Gerstner karl (282 resultados)

Hardcover. Condición: Fair. No Jacket. Former library book; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condición: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condición: New. Estado de la sobrecubierta: New. NEW BOOK / NEW DUST JACKET: In German. Oblong Quarto. (David R. Godine / The Groiler Club, 2003) Location: R 72.

Hardcover. White boards with tan illustrated dust jacket, 28 pp, illustrated in color. Written in German. English title, "Puzzle Upon Puzzle" VG+ (may have rubbing to board edges & corners; jacket may have rubbing to edges & corners).

28 S. 4° 400 gr.

Condición: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Condición: acceptable. Ausreichend/Acceptable: Exemplar mit vollständigem Text und sämtlichen Abbildungen oder Karten. Schmutztitel oder Vorsatz können fehlen. Einband bzw. Schutzumschlag weisen unter Umständen starke Gebrauchsspuren auf. / Describes a book or dust jacket that has the complete text pages (including those with maps or plates) but may lack endpapers, half-title, etc. (which must be noted). Binding, dust jacket (if any), etc may also be worn.…

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Hardback. Condición: New. Karl Gerstner's work is a milestone in the history of design. Designing Programmes is one of his most important works: in four essays, the author provides a basic introduction to his design method- ology and suggests a model for design in the early days of the computer era. The book is especially topical and exciting in the context of current developments in computational design. With many examples from the worlds of graphic and product design, music, architecture, and art, it inspires the reader to seize on the material, develop it further, and integrate it into his or her own work. Designing Programmes was first published in 1964; in 2007 Lars Müller Publishers launched a re-designed version. This year's release of Designing Programmes corresponds with the original edition of the book, designed by Karl Gerstner. …

Hardcover. Quarto. Hardcover. Plain white paper wraps with white stamped itles. G+. Ex-art museum library with stickers on front and rear panel and plate inside. Tome foxing to boads.

hardcover. Condición: Fine copy in fine dust jacket. 1st. 4to, 56 pp., Text in German. Well-illustrated (ilustrador).

Condición: gut. 95 S., 23 cm, Bibliotheksexemplar, sekundär gebunden, gebräunt. Sprache: Deutsch.

Condición: Fair. Acceptable condition. Good dust jacket. (Swiss Artists, Color in Art) A reading only copy. Boards/spine/hinges may be broken, detached, or missing. All pages of text are present, but they may include extensive notes/highlighting, be heavily stained, or detached. May be missing non-text pages (e.g. end pages, half title, title, frontispiece.).…

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Near Fine. 1st Edition. A clean unmarked copy in excellent condition.

Hardcover. Condición: As New. Leichte Kratzer / Abnutzungen / Druckstellen.

Hardcover. Condición: new. Hardcover. Swiss designer and artist Karl Gerstner (1930-2017) had a significant influence on typography and the history and development of postwar graphic design. Designing Programmes is one of his most important and influential works. It was first published in 1964, and reissued in a new design by Lars Mueller Publishers in 2007; both editions are now rare (the first almost completely unavailable). Now, Lars Mueller reissues the book with its original design. Here, across four essays, Gerstner provides a basic introduction to his design methodology and suggests a model for design in the early days of the computer era. Gerstner's innovation was to propose a rule set or system defined by the designer that would determine all aesthetic decisions for a given product: for example, a logo might also function as a layout grid system or inspire a font. Today the book is especially topical in the context of current developments in computational design. With many examples from the worlds of graphic and product design, music, architecture and art, Designing Programmes inspires the reader to seize on the material, develop it further, and integrate it into his or her own work. 175 illustrations A must-have for all design enthusiasts Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Hard Cover. Condición: Very Good. Estado de la sobrecubierta: Very Good. First Edition. This is a very good hardcover copy in a very good dustjacket with light wear to the corners. Completely clean inside and out. Fine survey of modern graphic design full of less well known designers as well as the greats. Illustrated in color throughout. 15" high X 11" wide, 249 pages. Large heavy book, foreign shipping will be extra.…

