fierro annette (37 resultados)

paperback. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Paperback. Condición: Good. minimal pen markings Good paperback, bumped/creased with shelfwear; may have previous owner's name inside. Standard-sized.

hardcover. Condición: Good. Cover shows minimal shelf wear and minimal scuffing. First page is lightly marked, otherwise pages are clean: text and pictures are intact and unmarred.

Condición: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Condición: Near Fine. No Jacket. xvii, 320p, 23cm tall, octavo. Analysis of the transparent monumental buildings that were built in Paris between 1981 and 1998 as part of Francois Mitterrand's program of "Grands Projets." Covers show minor rubbing at corners.

Trade Paperback. Condición: Used - Good. From the Gothic to the contemporary, glass has transformed thestructural, formal, and philosophical principles of architecture. In The GlassState, Annette Fierro views the many meanings of transparency in architecture.Specifically, she analyzes the transparent monumental buildings that were built inParis between 1981 and 1998 as part of Francois Mitterrand's program of GrandsProjets. The Grands Projets provide a rare opportunity to study a finite set ofbuildings constructed of similar materials, in the same time period, in a specificurban landscape, and with related ideological missions.Fierro employs a 'discourseof the detail,' in which the smallest architectural detail manifests the political, theoretical, and urban contexts of the building's design and construction. Sheexamines the paradox of the most pared down architectural configurations being usedto support the most complex meanings. Intrinsic to Mitterrand's glass buildings inParis, for example, is a political concept: the metaphor of accessibility as a meansof breaking open cultural institutions previously closed to the public.In additionto the structures of the Grands Projets -- the Institut du Monde Arabe, the Grandeand Petite Pyramides du Louvre, the glass greenhouses at utopian park projects at LaVillette and Andre Citro?n and the Bibliotheque nationale de France -- Fierrodiscusses the Fondation Cartier and two precedent structures, the Centre GeorgesPompidou and the Eiffel Tower. A study of the technological, theoretical, and cultural significance of the transparency of the glass structures of Francois Mitterrand's Grands Projets in Paris. shelf wear on bottom edge.

Paperback. Condición: Brand New. 320 pages. 8.60x6.80x0.60 inches. In Stock.

Condición: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In fair condition, suitable as a study copy. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,950grams, ISBN:9780262062336.

Hardcover. Condición: Very Good.

Condición: New. This is a Brand-new US Edition. This Item may be shipped from US or any other country as we have multiple locations worldwide.

Condición: New. Brand New Original US Edition. Customer service! Satisfaction Guaranteed.

Hardcover. Condición: Used - Very Good. From the Gothic to the contemporary, glass has transformed thestructural, formal, and philosophical principles of architecture. In The GlassState, Annette Fierro views the many meanings of transparency in architecture.Specifically, she analyzes the transparent monumental buildings that were built inParis between 1981 and 1998 as part of Francois Mitterrand's program of GrandsProjets. The Grands Projets provide a rare opportunity to study a finite set ofbuildings constructed of similar materials, in the same time period, in a specificurban landscape, and with related ideological missions.Fierro employs a 'discourseof the detail,' in which the smallest architectural detail manifests the political, theoretical, and urban contexts of the building's design and construction. Sheexamines the paradox of the most pared down architectural configurations being usedto support the most complex meanings. Intrinsic to Mitterrand's glass buildings inParis, for example, is a political concept: the metaphor of accessibility as a meansof breaking open cultural institutions previously closed to the public.In additionto the structures of the Grands Projets -- the Institut du Monde Arabe, the Grandeand Petite Pyramides du Louvre, the glass greenhouses at utopian park projects at LaVillette and Andre Citro?n and the Bibliotheque nationale de France -- Fierrodiscusses the Fondation Cartier and two precedent structures, the Centre GeorgesPompidou and the Eiffel Tower. A study of the technological, theoretical, and cultural significance of the transparency of the glass structures of Francois Mitterrand's Grands Projets in Paris.

Condición: New. pp. 338 338 Illus.

Condición: New. pp. 338.

Paperback. Condición: Brand New. 320 pages. 8.60x6.80x0.60 inches. In Stock.

Cambridge (Mass.) & London; The MIT Press, 2003. 23,5x18,5 cm. xvii, (1), 320 pp. Illustrated. Publisher's clothbacked, printed boards. Lower corners are slightly bumped. Name on front paste-down (Karl Steinick). A fine copy. "From the Gothic to the contemporary, glass has transformed the structural, formal, and philosophical principles of architecture. In 'The Glass State', Annette Fierro views the many meanings of transparency in architecture. Specifically, she analyzes the transparent monumental buildings that were built in Paris between 1981 and 1998 as part of Francois Mitterrand's program of Grands Projets. The Grands Projets provide a rare opportunity to study a finite set of buildings constructed of similar materials, in the same time period, in a specific urban landscape, and with related ideological missions." (rear board).

