Giulia simonini (22 resultados)

Condición: As New. Unread book in perfect condition.

Condición: As New. Unread copy in mint condition.

Condición: New.

Condición: New.

Hardcover. Condición: Brand New. illustrated edition. 290 pages. 10.50x8.50x1.25 inches. In Stock.

Hardcover. Condición: Brand New. illustrated edition. 290 pages. 10.50x8.50x1.25 inches. In Stock.

Hardcover. Condición: Brand New. illustrated edition. 290 pages. 10.50x8.50x1.25 inches. In Stock.

Condición: As New. Unread book in perfect condition.

Condición: New.

Hardback. Condición: New. This book explores how European naturalists and artists perceived, investigated, and presented the relationship between insects and colors from the late sixteenth to the late eighteenth century. The contributors to this volume examine the creative methods and strategies that were developed to record color-related information about insects through studies on Hoefnagel's glazed metal and hand-coloring practices; the lepidochromy technique used in paintings by Marseus van Schriek and later naturalists; the representation of sexual dimorphism of color and variable color of caterpillars in the images of Goedaert, Merian, Albin, and Rösel von Rosenhof; the painting-by-numbers technique applied to Schäffer's bookplates on Regensburg insects; Schiffermüller's watercolor originals of caterpillars; and finally, the color fading of exotic cabinet specimens and how this issue was tackled by Abbot and Smith. The volume is lavishly illustrated with rare and unpublished images and offers new insights into the interrelation between natural history and visual practices concerning the color of insects, with a special focus on butterflies and moths.Contributors are Harald Bruckner, Kay Etheridge, Beth Fowkes Tobin, Stefanie Jovanovic-Kruspel, Karin Leonhard, V.E. Mandrij, Kimberly Schenck, Stacey Sell, Giulia Simonini, and Friedrich Steinle.…

Condición: As New. Unread book in perfect condition.

Condición: New.

Condición: As New. Unread book in perfect condition.

Hardback. Condición: New. This book explores how European naturalists and artists perceived, investigated, and presented the relationship between insects and colors from the late sixteenth to the late eighteenth century. The contributors to this volume examine the creative methods and strategies that were developed to record color-related information about insects through studies on Hoefnagel's glazed metal and hand-coloring practices; the lepidochromy technique used in paintings by Marseus van Schriek and later naturalists; the representation of sexual dimorphism of color and variable color of caterpillars in the images of Goedaert, Merian, Albin, and Rösel von Rosenhof; the painting-by-numbers technique applied to Schäffer's bookplates on Regensburg insects; Schiffermüller's watercolor originals of caterpillars; and finally, the color fading of exotic cabinet specimens and how this issue was tackled by Abbot and Smith. The volume is lavishly illustrated with rare and unpublished images and offers new insights into the interrelation between natural history and visual practices concerning the color of insects, with a special focus on butterflies and moths.Contributors are Harald Bruckner, Kay Etheridge, Beth Fowkes Tobin, Stefanie Jovanovic-Kruspel, Karin Leonhard, V.E. Mandrij, Kimberly Schenck, Stacey Sell, Giulia Simonini, and Friedrich Steinle.…

Condición: New.

Buch. Condición: Neu. Neuware - This book explores how European naturalists and artists perceived, investigated, and presented the relationship between insects and colors from the late sixteenth to the late eighteenth century. The contributors to this volume examine the creative methods and strategies that were developed to record color-related information about insects through studies on Hoefnagel's glazed metal and hand-coloring practices; the lepidochromy technique used in paintings by Marseus van Schriek and later naturalists; the representation of sexual dimorphism of color and variable color of caterpillars in the images of Goedaert, Merian, Albin, and Rösel von Rosenhof; the painting-by-numbers technique applied to Schäffer's bookplates on Regensburg insects; Schiffermüller's watercolor originals of caterpillars; and finally, the color fading of exotic cabinet specimens and how this issue was tackled by Abbot and Smith. The volume is lavishly illustrated with rare and unpublished images and offers new insights into the interrelation between natural history and visual practices concerning the color of insects, with a special focus on butterflies and moths. Contributors are Harald Bruckner, Kay Etheridge, Beth Fowkes Tobin, Stefanie Jovanovic-Kruspel, Karin Leonhard, V.E. Mandrij, Kimberly Schenck, Stacey Sell, Giulia Simonini, and Friedrich Steinle.…

Buch. Condición: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -This book examines the phenomenon of color charts that were created, developed, and sometimes published in 18th-century Europe. In this work, for the first time, color order systems, painters' and dyers' sample books and the tables of natural historians are all considered as color charts. The book offers a historiographical categorization of the charts into natural, pigmentary, and trichromatic color charts and then scrutinizes and explains what their differences are based on and what factors are responsible for their similarities. For this purpose, this work brings to light, compares, and analyzes numerous primary sources and colorful illustrations. 524 pp. Englisch. …

Condición: new. Questo è un articolo print on demand.

Buch. Condición: Neu. This item is printed on demand - Print on Demand Titel. Neuware -This book examines the phenomenon of colorcharts that were created, developed, and sometimespublished in 18th-century Europe. In this workfor the first time, color order systems, painters'and dyers' sample books and the tables of naturalhistorians are all considered as color charts. Thebook offers a historiographical categorization ofthe charts into natural, pigmentary, andtrichromatic color charts and then scrutinizes andexplains what their differences are based on andwhat factors are responsible for theirsimilarities. For this purpose, this work bringsto light, compares, and analyzes numerous primarysources and colorful illustrations.arthistoricum.net, Plöck 107-109, 69047 Heidelberg, Neckar 524 pp. Englisch.…

Buch. Condición: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - This book examines the phenomenon of color charts that were created, developed, and sometimes published in 18th-century Europe. In this work, for the first time, color order systems, painters' and dyers' sample books and the tables of natural historians are all considered as color charts. The book offers a historiographical categorization of the charts into natural, pigmentary, and trichromatic color charts and then scrutinizes and explains what their differences are based on and what factors are responsible for their similarities. For this purpose, this work brings to light, compares, and analyzes numerous primary sources and colorful illustrations.…

Buch. Condición: Neu. Color Charts in 18th-century Europe | Natural, Pigmentary, and Trichromatic | Giulia Simonini | Buch | Englisch | 2025 | [.] | EAN 9783985012930 | Verantwortliche Person für die EU: Universität Heidelberg / Universitätsbibliothek, Grabengasse 1, 69117 Heidelberg, ub[at]ub[dot]uni-heidelberg[dot]de | Anbieter: preigu Print on Demand. …

Hardcover. Condición: Brand New. 340 pages. 9.25x6.10x9.40 inches. In Stock. This item is printed on demand.