Softcover. 4°, Original cardboard binding. Three sheets of title and introductory text, one blank sheet (violet on the front, black on the back), followed by sheets 10 to 1/2 in various colors, with differently sized omissions (creating a 3D effect when viewed), each with the sheet number and a short explanatory text on the reverse. Sheet 1/2 is also the first sheet of a second color series, which continues with sheets 3-12. This is followed by another blank sheet and three sheets of introductory text and the title page, so that the work can be viewed from both the front and the back. Some slight adhesive binding remains between the sheets, but most are loose. Clean, good condition. -- Original-Kartonage. 3 Blatt Titel und einführender Text, 1 leeres Blatt (Vorderseite violett, Rückseite schwarz), gefolgt von den Blättern 10 bis 1/2 in verschiedenen Farben, mit unterschiedlich großen Auslassungen (dadurch entsteht beim Anschauen ein 3-D-Effekt), rückseitig jeweils die Battnummer und kurzer erläuternder Text. Blatt 1/2 ist gleichzeitig das Anfangsblatt einer zweiten Farbserie, die mit den Blättern 3-12 anschließt, es folgen nochmals 1 leeres Blatt sowie 3 Blatt einführender Text und Titelblatt, so dass das Werk sowohl von vorn als auch von hinten angeschaut werden kann. Teils ist noch leichte Klebebindung zwischen den Blättern vorhanden, die meisten sind jedoch lose. Sauberer, guter Zustand. -- Bitte Portokosten außerhalb EU erfragen! / Please ask for postage costs outside EU! / S ' il vous plait demander des frais de port en dehors de l ' UE! // Bitte beachten Sie auch unsere Fotos! / Please also note our photos! / Veuillez noter nos photos -- Wenn es draußen stürmt, können Sie es sich mit einem guten Buch gemütlich machen und ein warmes Getränk dazu genießen. Bei uns finden Sie die passende Lektüre! -- Wir kaufen Ihre werthaltigen Bücher! K00526-436832.…

Hardcover. Estado de la sobrecubierta: Good. xi, 195 pp. Vision + Value Series. LCC: 6510807 Very good condition; very light yellowing on edges of papers.

Hardcover. dj. Square quarto, 226 pages. In Good plus condition with a Good plus dust jacket. Spine gray with white lettering. Dust jacket protected with a mylar covering. Bumping and peeling to dust jacket edges. Creasing to fore edge of dust jacket. Mild rubbing and scratching to dust jacket. Three previous price stickers adhered to back of dust jacket. Mild rubbing to board edges. Spine cocked. Previous owner's signature on first blank page. Shelved Artist Monographs. 1413871. Shelved Dupont Bookstore. First English Language Edition, First Printing. …

Paperback. Black wraps with white lettering; 19 pp.; richly illustrated. "Karl Gerstner (2 July 1930 1 January 2017) was a Swiss designer, typographer, author, and artist." -- website. VG (Wraps show shelfwear; pages are clean and bright; binding is solid.).

Original publisher's purple cloth hardback, black lettering spine and frontcover, pictorial dustjacket, 2nd printing [1989], folio: typographical illustrated endpapers, vi, 250pp., hundreds of illustrations, notes & references, acknowledgements - permissions, general bibliography, index, colophon. Very fine copy - as new. …

