garrity jane (38 resultados)

Paperback. Condición: Very Good. Step-Daughters of England: British Women Modernists and the National Imaginary This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .

paperback. Condición: Very Good. Light shelf wear. Else clean and tight.

Paperback. Condición: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Paperback. Condición: Very Good.

Paperback. Condición: Very Good.

Paperback. Condición: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Condición: As New. Unread book in perfect condition.

Condición: New.

Paperback. Condición: New. Jane Garrity shows how four British women modernists - Dorothy Richardson, Sylvia Townsend Warner, Mary Butts and Virginia Woolf - used experimental literary techniques in order to situate themselves as national subjects. Reading literary texts through the lens of material culture, this book makes a major contribution to the new modernist studies by arguing that women's imaginative work is inseparable from their ambivalent and complicated relation to Britain's imperial history. Drawing on extensive archival research, Garrity takes as her point of departure the ubiquitous maternal and racial link to national identification during the interwar period. Each chapter foregrounds a different range of cultural developments that coincided with the rise of modernism, such as emerging visual techniques, the revival of British neo-medievalism, ethnographic work on primitive mysticism, and nostalgia for English ruralism. By locating both canonical and non-canonical works of female literary modernism within broader cultural discourses, Garrity demonstrates the intersections among nationalism, imperialism, gender and sexuality in the construction of English national culture.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condición: New. Jane Garrity shows how four British women modernists - Dorothy Richardson, Sylvia Townsend Warner, Mary Butts and Virginia Woolf - used experimental literary techniques in order to situate themselves as national subjects. Reading literary texts through the lens of material culture, this book makes a major contribution to the new modernist studies by arguing that women's imaginative work is inseparable from their ambivalent and complicated relation to Britain's imperial history. Drawing on extensive archival research, Garrity takes as her point of departure the ubiquitous maternal and racial link to national identification during the interwar period. Each chapter foregrounds a different range of cultural developments that coincided with the rise of modernism, such as emerging visual techniques, the revival of British neo-medievalism, ethnographic work on primitive mysticism, and nostalgia for English ruralism. By locating both canonical and non-canonical works of female literary modernism within broader cultural discourses, Garrity demonstrates the intersections among nationalism, imperialism, gender and sexuality in the construction of English national culture.

Paperback. Condición: new. Paperback. Jane Garrity shows how four British women modernists - Dorothy Richardson, Sylvia Townsend Warner, Mary Butts and Virginia Woolf - used experimental literary techniques in order to situate themselves as national subjects. Reading literary texts through the lens of material culture, this book attepts to make a major contribution to modernist studies by arguing that women's imaginative work is inseparable from their ambivalent and complicated relation to Britain's imperial history. Drawing on extensive archival research, Garrity takes as her point of departure the ubiquitous maternal and racial link to national identification during the interwar period. Each chapter foregrounds a different range of cultural developments that coincided with the rise of modernism, such as emerging visual techniques, the revival of British neo-medievalism, ethnographic work on primitive mysticism, and nostalgia for English ruralism. By locating both canonical and non-canonical works of female literary modernism within broader cultural discourses, Garrity demonstrates the intersections among nationalism, imperialism, gender and sexuality in the construction of English national culture. Jane Garrity shows how four British women modernist writers- Dorothy Richardson, Sylvia Townsend Warner, Mary Butts and Virginia Woolf -used experimental literary techniques in order to situate themselves asnational subjects. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condición: Very Good. Spine not creased. 235 x 155 mm. x, 349 pp. A study of Dorothy Richardson, Sylvia Townsend Warner, Mary Butts and Virginia Woolf, and how these four British women modernists used experimental literary techniques to situate themselves as national subjects.

23.5x16cm. Soft cover. First edition thus. The female experience of nation between the wars in the novels of Dorothy Richardson, Sylvia Townsend Warner, Mary Butts, and Virginia Woolf. ppX,349,(1) with extensive bibliography, and index. Card wrappers, front illustrated in colour. VERY GOOD+ copy.

Condición: New. In.

Paperback. Condición: New.

Paperback. Condición: New.

Condición: New.

Condición: As New. Unread book in perfect condition.

Paperback. Condición: Brand New. 349 pages. 9.00x6.25x1.00 inches. In Stock.

Condición: New. "Sapphic Modernities" marks the first attempt to examine the representation of the lesbian in modernity from the multiple perspectives of literary, visual, and cultural studies Editor(s): Doan, Laura; Garrity, Jane. Num Pages: 261 pages, biography. BIC Classification: DSBH; HBTB; JFSJ; MMJ. Category: (G) General (US: Trade). Dimension: 216 x 140 x 14. Weight in Grams: 349. . 2007. Paperback. . . . .

Condición: New. Editor(s): Doan, Laura; Garrity, Jane. Num Pages: 271 pages, biography. BIC Classification: 1DBKE; HBTB; JFSJ1. Category: (P) Professional & Vocational; (U) Tertiary Education (US: College); (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 217 x 145 x 19. Weight in Grams: 458. . 2007. annotated ed. Hardback. . . . .

