1/2". [2] 20 pages. Very Good condition. 061507B.
Publicado por iUniverse, Inc., 2006
ISBN 10: 0595394191ISBN 13: 9780595394197
Librería: Books From California, Simi Valley, CA, Estados Unidos de America
Libro
paperback. Condición: Good. has some crease marks and some wear.
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Nuevo desde EUR 19,60
Usado desde EUR 14,06
Encuentre también Tapa blanda
Publicado por Chicago Literary Club, (Chicago), 1982
Librería: Heartwood Books, A.B.A.A., Charlottesville, VA, Estados Unidos de America
Pamphlet. Very Good clean solid 20 page stapled pamphlet. #.
Publicado por Hanging Loose Press, Brooklyn, New York, 1996
Librería: Village Works, New York, NY, Estados Unidos de America
Libro Original o primera edición
Soft cover. Condición: Fine. 1st Edition. ISSN # 0440-2316. From the collection of Robert Hershon.
Publicado por Washington:/American Bankers Association,, 1973
Librería: Zubal-Books, Since 1961, Cleveland, OH, Estados Unidos de America
Condición: Very Good. large quarto, viii, 182 leaves reproduced from typescript, part of the course work of the Stonier Graduate School of Banking conducted by The American Bankers Association at Rutgers University, New Brunswick, N. J., 1973; library markings including pocket at end else a very good copy in a buckram binding. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.
Publicado por Eugene T Schurter, 2017
ISBN 10: 0997252243ISBN 13: 9780997252248
Librería: Books Unplugged, Amherst, NY, Estados Unidos de America
Libro
Condición: Good. Buy with confidence! Book is in good condition with minor wear to the pages, binding, and minor marks within.
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Nuevo desde EUR 29,30
Usado desde EUR 27,50
Encuentre también Tapa blanda
Publicado por Hanging Loose Press, Brooklyn, New York, 1996
Librería: Village Works, New York, NY, Estados Unidos de America
Libro Original o primera edición
Soft cover. Condición: Fine. 1st Edition. ISSN # 0440-2316. From the collection of Robert Hershon.
Publicado por Outside In 2023-10-04, London, 2023
ISBN 10: 1848224559ISBN 13: 9781848224551
Librería: Blackwell's, London, Reino Unido
Libro
hardback. Condición: New. Language: ENG.
Publicado por Museum Dhondt - Dhaenens
Librería: Books+, Saint Maurice, Francia
In-8, 23 cm, 57pp, illustr., texte anglais, neerlandais et francais, Nb-0193,
Publicado por Biblioscholar, 2012
ISBN 10: 1249836506ISBN 13: 9781249836506
Librería: Lucky's Textbooks, Dallas, TX, Estados Unidos de America
Libro
Condición: New.
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Nuevo desde EUR 53,41
Usado desde EUR 110,63
Encuentre también Tapa blanda
Publicado por Louisa Guinness Gallery No Date (2018), London, 2018
Librería: David Bunnett Books, London, Reino Unido
Original o primera edición
SOFTCOVER. Condición: New. Estado de la sobrecubierta: New. 1st Edition. Square 4to in stiff card covers, with stiff paper dust jacket, unpaginated, approx. 124pp on thick art paper, colour plates, etc. CONDITION: NEW unread and unmarked copy ] ._ . . . . . . . . . . . . To see more of our books on jewellery etc type DbbGEMS in the Keywords search box ._We Ship in PROTECTIVE CARD PARCELS.
Publicado por Harvard University Press, 1990
ISBN 10: 0674204204ISBN 13: 9780674204201
Librería: Better World Books, Mishawaka, IN, Estados Unidos de America
Libro
Condición: Good. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.
