Floyd emily c (28 resultados)
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Librería: PBShop.store UK, Fairford, GLOS, Reino UnidoPBShop.store UK
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EUR 46,55
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Librería: GreatBookPrices, Columbia, MD, Estados Unidos de AmericaGreatBookPrices
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EUR 56,63
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Librería: Rarewaves.com USA, London, LONDO, Reino UnidoRarewaves.com USA
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EUR 59,01
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Hardback. Condición: New. A study of the production and movement of prints in colonial South America. Printed images have had a central place in art-historical studies of colonial Spanish America, but scholars have typically focused on imported prints, designed and produced in Europe. The Mobile Image focuses instead on works pr…inted in colonial Lima, generating there a distinctive print culture that served local and regional needs, while also appealing to European print consumers. Inexpensive, easily transportable, and numerous, Lima's prints traversed the varied geographies of the Viceroyalty of Peru both as loose sheets and within the protective covers of printed books. In the process, limeÑo devotional prints encouraged the development of shared regional imaginaries about the sacred Andean landscape, a space marked by miracle-working Virgins, potential saints, and powerful images of Christ. These same prints traveled abroad, where they promoted iconographies developed in Lima and influenced European conceptions of the Andes. Simultaneously, the visual language of limeÑo prints often challenges conventional approaches to interpreting colonial depictions of race. In analyzing limeÑo prints, and the identities of their makers, patrons, and consumers, The Mobile Image demonstrates that race is harder to recognize in colonial images than we might think. Unearthing hundreds of forgotten prints, Emily C. Floyd provides a fresh resource for interpreting colonial artworks, troubling established understandings of their aesthetics, and compelling us to reexamine colonial South American material cultures.
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Librería: GreatBookPrices, Columbia, MD, Estados Unidos de AmericaGreatBookPrices
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EUR 63,84
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Condición: As New. Unread book in perfect condition.
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Librería: Grand Eagle Retail, Bensenville, IL, Estados Unidos de AmericaGrand Eagle Retail
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EUR 69,85
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Hardcover. Condición: new. Hardcover. A study of the production and movement of prints in colonial South America. Printed images have had a central place in art-historical studies of colonial Spanish America, but scholars have typically focused on imported prints, designed and produced in Europe. The Mobile Image focuses instead… on works printed in colonial Lima, generating there a distinctive print culture that served local and regional needs, while also appealing to European print consumers. Inexpensive, easily transportable, and numerous, Limas prints traversed the varied geographies of the Viceroyalty of Peru both as loose sheets and within the protective covers of printed books. In the process, limeNo devotional prints encouraged the development of shared regional imaginaries about the sacred Andean landscape, a space marked by miracle-working Virgins, potential saints, and powerful images of Christ. These same prints traveled abroad, where they promoted iconographies developed in Lima and influenced European conceptions of the Andes. Simultaneously, the visual language of limeNo prints often challenges conventional approaches to interpreting colonial depictions of race. In analyzing limeNo prints, and the identities of their makers, patrons, and consumers, The Mobile Image demonstrates that race is harder to recognize in colonial images than we might think. Unearthing hundreds of forgotten prints, Emily C. Floyd provides a fresh resource for interpreting colonial artworks, troubling established understandings of their aesthetics, and compelling us to reexamine colonial South American material cultures. A study of the production and movement of prints in colonial South America. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Librería: Brook Bookstore On Demand, Napoli, NA, ItaliaBrook Bookstore On Demand
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EUR 60,52
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Condición: new.
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Librería: THE SAINT BOOKSTORE, Southport, Reino UnidoTHE SAINT BOOKSTORE
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EUR 53,95
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Hardback. Condición: New. New copy - Usually dispatched within 4 working days.
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Librería: GreatBookPricesUK, Woodford Green, Reino UnidoGreatBookPricesUK
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EUR 53,93
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Librería: Majestic Books, Hounslow, Reino UnidoMajestic Books
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EUR 64,31
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Librería: Chiron Media, Wallingford, Reino UnidoChiron Media
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EUR 54,22
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hardcover. Condición: New.
