Flack leah culligan (58 resultados)

Hardcover. Condición: As New. Never read, no marks or highlights in the text. Our copy is a new hardback, with printed covers, showing light shelfwear.

Condición: New.

Paperback. Condición: New. James Joyce and Classical Modernism contends that the classical world animated Joyce's defiant, innovative creativity and cannot be separated from what is now recognized as his modernist aesthetic. Responding to a long-standing critical paradigm that has viewed the classical world as a means of granting a coherent order, shape, and meaning to Joyce's modernist innovations, Leah Flack explores how and why Joyce's fiction deploys the classical as the language of the new. This study tracks Joyce's sensitive, on-going readings of classical literature from his earliest work at the turn of the twentieth century through to the appearance of Ulysses in 1922, the watershed year of high modernist writing. In these decades, Joyce read ancient and modern literature alongside one another to develop what Flack calls his classical modernist aesthetic, which treats the classical tradition as an ally to modernist innovation. This aesthetic first comes to full fruition in Ulysses, which self-consciously deploys the classical tradition to defend stylistic experimentation as a way to resist static, paralyzing notions of the past. Analysing Joyce's work through his career from his early essays, Flack ends by considering the rich afterlives of Joyce's classical modernist project, with particular attention to contemporary works by Alison Bechdel and Maya Lang.…

Condición: As New. Unread book in perfect condition.

Condición: New.

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: No Dust Jacket As Issued. A nice, bright copy. ; Classical Receptions In Twentieth-Century Writing; 9.3 X 6.3 X 0.6 inches; 158 pages.

Hardcover. First Edition. Octavo, xvii, 228 pages. In Very Good condition with a Very Good dust jacket. Dust jacket protected with a mylar covering. Spine green/black with white lettering. Boards have tiny bumps to the head fore corners. Text block shows very light finger marks to the edges. Previous owner's name to the front free end paper and some marginalia interiorly. First edition. NOTE: Shelved in Netdesk Column A, ND-A. 1373863. FP New Rockville Stock. …

Condición: New.

Condición: New.

Hardback. Condición: Fine. A clean, bright copy in glazed boards. 235 x 155 mm. xvi, 160 pp. A study of the influence of classical literature on Joyce's modernist aesthetic. Includes bibliographical references and index. Book.

Condición: New.

hardcover. Condición: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority.

Condición: As New. Unread book in perfect condition.

Condición: New.

Condición: New.

Condición: New.

Hardcover. Condición: Very Good. No Dust Jacket. Hard cover, printed boards, no jacket intended, in 'unread' condition, CN.

Condición: New. pp. 176.

Paperback. Condición: Brand New. 176 pages. 9.21x6.14x0.38 inches. In Stock.

Taschenbuch. Condición: Neu. Neuware - James Joyce and Classical Modernism contends that the classical world animated Joyce's defiant, innovative creativity and cannot be separated from what is now recognized as his modernist aesthetic. Responding to a long-standing critical paradigm that has viewed the classical world as a means of granting a coherent order, shape, and meaning to Joyce's modernist innovations, Leah Flack explores how and why Joyce's fiction deploys the classical as the language of the new. This study tracks Joyce's sensitive, on-going readings of classical literature from his earliest work at the turn of the twentieth century through to the appearance of Ulysses in 1922, the watershed year of high modernist writing. In these decades, Joyce read ancient and modern literature alongside one another to develop what Flack calls his classical modernist aesthetic, which treats the classical tradition as an ally to modernist innovation. This aesthetic first comes to full fruition in Ulysses, which self-consciously deploys the classical tradition to defend stylistic experimentation as a way to resist static, paralyzing notions of the past. Analysing Joyce's work through his career from his early essays, Flack ends by considering the rich afterlives of Joyce's classical modernist project, with particular attention to contemporary works by Alison Bechdel and Maya Lang.…

Taschenbuch. Condición: Neu. Druck auf Anfrage Neuware - Printed after ordering - This comparative study crosses multiple cultures, traditions, genres, and languages in order to explore the particular importance of Homer in the emergence, development, and promotion of modernist writing. It shows how and why the Homeric epics served both modernist formal experimentation, including Pound's poetics of the fragment and Joyce's sprawling epic novel, and sociopolitical critiques, including H.D.'s analyses of the cultural origins of twentieth-century wars and Mandelstam's poetic defiance of the totalitarian Stalinist regime. The book counters a long critical tradition that has recruited Homer to consolidate, champion and, more recently, chastise an elitist, masculine modernist canon. Departing from the tradition of reading these texts in isolation as mythic engagements with the Homeric epics, Leah Flack argues that ongoing dialogues with Homer helped these writers to mount their distinct visions of a cosmopolitan post-war culture that would include them as artists working on the margins of the Western literary tradition.…

Paperback. Condición: New. James Joyce and Classical Modernism contends that the classical world animated Joyce's defiant, innovative creativity and cannot be separated from what is now recognized as his modernist aesthetic. Responding to a long-standing critical paradigm that has viewed the classical world as a means of granting a coherent order, shape, and meaning to Joyce's modernist innovations, Leah Flack explores how and why Joyce's fiction deploys the classical as the language of the new. This study tracks Joyce's sensitive, on-going readings of classical literature from his earliest work at the turn of the twentieth century through to the appearance of Ulysses in 1922, the watershed year of high modernist writing. In these decades, Joyce read ancient and modern literature alongside one another to develop what Flack calls his classical modernist aesthetic, which treats the classical tradition as an ally to modernist innovation. This aesthetic first comes to full fruition in Ulysses, which self-consciously deploys the classical tradition to defend stylistic experimentation as a way to resist static, paralyzing notions of the past. Analysing Joyce's work through his career from his early essays, Flack ends by considering the rich afterlives of Joyce's classical modernist project, with particular attention to contemporary works by Alison Bechdel and Maya Lang.…

Condición: Brand New. Original Printing.

Condición: New.

Condición: New. A comparative study exploring the particular importance of Homer in the emergence, development, and promotion of modernist writing. Series: Classics After Antiquity. Num Pages: 248 pages, black & white illustrations. BIC Classification: DSBH. Category: (U) Tertiary Education (US: College). Dimension: 161 x 235 x 21. Weight in Grams: 506. . 2015. hardcover. . . . . …

Condición: New. A comparative study exploring the particular importance of Homer in the emergence, development, and promotion of modernist writing. Series: Classics After Antiquity. Num Pages: 248 pages, black & white illustrations. BIC Classification: DSBH. Category: (U) Tertiary Education (US: College). Dimension: 161 x 235 x 21. Weight in Grams: 506. . 2015. hardcover. . . . . Books ship from the US and Ireland. …

Condición: New. pp. 232.

Hardcover. Condición: Brand New. 232 pages. 8.00x5.00x1.00 inches. In Stock.

Hardcover. Condición: Brand New. 158 pages. 9.25x6.25x0.75 inches. In Stock.

Condición: New. 2020. Hardcover. . . . . . Books ship from the US and Ireland.