Stierlin henri editor (44 resultados)

paperback. Condición: Fair.

Paperback. Condición: Good.

Paperback. Condición: New.

Paperback. Condición: Good.

Paperback. Condición: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Condición: New.

Paperback. Condición: Fine. No Jacket. First Edition. No wear to the covers. Pages are tight and clean with no marks. No name of previous owner. No spine creasing from opening. No sun fading.

Paperback. Condición: New.

Softcover. Condición: Near Fine. Book is in NF condition with owner's ink stamp to inner cover, trace edge wear noted else a bright and solid copy. ARN W.07; 8vo - over 7¾" - 9¾" tall.

paperback. Condición: Very Good. Has moderate shelf and/or corner wear. Great used condition.Over 1,000,000 satisfied customers since 1997! Choose expedited shipping (if available) for much faster delivery. Delivery confirmation on all US orders.

Paperback. Condición: New.

Paperback. Condición: Very Good. 192pp. Some cover foxing. Size: 8vo - over 7¾" - 9¾" tall. Heman, Peter (Photography) (ilustrador).

Paperback. Condición: New. In shrink wrap.

Paperback. Condición: New.

First Edition. New book. Light edge wear to cover.

Paperback. Condición: New. In shrink wrap.

Paperback. Condición: As New.

Condición: Used - Very Good. VG paperback. Undated but c. 1990s with numerous B&W illustrations; part of Architecture of the World series; spine uncreased; light vertical crease to front cover; otherwise, a clean, tidy copy.

Paperback. Condición: New.

Paperback. Condición: New.

Soft cover. Condición: Good. Estado de la sobrecubierta: Not applicable. VINTAGESTAN BOOKS Title: Architecture of the World. The Roman Empire. Editor: Henri Stierlin Publisher: Beneditk Taschen. Year Published: Edition: Original. Dimensions: 21cm x 20.5cm. Binding type: Softcover ISBN: 9783822893050 Notes: SKU: VSS / 231 / G / 5485 / 4127 / C Condition Dust Jacket Condition: Not applicable. Book condition: Good. Rubbing, bumps, creasing, handling marks, marks. Binding: Intact Pages: 192 pages.…

Large Soft Cover. Condición: Very Good Plus. First. 192 pages including the index; previous owners name to top left hand corner of inside front cover; some mild rubbing to the corners, otherwise bright and clean. Size: 8" x 8". Book.

paperback. Condición: Very Good. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Soft cover. Condición: Good +. No Jacket.

Paperback. Condición: Very Good. 192 pages. as pictured - New glossy paperback ~ fast handling and shipping (usually in 1 bu siness day *** FREE upgrade to Priority Mail service) from Florida USA ~ USPS tr acking ~ international and domestic rates ~ customer satisfaction guaranteed or money back ~ return policy.…

Paperback. Condición: Very Good. 192 pages. hard to find.

Paperback. Condición: Very Good. 192 pages. Book by Yves Bottineau.

Hardcover. dj. Square quarto, 226 pages. In Good plus condition with a Good plus dust jacket. Spine gray with white lettering. Dust jacket protected with a mylar covering. Bumping and peeling to dust jacket edges. Creasing to fore edge of dust jacket. Mild rubbing and scratching to dust jacket. Three previous price stickers adhered to back of dust jacket. Mild rubbing to board edges. Spine cocked. Previous owner's signature on first blank page. Shelved Artist Monographs. 1413871. Shelved Dupont Bookstore. First English Language Edition, First Printing. …

Hardback. Condición: Near fine. Estado de la sobrecubierta: Near fine. First American edition. Karl Gerstner was known for several things at once: He was a graphic artist and typographer of the Swiss school, a color theorist and writer, and an abstract painter. Which aspect of his long career was most important shifted with time and according to the interests of the inquirer. "The Art of Karl Gerstner: The Spirit of Colors" (warning: references to this book are sometimes found with the title and subtitle reversed, for legitimate reasons) combines his theoretical work with many examples of his paintings. It also includes not only essays by Gerstner, but essays about Gerstner. What was he about? The general thrust of his thoughts on color, and perhaps his paintings, might be summed up by Lynn Gamwell in "The Guardian" in 2015, two years before Gerstner's death at age 86: "Swiss artists such as Gerstner created patterns that resonate with .mathematical descriptions of nature in terms of symmetry. Like the mathematicians, these artists established basic aesthetic building-blocks-units of color and form-and arranged them using rules that preserve proportion and balance." Critics were not always overly-fond of the end results when it came to his paintings as works of art in and of themselves. For example, Roberta Smith said this in the "New York Times" about one of Gerstner's rare solo exhibitions in 1997: ".there's a brittle, overly intellectual bravura to these machinations that makes them seem more like high-performance color charts than paintings, despite Mr. Gerstner's ability to make his technically perfect surfaces feel handmade.Thus while the works unlock some of color's mysteries to dazzling effect, the dazzle never deepens." There are so many examples of Gerstner's work in this book, including large fold-out plates, that you have plenty of information to form your own opinion. Our copy is a first printing of the first American edition. It was originally published in German with the title, "Der Geist der Farbe," or "The Spirit of Colors," which appears here both on the top of the front of the dust jacket and on the half-title page. However, the wording at the bottom of the front of the dust jacket, the title on the title page, and on the official Library of Congress catalog record is "The Art of Karl Gerstner"-hence where the confusion over the official title of the book comes in. To make matters worse, neither is stamped on the black linen binding, only Gerstner's name. That gray stamping is worn on the cover but still in fine shape on the spine, and the binding itself is in excellent condition, without even any bumping on the corners or spine. (There is some slight bowing on the boards, however.) The text block is tight and solid, and the pages are free of marks, creases, and tears. The dust jacket is showing slightly more wear, with a bit of shelf wear at the lower left corner of the rear panel and very small nick on top of the inside flap. The lamination is starting to pull away from the paper at a number of places as well, but at no place has it completely peeled away.…

paperback. Condición: New. In shrink wrap. Looks like an interesting title.