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Librería: Ria Christie Collections, Uxbridge, Reino UnidoRia Christie Collections
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EUR 59,45
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Condición: New. In.
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Librería: Rarewaves USA, OSWEGO, IL, Estados Unidos de AmericaRarewaves USA
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EUR 74,32
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Hardback. Condición: New. A study of the production and movement of prints in colonial South America. Printed images have had a central place in art-historical studies of colonial Spanish America, but scholars have typically focused on imported prints, designed and produced in Europe. The Mobile Image focuses instead on works pr…inted in colonial Lima, generating there a distinctive print culture that served local and regional needs, while also appealing to European print consumers. Inexpensive, easily transportable, and numerous, Lima's prints traversed the varied geographies of the Viceroyalty of Peru both as loose sheets and within the protective covers of printed books. In the process, limeÑo devotional prints encouraged the development of shared regional imaginaries about the sacred Andean landscape, a space marked by miracle-working Virgins, potential saints, and powerful images of Christ. These same prints traveled abroad, where they promoted iconographies developed in Lima and influenced European conceptions of the Andes. Simultaneously, the visual language of limeÑo prints often challenges conventional approaches to interpreting colonial depictions of race. In analyzing limeÑo prints, and the identities of their makers, patrons, and consumers, The Mobile Image demonstrates that race is harder to recognize in colonial images than we might think. Unearthing hundreds of forgotten prints, Emily C. Floyd provides a fresh resource for interpreting colonial artworks, troubling established understandings of their aesthetics, and compelling us to reexamine colonial South American material cultures.
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Librería: Kennys Bookshop and Art Galleries Ltd., Galway, GY, IrlandaKennys Bookshop and Art Galleries Ltd.
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EUR 63,54
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Condición: New. 2025. hardcover. . . . . .
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Librería: GreatBookPricesUK, Woodford Green, Reino UnidoGreatBookPricesUK
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EUR 60,97
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Condición: As New. Unread book in perfect condition.
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Librería: Revaluation Books, Exeter, Reino UnidoRevaluation Books
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EUR 67,01
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Hardcover. Condición: Brand New. 256 pages. 10.00x7.00x10.00 inches. In Stock.
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Librería: Books Puddle, New York, NY, Estados Unidos de AmericaBooks Puddle
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EUR 83,69
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Condición: New.
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Librería: Kennys Bookstore, Olney, MD, Estados Unidos de AmericaKennys Bookstore
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EUR 78,09
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Condición: New. 2025. hardcover. . . . . . Books ship from the US and Ireland.
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Librería: Russell Books, Victoria, BC, CanadaRussell Books
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EUR 70,38
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hardcover. Condición: New. Special order direct from the distributor.
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Librería: Speedyhen, Hertfordshire, Reino UnidoSpeedyhen
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EUR 50,33
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Condición: NEW.
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Librería: Revaluation Books, Exeter, Reino UnidoRevaluation Books
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EUR 88,53
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Hardcover. Condición: Brand New. 256 pages. 10.00x7.00x10.00 inches. In Stock.
