Gabbarelli (43 resultados)

Condición: very_good. Fast Free Shipping â" Very Good condition book with a firm cover and clean pages. Shows normal use and some light wear or limited notes markings. A solid, nice copy to enjoy.

hardcover. Condición: Very Good. no dust jacket as issued No dust jacket. With very good dust jacket. Oversized.

Soft cover. Condición: Very Good. 1st Edition. Top corner of the first page has a small red heart stamp; volume has minor wear; tight, text clean. 96 p., well illustrated; a supplemental foldout is laid in loosely at front. [br 22: grn cov fld w/words].

paperback. Condición: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.

Hardcover. Condición: Fine. 4to 11" - 13" tall; 144 pages.

hardcover. Condición: New. New and sealed.

Hardcover. Condición: VG+: As new in shrinkwrap. pictorial boards w/ goldenrod cloth spine, black printing. 156 pgs, color illustrations. Back board has mounted, publisher's correction of book description. "It is well known that the advent of the printed image in the Renaissance transformed the content, appearance, and function of art in the following centuries. As rapidly producible multiples, prints could broadcast visual motifs, compositions, subjects, and styles with unprecedented speed and to an ever-expanding audience. The print, more than any other medium, created an artistic canon that went beyond geographic and medial boundaries. The two art forms most directly and dramatically influenced by prints in the Renaissance were ceramics and bronze plaquettes. Brightly painted maiolica and minutely crafted bronze reliefs are among the most beautiful and intriguing objects produced in the period. Sharing Images: Renaissance Prints into Maiolica and Bronze documents the National Gallery of Art exhibition that brings prints, istoriato maiolica, and plaquettes into the same space, addressing the impact prints had on the decorative arts but also the modalities of their reception, highlighting the remarkably creative engagement artists and craftsmen had with their models."--Provided by publisher.…

Condición: New.

Hardcover. pictorial boards w/ goldenrod cloth spine, black printing. 156 pgs, color illustrations. Back board has mounted, publisher's correction of book description. "It is well known that the advent of the printed image in the Renaissance transformed the content, appearance, and function of art in the following centuries. As rapidly producible multiples, prints could broadcast visual motifs, compositions, subjects, and styles with unprecedented speed and to an ever-expanding audience. The print, more than any other medium, created an artistic canon that went beyond geographic and medial boundaries. The two art forms most directly and dramatically influenced by prints in the Renaissance were ceramics and bronze plaquettes. Brightly painted maiolica and minutely crafted bronze reliefs are among the most beautiful and intriguing objects produced in the period. Sharing Images: Renaissance Prints into Maiolica and Bronze documents the National Gallery of Art exhibition that brings prints, istoriato maiolica, and plaquettes into the same space, addressing the impact prints had on the decorative arts but also the modalities of their reception, highlighting the remarkably creative engagement artists and craftsmen had with their models."--Provided by publisher. Like New (bump to upper edge of spine).…

Condición: New.

Condición: As New. Unread book in perfect condition.

Condición: New.

Condición: As New. Unread book in perfect condition.

Paperback. Condición: New. While often viewed and studied separately, drawings and prints have always been closely intertwined. They facilitated and generated the production of one another, and in some instances, clear distinctions between the two dissolved. Many artists created drawings specifically intended for translation into print, and while an even greater number used prints as a training tool, copying from them to hone drawing skills. This reciprocal relationship goes even deeper, however, as innovative artists made created fascinating hybrid works that blurred the boundaries between the two media, pushing against modern definitions and hierarchies. Lines of Connection charts these historical and geographical continuities for the first time by bringing together works on paper of superb quality, foregrounding issues of artistic process and collaboration, technical innovation, and creative ingenuity. Featuring over 170 prints and drawings by such artists as Albrecht Durer, Parmigianino, Hendrick Goltzius, Maria Sibylla Merian, Rembrandt van Rijn, and William Blake, this catalogue is a rich narrative introduction to the compelling, yet understudied, relationship between drawing and printmaking.…

Condición: New.

Hardback. Condición: New. This book is the first full-length study into the multifarious influence of Renaissance prints on maiolica and bronze. Focusing on designs by major artists such as Andrea Mantegna, Antonio del Pollaiuolo, Raphael, Michelangelo, Parmigianino, and Albrecht Dürer, the book tells the story of how printed images were transmitted, transformed, and translated onto ceramics and small bronze reliefs, creating a shared visual canon across artistic media and geographical boundaries. Prized by princes and popes, and collected by scholars and diplomats, brightly painted maiolica and minutely crafted bronze reliefs are among the most beautiful and intriguing objects produced in the period. They are also among the least familiar, even to lovers of early modern art. Although seemingly unrelated and usually exhibited in isolation, ceramics and bronzes are in fact bound by the complex network of connections they share with prints and illustrated books. Sharing Images provides a comprehensive introduction to different aspects of the phenomenon, from the role of 15th-century prints and the rediscovery of ancient art to the importance of illustrated books and the artistic exchanges between Italy and northern Europe.…

Hardcover. Condición: New. No Jacket. 1st Edition. Elegantly printed study of how images were transformed into designs in sculpture,ceramics, bronze relief, with focus also on illustrated books, glazed Italian ceramics, Renaissance prints.

Paperback. Condición: Brand New. 230 pages. 10.51x8.51x10.50 inches. In Stock.

Hardcover. Condición: New.

Condición: New. This is a Brand-new US Edition. This Item may be shipped from US or any other country as we have multiple locations worldwide.

Condición: New. Brand New Original US Edition. Customer service! Satisfaction Guaranteed.

Condición: As New. Unread book in perfect condition.

Condición: New.

Condición: As New. Unread book in perfect condition.

Condición: New.

Condición: New.

Condición: New. In English.

Condición: As New. Unread book in perfect condition.

Condición: New.

Condición: New.