Paperback. Condición: New. Jane Garrity shows how four British women modernists - Dorothy Richardson, Sylvia Townsend Warner, Mary Butts and Virginia Woolf - used experimental literary techniques in order to situate themselves as national subjects. Reading literary texts through the lens of material culture, this book makes a major contribution to the new modernist studies by arguing that women's imaginative work is inseparable from their ambivalent and complicated relation to Britain's imperial history. Drawing on extensive archival research, Garrity takes as her point of departure the ubiquitous maternal and racial link to national identification during the interwar period. Each chapter foregrounds a different range of cultural developments that coincided with the rise of modernism, such as emerging visual techniques, the revival of British neo-medievalism, ethnographic work on primitive mysticism, and nostalgia for English ruralism. By locating both canonical and non-canonical works of female literary modernism within broader cultural discourses, Garrity demonstrates the intersections among nationalism, imperialism, gender and sexuality in the construction of English national culture.

Condición: New. "Sapphic Modernities" marks the first attempt to examine the representation of the lesbian in modernity from the multiple perspectives of literary, visual, and cultural studies Editor(s): Doan, Laura; Garrity, Jane. Num Pages: 261 pages, biography. BIC Classification: DSBH; HBTB; JFSJ; MMJ. Category: (G) General (US: Trade). Dimension: 216 x 140 x 14. Weight in Grams: 349. . 2007. Paperback. . . . . Books ship from the US and Ireland.

Condición: New. Editor(s): Doan, Laura; Garrity, Jane. Num Pages: 271 pages, biography. BIC Classification: 1DBKE; HBTB; JFSJ1. Category: (P) Professional & Vocational; (U) Tertiary Education (US: College); (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 217 x 145 x 19. Weight in Grams: 458. . 2007. annotated ed. Hardback. . . . . Books ship from the US and Ireland.

Paperback. Condición: new. Paperback. Jane Garrity shows how four British women modernists - Dorothy Richardson, Sylvia Townsend Warner, Mary Butts and Virginia Woolf - used experimental literary techniques in order to situate themselves as national subjects. Reading literary texts through the lens of material culture, this book attepts to make a major contribution to modernist studies by arguing that women's imaginative work is inseparable from their ambivalent and complicated relation to Britain's imperial history. Drawing on extensive archival research, Garrity takes as her point of departure the ubiquitous maternal and racial link to national identification during the interwar period. Each chapter foregrounds a different range of cultural developments that coincided with the rise of modernism, such as emerging visual techniques, the revival of British neo-medievalism, ethnographic work on primitive mysticism, and nostalgia for English ruralism. By locating both canonical and non-canonical works of female literary modernism within broader cultural discourses, Garrity demonstrates the intersections among nationalism, imperialism, gender and sexuality in the construction of English national culture. Jane Garrity shows how four British women modernist writers- Dorothy Richardson, Sylvia Townsend Warner, Mary Butts and Virginia Woolf -used experimental literary techniques in order to situate themselves asnational subjects. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Paperback. Condición: New. Jane Garrity shows how four British women modernists - Dorothy Richardson, Sylvia Townsend Warner, Mary Butts and Virginia Woolf - used experimental literary techniques in order to situate themselves as national subjects. Reading literary texts through the lens of material culture, this book makes a major contribution to the new modernist studies by arguing that women's imaginative work is inseparable from their ambivalent and complicated relation to Britain's imperial history. Drawing on extensive archival research, Garrity takes as her point of departure the ubiquitous maternal and racial link to national identification during the interwar period. Each chapter foregrounds a different range of cultural developments that coincided with the rise of modernism, such as emerging visual techniques, the revival of British neo-medievalism, ethnographic work on primitive mysticism, and nostalgia for English ruralism. By locating both canonical and non-canonical works of female literary modernism within broader cultural discourses, Garrity demonstrates the intersections among nationalism, imperialism, gender and sexuality in the construction of English national culture.

Fine in publishers cloth. 1st edition, 1st issue.Jane Garrity shows how four British women modernists - Dorothy Richardson, Sylvia Townsend Warner, Mary Butts and Virginia Woolf - used experimental literary techniques in order to situate themselves as national subjects. Reading literary texts through the lens of material culture, this book attepts to make a major contribution to modernist studies by arguing that women's imaginative work is inseparable from their ambivalent and complicated relation to Britain's imperial history. Drawing on extensive archival research, Garrity takes as her point of departure the ubiquitous maternal and racial link to national identification during the interwar period. Each chapter foregrounds a different range of cultural developments that coincided with the rise of modernism, such as emerging visual techniques, the revival of British neo-medievalism, ethnographic work on primitive mysticism, and nostalgia for English ruralism. By locating both canonical and non-canonical works of female literary modernism within broader cultural discourses, Garrity demonstrates the intersections among nationalism, imperialism, gender and sexuality in the construction of English national culture. ISBN 0719061636.

Condición: New. Print on Demand pp. 360 449:B&W 6.14 x 9.21 in or 234 x 156 mm (Royal 8vo) Perfect Bound on White w/Matte Lam.