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Librería: CitiRetail, Stevenage, Reino UnidoCitiRetail
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EUR 63,21
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Hardcover. Condición: new. Hardcover. A study of the production and movement of prints in colonial South America. Printed images have had a central place in art-historical studies of colonial Spanish America, but scholars have typically focused on imported prints, designed and produced in Europe. The Mobile Image focuses instead… on works printed in colonial Lima, generating there a distinctive print culture that served local and regional needs, while also appealing to European print consumers. Inexpensive, easily transportable, and numerous, Limas prints traversed the varied geographies of the Viceroyalty of Peru both as loose sheets and within the protective covers of printed books. In the process, limeNo devotional prints encouraged the development of shared regional imaginaries about the sacred Andean landscape, a space marked by miracle-working Virgins, potential saints, and powerful images of Christ. These same prints traveled abroad, where they promoted iconographies developed in Lima and influenced European conceptions of the Andes. Simultaneously, the visual language of limeNo prints often challenges conventional approaches to interpreting colonial depictions of race. In analyzing limeNo prints, and the identities of their makers, patrons, and consumers, The Mobile Image demonstrates that race is harder to recognize in colonial images than we might think. Unearthing hundreds of forgotten prints, Emily C. Floyd provides a fresh resource for interpreting colonial artworks, troubling established understandings of their aesthetics, and compelling us to reexamine colonial South American material cultures. A study of the production and movement of prints in colonial South America. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.
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Librería: moluna, Greven, Alemaniamoluna
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EUR 61,18
Envío por EUR 48,99Se envía de Alemania a Estados Unidos de AmericaCantidad disponible: 1 disponibles
Condición: New.
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Librería: Rarewaves USA United, OSWEGO, IL, Estados Unidos de AmericaRarewaves USA United
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EUR 77,27
Envío por EUR 43,59Se envía dentro de Estados Unidos de AmericaCantidad disponible: 3 disponibles
Hardback. Condición: New. A study of the production and movement of prints in colonial South America. Printed images have had a central place in art-historical studies of colonial Spanish America, but scholars have typically focused on imported prints, designed and produced in Europe. The Mobile Image focuses instead on works pr…inted in colonial Lima, generating there a distinctive print culture that served local and regional needs, while also appealing to European print consumers. Inexpensive, easily transportable, and numerous, Lima's prints traversed the varied geographies of the Viceroyalty of Peru both as loose sheets and within the protective covers of printed books. In the process, limeÑo devotional prints encouraged the development of shared regional imaginaries about the sacred Andean landscape, a space marked by miracle-working Virgins, potential saints, and powerful images of Christ. These same prints traveled abroad, where they promoted iconographies developed in Lima and influenced European conceptions of the Andes. Simultaneously, the visual language of limeÑo prints often challenges conventional approaches to interpreting colonial depictions of race. In analyzing limeÑo prints, and the identities of their makers, patrons, and consumers, The Mobile Image demonstrates that race is harder to recognize in colonial images than we might think. Unearthing hundreds of forgotten prints, Emily C. Floyd provides a fresh resource for interpreting colonial artworks, troubling established understandings of their aesthetics, and compelling us to reexamine colonial South American material cultures.
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Librería: AHA-BUCH GmbH, Einbeck, AlemaniaAHA-BUCH GmbH
Contactar con el vendedorVendedor de 5 estrellasCondición: Nuevo
EUR 62,54
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Buch. Condición: Neu. Neuware - A study of the production and movement of prints in colonial South America.
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Librería: Rarewaves.com UK, London, Reino UnidoRarewaves.com UK
Contactar con el vendedorVendedor de 5 estrellasCondición: Nuevo
EUR 55,30
Envío por EUR 76,73Se envía de Reino Unido a Estados Unidos de AmericaCantidad disponible: 8 disponibles
Hardback. Condición: New. A study of the production and movement of prints in colonial South America. Printed images have had a central place in art-historical studies of colonial Spanish America, but scholars have typically focused on imported prints, designed and produced in Europe. The Mobile Image focuses instead on works pr…inted in colonial Lima, generating there a distinctive print culture that served local and regional needs, while also appealing to European print consumers. Inexpensive, easily transportable, and numerous, Lima's prints traversed the varied geographies of the Viceroyalty of Peru both as loose sheets and within the protective covers of printed books. In the process, limeÑo devotional prints encouraged the development of shared regional imaginaries about the sacred Andean landscape, a space marked by miracle-working Virgins, potential saints, and powerful images of Christ. These same prints traveled abroad, where they promoted iconographies developed in Lima and influenced European conceptions of the Andes. Simultaneously, the visual language of limeÑo prints often challenges conventional approaches to interpreting colonial depictions of race. In analyzing limeÑo prints, and the identities of their makers, patrons, and consumers, The Mobile Image demonstrates that race is harder to recognize in colonial images than we might think. Unearthing hundreds of forgotten prints, Emily C. Floyd provides a fresh resource for interpreting colonial artworks, troubling established understandings of their aesthetics, and compelling us to reexamine colonial South American material cultures.