Hardback. Condición: Near fine. Estado de la sobrecubierta: Near fine. First American edition. Karl Gerstner was known for several things at once: He was a graphic artist and typographer of the Swiss school, a color theorist and writer, and an abstract painter. Which aspect of his long career was most important shifted with time and according to the interests of the inquirer. "The Art of Karl Gerstner: The Spirit of Colors" (warning: references to this book are sometimes found with the title and subtitle reversed, for legitimate reasons) combines his theoretical work with many examples of his paintings. It also includes not only essays by Gerstner, but essays about Gerstner. What was he about? The general thrust of his thoughts on color, and perhaps his paintings, might be summed up by Lynn Gamwell in "The Guardian" in 2015, two years before Gerstner's death at age 86: "Swiss artists such as Gerstner created patterns that resonate with .mathematical descriptions of nature in terms of symmetry. Like the mathematicians, these artists established basic aesthetic building-blocks-units of color and form-and arranged them using rules that preserve proportion and balance." Critics were not always overly-fond of the end results when it came to his paintings as works of art in and of themselves. For example, Roberta Smith said this in the "New York Times" about one of Gerstner's rare solo exhibitions in 1997: ".there's a brittle, overly intellectual bravura to these machinations that makes them seem more like high-performance color charts than paintings, despite Mr. Gerstner's ability to make his technically perfect surfaces feel handmade.Thus while the works unlock some of color's mysteries to dazzling effect, the dazzle never deepens." There are so many examples of Gerstner's work in this book, including large fold-out plates, that you have plenty of information to form your own opinion. Our copy is a first printing of the first American edition. It was originally published in German with the title, "Der Geist der Farbe," or "The Spirit of Colors," which appears here both on the top of the front of the dust jacket and on the half-title page. However, the wording at the bottom of the front of the dust jacket, the title on the title page, and on the official Library of Congress catalog record is "The Art of Karl Gerstner"-hence where the confusion over the official title of the book comes in. To make matters worse, neither is stamped on the black linen binding, only Gerstner's name. That gray stamping is worn on the cover but still in fine shape on the spine, and the binding itself is in excellent condition, without even any bumping on the corners or spine. (There is some slight bowing on the boards, however.) The text block is tight and solid, and the pages are free of marks, creases, and tears. The dust jacket is showing slightly more wear, with a bit of shelf wear at the lower left corner of the rear panel and very small nick on top of the inside flap. The lamination is starting to pull away from the paper at a number of places as well, but at no place has it completely peeled away.…

Paperback. Condición: Brand New. 120 pages. French language. 9.75x7.00x0.25 inches. In Stock.

Condición: New. 2019. Paperback. . . . . .

Softcover. Condición: As New. First Edition. From the exhibition held March 3, 1999 - April 1, 1999. It was his first exhibition to be held in Great Britain. Illustrated throughout; 56 pages. Karl Gerstner (1930?2017) was a leading representative of Swiss typography and one of the most important innovators of typography, advertising graphics and corporate design. From 1945 to 1948, he completed an apprenticeship in Fritz Bühler's studio and attended courses at the Allgemeine Gewerbeschule Basel, where Armin Hofmann and Emil Ruder were his instructors. In 1949 he followed Max Schmid's call and joined the legendary design team of Geigy Pharmaceuticals, where he later met the copywriter and editor Markus Kutter. In 1959 they founded the advertising agency Gerstner + Kutter, which was joined by architect Paul Gredinger and in 1963 became GGK (Gerstner Gredinger Kutter), one of Europe's most successful advertising agencies. Gerstner left the agency in 1970 to focus on his art and on selected design projects. Karl Gerstner had a significant influence on Swiss typography and graphic design. As an artist, he developed a systematic language of colors and forms and pleaded for a correlation between art and everyday life and a functional and aesthetic design of the environment.…

Condición: Good. Original stapled wrappers, illustrations in b/w, unpaged, 8vo.; Top spine torn.

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Near Fine. Quarto. 225pp. Black cloth-covered boards with grey stamped titles. Price-clipped jacket now in mylar sleeve. Colour plates throughout, some folding.

Bibliothekseinband. Condición: Gut. 95 Seiten; Ausgesondertes Buch mit Bibliothekseinband aus juristischer Fachbibliothek. Übliche Merkmale: Signatur auf Buchrücken und Buchdeckel, Stempel im Buch. Buchschnitt an allen drei Seiten mit roten Strichen gekennzeichnet. Seiten alters-/papierbedingt angebräunt; Ansonsten ordentlicher Zustand. Sprache: Deutsch Gewicht in Gramm: 250.…

Condición: Very Good.