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: As New. Unread book in perfect condition.

Condición: New.

Hardback. Condición: New. Comparing the work of Archigram and High-Tech architects thematically, this book explores the historical and cultural context of London to reveal their influences and interconnections and why two such radical groups emerged from a seemingly conservative city. This book examines the relationships between the work of Archigram and that of the British High-Tech architects, groups that were based in London and developing in the 1960s and 70s. While one group consisted of academics and artists known for their humour and eccentricity and the other were a group of deadly serious architects emerging to international proliference, this book argues that they shared uncannily similar impulses. There is the self-evident commonality of language: overblown machines, kits-of-parts of pieces and components, and a disintegration of building as object in favour of the constituent elements. Underlying both movements is a mutual, undying optimism in technological process and technological expression. Set within the rich history and culture of London, the book makes its comparisons by exploring central shared ideas: utopia, engineering, theatricality, infrastructure and narrative, and the iconography of war machinery.

Condición: New. In.

Condición: New.

Condición: As New. Unread book in perfect condition.

Hardcover. Condición: Brand New. 224 pages. 10.01x7.51x0.83 inches. In Stock.

Hardcover. Condición: new. Hardcover. Comparing the work of Archigram and High-Tech architects thematically, this book explores the historical and cultural context of London to reveal their influences and interconnections and why two such radical groups emerged from a seemingly conservative city. This book examines the relationships between the work of Archigram and that of the British High-Tech architects, groups that were based in London and developing in the 1960s and 70s. While one group consisted of academics and artists known for their humour and eccentricity and the other were a group of deadly serious architects emerging to international proliference, this book argues that they shared uncannily similar impulses. There is the self-evident commonality of language: overblown machines, kits-of-parts of pieces and components, and a disintegration of building as object in favour of the constituent elements. Underlying both movements is a mutual, undying optimism in technological process and technological expression. Set within the rich history and culture of London, the book makes its comparisons by exploring central shared ideas: utopia, engineering, theatricality, infrastructure and narrative, and the iconography of war machinery. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardback. Condición: New. New copy - Usually dispatched within 4 working days.

MIT Press, Cambridge 2003. Large 8vo. XVII+320 pages. Illustrated in b/w. original boards with black cloth spine. Light rubbing to exterior. Front corners bumped. Very good++.

Hardback. Condición: New. Comparing the work of Archigram and High-Tech architects thematically, this book explores the historical and cultural context of London to reveal their influences and interconnections and why two such radical groups emerged from a seemingly conservative city. This book examines the relationships between the work of Archigram and that of the British High-Tech architects, groups that were based in London and developing in the 1960s and 70s. While one group consisted of academics and artists known for their humour and eccentricity and the other were a group of deadly serious architects emerging to international proliference, this book argues that they shared uncannily similar impulses. There is the self-evident commonality of language: overblown machines, kits-of-parts of pieces and components, and a disintegration of building as object in favour of the constituent elements. Underlying both movements is a mutual, undying optimism in technological process and technological expression. Set within the rich history and culture of London, the book makes its comparisons by exploring central shared ideas: utopia, engineering, theatricality, infrastructure and narrative, and the iconography of war machinery.

Hardcover. Condición: new. Hardcover. Comparing the work of Archigram and High-Tech architects thematically, this book explores the historical and cultural context of London to reveal their influences and interconnections and why two such radical groups emerged from a seemingly conservative city. This book examines the relationships between the work of Archigram and that of the British High-Tech architects, groups that were based in London and developing in the 1960s and 70s. While one group consisted of academics and artists known for their humour and eccentricity and the other were a group of deadly serious architects emerging to international proliference, this book argues that they shared uncannily similar impulses. There is the self-evident commonality of language: overblown machines, kits-of-parts of pieces and components, and a disintegration of building as object in favour of the constituent elements. Underlying both movements is a mutual, undying optimism in technological process and technological expression. Set within the rich history and culture of London, the book makes its comparisons by exploring central shared ideas: utopia, engineering, theatricality, infrastructure and narrative, and the iconography of war machinery. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Hardback. Condición: New. Comparing the work of Archigram and High-Tech architects thematically, this book explores the historical and cultural context of London to reveal their influences and interconnections and why two such radical groups emerged from a seemingly conservative city. This book examines the relationships between the work of Archigram and that of the British High-Tech architects, groups that were based in London and developing in the 1960s and 70s. While one group consisted of academics and artists known for their humour and eccentricity and the other were a group of deadly serious architects emerging to international proliference, this book argues that they shared uncannily similar impulses. There is the self-evident commonality of language: overblown machines, kits-of-parts of pieces and components, and a disintegration of building as object in favour of the constituent elements. Underlying both movements is a mutual, undying optimism in technological process and technological expression. Set within the rich history and culture of London, the book makes its comparisons by exploring central shared ideas: utopia, engineering, theatricality, infrastructure and narrative, and the iconography of war machinery.