Fiona donovan (96 resultados)

Condición: Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Condición: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

hardcover. Condición: Good.

Condición: very_good. Book is in very good condition and may include minimal underlining highlighting. The book can also include "From the library of" labels. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service. Burgess, Donovan (ilustrador).…

Trade Paperback. Condición: USED Good.

No Binding. Condición: Very Good. ORIGINAL 2007 Article, disbound from journal; no covers; in very good condition. Journal.

Paperback. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less. Burgess, Donovan (ilustrador).

Condición: New.

Paperback or Softback. Condición: New. The Beginning: A John O'Bryan Novel. Book.

Condición: As New. Unread book in perfect condition.

Condición: New.

Paperback. Condición: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Trade Paperback. Condición: Like New. 160 pp. Clean, fresh copy with very light shelf wear, crisp pages and clean text.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. 2nd. [xii], 420 pages, illustrations; 25 cm. Tight, clean copy. First edition thus. Dust acket protected in a mylar cover. *** "A unique window into the anatomy and survival of an American institution with all its tribulations, intrigues, gossip, mini-dramas, and ultimately its triumph. Until Gertrude Vanderbilt Whitney opened her studio on Eighth Street in Manhattan in 1914 - which almost two decades later evolved into the Whitney Museum - contemporary American artists had little or no outlet for their work. Throughout the nineteenth century, as America expanded its borders from coast to coast, tilling the land and building industry were far greater priorities for Americans than art. Yet, especially in the latter half of the century, vast fortunes were amassed by many who built themselves extraordinary mansions that cried out to be embellished with works of art. In those days, however, the only place art was to be found and collected was Europe. American artists more often than not sought inspiration and recognition in Europe. Thus, at the dawn of the new century the relatively few museums and galleries in the United States focused primarily, if not exclusively, on foreign art. It was, therefore, all the more remarkable when Gertrude Vanderbilt Whitney, scion of America's wealthiest family and herself a sculptor, opened her own studio in Greenwich Village for exhibitions of contemporary American artists. After twenty-two years on Eighth Street, the Whitney moved uptown to Fifty-fourth Street next to the Museum of Modern Art. With the Whitney's ever expanding collection and growing attendance, space once again became an issue. When a desirable plot of land was located and purchased on Madison Avenue and Seventy-fifth Street in 1964, the famed architect Marcel Breuer was commissioned to build the new Whitney Museum. The imposing granite structure of the Whitney Museum of American Art, as we know it today, opened its doors in 1966 and has become one of America's most prominent cultural institutions. When Gertrude died in 1942, her daughter Flora Miller took over as head of the Whitney. Like her mother, she dedicated her all--her time and fortune--to the museum. In 1977, the third-generation Whitney woman, Flora Biddle, Gertrude Vanderbilt Whitney's granddaughter, became president. As time went on, the size and scope of the Whitney and its increasing financial demands led it to pass from a family-run museum to a trustee-run business. The Whitney Women and the Museum They Made is a tale in which high ideals, extraordinary altruism, and great dedication increasingly come face to face with large egos, big business, intrigue, and the harsh realities of today's world. Flora Biddle's sensitive and insightful memoir is, despite all these obstacles and problems, a success story of three generations of forceful, indomitable women. / Flora Miller Biddle was president of the Whitney Museum of American Art from 1977 to 1995. She has four children. Her daughter, Fiona, following her mother, grandmother, and great-grandmother, has been elected to serve on the Whitney board of trustees. Flora and her husband, Sydney, live in New York City." - Publisher. Size: 8vo. …

Condición: New.

hardcover. Condición: Good. A little wear on edges of dust jacket. No marks in text.

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Very Good. 1st Edition. This intriguing book draws for the first time a complete picture of the artistic and political connections between Rubens and the Stuart court. Fiona Donovan examines the works the great Flemish artist created for English patrons, his relationships with English courtiers beginning in 1616, and his nine-month diplomatic mission to London in 1629?30. She focuses particular attention on the series of nine canvases that Rubens painted for the Banqueting House ceiling of Whitehall Palace?a project that is considered by many to be the most significant work of art ever commissioned by the English Crown. Inscribed and signed by the author Fiona Donovan. A very clean copy.…

Hard Cover. Condición: vg+. Estado de la sobrecubierta: fine. 12-1/8" tall; 288pp including bibliography & index; heavy glossy paper; color & monochrome ils throughout; dust jacket is in new clear protective mylar. Jasper Johns (ilustrador). Hardcover (dj).

Paperback. Condición: Fair. A readable copy of the book which may include some defects such as highlighting and notes. Cover and pages may be creased and show discolouration.

Condición: As New. Unread book in perfect condition.

Condición: New.

Hardback or Cased Book. Condición: New. The Pick Up. Book.

Condición: New. In English.

Condición: New.

Hardcover. Condición: Acceptable. Heavy water damage - reading copy only - Damaged /worn /marked copy. May be ex-libris. Oversized.

Paperback. Condición: Brand New. 260 pages. 8.37x6.00x0.50 inches. In Stock.

Condición: New.

Paperback. Condición: New.

Condición: New. In English.