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Librería: AussieBookSeller, Truganina, VIC, AustraliaAussieBookSeller
Contactar con el vendedorVendedor de 5 estrellasCondición: Nuevo
EUR 104,06
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Hardcover. Condición: new. Hardcover. A study of the production and movement of prints in colonial South America. Printed images have had a central place in art-historical studies of colonial Spanish America, but scholars have typically focused on imported prints, designed and produced in Europe. The Mobile Image focuses instead… on works printed in colonial Lima, generating there a distinctive print culture that served local and regional needs, while also appealing to European print consumers. Inexpensive, easily transportable, and numerous, Limas prints traversed the varied geographies of the Viceroyalty of Peru both as loose sheets and within the protective covers of printed books. In the process, limeNo devotional prints encouraged the development of shared regional imaginaries about the sacred Andean landscape, a space marked by miracle-working Virgins, potential saints, and powerful images of Christ. These same prints traveled abroad, where they promoted iconographies developed in Lima and influenced European conceptions of the Andes. Simultaneously, the visual language of limeNo prints often challenges conventional approaches to interpreting colonial depictions of race. In analyzing limeNo prints, and the identities of their makers, patrons, and consumers, The Mobile Image demonstrates that race is harder to recognize in colonial images than we might think. Unearthing hundreds of forgotten prints, Emily C. Floyd provides a fresh resource for interpreting colonial artworks, troubling established understandings of their aesthetics, and compelling us to reexamine colonial South American material cultures. A study of the production and movement of prints in colonial South America. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
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Librería: preigu, Osnabrück, Alemaniapreigu
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EUR 68,55
Envío por EUR 70,00Se envía de Alemania a Estados Unidos de AmericaCantidad disponible: 1 disponibles
Buch. Condición: Neu. The Mobile Image | Prints and the Shaping of Devotional Networks from Lima to the Andes and Beyond | Emily C. Floyd | Buch | Einband - fest (Hardcover) | Englisch | 2025 | University of Texas Press | EAN 9781477331125 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[a…t]libri[dot]de | Anbieter: preigu.
Idioma: Inglés
Editorial: Raphael Tuck & Sons, Ltd, London Uk, 1907
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- Primera edición
Librería: Arroyo Seco Books, Pasadena, Member IOBA, Pasadena, CA, Estados Unidos de AmericaArroyo Seco Books, Pasadena, Member IOBA
Contactar con el vendedorVendedor de 4 estrellasMiembro de asociación: IOBA
Condición: Usado - Bueno
EUR 139,42
Envío por EUR 6,97Se envía dentro de Estados Unidos de AmericaCantidad disponible: 1 disponibles
Hardcover. Condición: Very Good. 1st Edition. 71 Pp. Full Red Cloth Stamped In Green, Orange, Pink, Blue, And Black; Spine Lettered In Green And Stamped In Black. The Original Printing, Full Cloth, Title Page Showing Raphael Tuck & Sons, Ltd., No. 801, Designed And Printed In England, Publisher's To Their Majesties The King And…Queen & T. R. H. The Prince And Princess Of Wales. Undated, Circa 1907. Light Usage, No Marks, Bright, Small Discolorations To Front Cover. This Uk Issue In Red Cloth Is Rare, But The Reprints In Boards, And The New York Editions, Are Not Uncommon. Full Color Frontispiece, Two-Color Illustrations And B/W Ilustrations In Text. (ilustrador).