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Nuevo desde EUR 306,17
Usado desde EUR 75,97
Encuentre también Tapa dura
Publicado por ASSOULINE, 2003
ISBN 10: 2843235057ISBN 13: 9782843235054
Librería: CivicoNet, Libreria Virtuale, NAPOLI, NA, Italia
Libro Original o primera edición
Brossura. Condición: come nuovo. Estado de la sobrecubierta: ottimo. prima edizione. Offering unique insight into the world of contemporary art, this book looks at four generations of artists, from the established to the newly emerged. Photographs of each of the artists, taken by Amanda Eliasch during 2002 in the artists' studios, are set alongside examples of their work. The text by Gemma de Cruz provides a brief overview of who the artists are, what they do and how their work and ideas fit into the art world at this time. This book draws attention to a particular selection of artists who together form a strong idea of what is happening now in contemporary art in London, featuring artists who are influential alongside those they have influenced. Descrizione bibliografica Title: British Artists at Work Author: Gemma De Cruz (Texts by) Other Authors: with additional material by Kay Hartenstein-Saatchi and Martin Maloney Photographs by: Amanda Eliasch Original concept by: Franca Sozzani Publisher: New York: Assouline, 2003 Physical Description: 192 pagine; 28 cm; Fully illustrated; In shrink wrap (In pellicola termoretraibile) Weight: 2,4 Kilograms; hundreds of b/w and colour illustrations ISBN: 2843235057, 9782843235054 Language: English Soggetti: Arte contemporanea, Young British Artists, Concettuale, Collezionismo, Libri illustrati, Artisti emergenti, Opere, Collezioni, Installazioni, Mostre, Astrattismo, Pittura, Scultura, Plastica, Esposizioni, Personali, Trend, Cultura, Edizioni pregiate, Moda, Fotografia, Inghilterra, Gran Bretagna, Various, Contemporary British Painting, Modern Art, Peter Thomas Blake, Britannique, Groupe d'artistes, Peintures, Aquarelles, Dessins, Gravures, Dipinti, Acquerelli, Disegni, Incisioni, Olio, Tele, Ritratti, Paesaggio, Video, Cinema, Sessualità, Pop, Fumetti, Postmoderno, Giovani, Quotazioni, Oggetti, Kartell, Design, Monument, Incisioni, Incisori, Sculture geometriche, Biomorfiche, Granito, Pietra calcarea, Marmo, Pigmenti, Malta, Acciaio inossidabile, Colori, Decorazioni, Progetti architettonici, Scenografie, Testi, Frasi, Superblack, Nero, Vantablack, Damien Hirst, Formaldeide, Stile, Prêt-à-porter, YBAs, Brit Pack, Britart, Visual, Goldsmiths College, Tattiche shock, Materiali di recupero, Charles Saatchi, Tracey Emin, Fine Art, Freeze, Videoarte, Immagini, Readymade, Turner Prize, Sensation, Biennale, Venezia, Vogue Italia, Vitrine, Tate, Anni Ottanta, Anni Novanta, Anni Duemila, Gallerie commerciali, My Bed, Femminismo, The Physical Impossibility Of Death In the Mind Of Someone Living, Libri fuori catalogo, Contemporary art, Conceptual, Collecting, Illustrated books, Emerging artists, Works, Collections, Installations, Exhibitions, Abstractionism, Painting, Sculpture, Plastic, Exhibitions, Personal, Culture, Fine editions, Fashion, Photography, England, Great Britain, Paintings, Watercolors, Drawings, Engravings, Oil, Canvases, Portraits, Landscape, Video, Cinema, Sexuality, Comics, Postmodern, Young people, Quotes, Objects, Engravings, Engravers, Geometric sculptures, Biomorphic, Granite, Limestone, Marble, Pigments, Mortar, Steel stainless steel, Colors, Decorations, Architectural projects, Scenography, Texts, Phrases, Black, Formaldehyde, Style, Shocking tactics, Recycled materials, Video art, Images, Venice, Italy, Eighties, Nineties, Years 2000, Commercial galleries, Feminism, Out of print books Parole e frasi comuni abstract painting ACRYLIC ON CANVAS ANTONY GORMLEY history world body CHANTAL JOFFE colour contemporary create D.J. SIMPSON Damien decorative DETAIL DEXTER DALWOOD dress emotional exhibition feel figures film FIONA RAE Gagosian GARY HUME GAVIN TURK gestures GILBERT & GEORGE GILLIAN WEARING girl Goldsmiths College GRAYSON PERRY HOUSEHOLD GLOSS PAINT HOWARD HODGKIN huge IAN DAVENPORT images installation Jay Jopling White Cube JENNY SAVILLE JIM LAMBIE JUN HASEGAWA KIRSTEN GLASS landscape LISA MILROY look magazines MARC QUINN MARTIN MALONEY MARTIN MCGINN MAT COLLISHAW MICHAEL CRAIG-MARTIN MICHAEL RAEDECKER NEIL RUMMING objects OIL BOARD White Cube I know nothing about the art world but I have been involved in making a book for Italian Vogue for Franca Sozzani, the editor. I suppose I became interested in art about ten years ago when I met Charles Saatchi at the Amanpuri Hotel in Thailand. I was sitting by the swimming pool and he was sitting with the film director David Puttnam. He asked me where I lived and I told him in Chester Square. "Well, introduce me to your husband because we need clever young people like him." So we became friends, but not within the art world. Johan was his "cleaner," as he called him, he'd clean up his mess and he cleaned up the Saatchi deal between the old and new companies. I really appreciated Charles's help recently as he assisted me with my photographic shows of nudes. The last one he came to he said, "Oh, definitely, definitely commercial, stick to 1930s Paris." I had been working with Martin Maloney and doing some colour photographs, and Martin said, "Keep on with them." Charles said, "If you keep on with them you'd better go into magazines." So I went to New York and took my book round and I got a call back from Visionaire. I then telephoned Katy Barker who was the only photographic agent I knew and asked her advice. She told me that I couldn't show nudes and that I should do some fashion photographs. So I was introduced to a girl named Rushka Bergman who helped me take the correct photographs for my book. I showed them to the photographer Michel Comte, who took me to Italian Vogue. I then did one or two jobs for Franca, including the Kartell Catalogue, which many photographers did. It showed artists in their chairs. She liked the pictures and suggested I do a book on artists in their studios. I asked for a writer, and Martin suggested Gemma de Cruz, and we drew up a list together. The list in the book is quite varied: It is Young British Artists and a few of the Establishment who actually made the young artists or helped to make them. I liked the older guys because I think as a cu.