Fensham rachel (134 resultados)

Paperback. Condición: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Condición: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

paperback. Condición: Fine.

Condición: New.

Paperback. Condición: New. How do we define movement in performance? Who or what is being moved and how? And which movements are felt, observed, or studied, in theatre? Part of the Theory for Theatre Studies series which introduces core theoretical concepts that underpin the discipline, Movement provides the first overview of relevant critical theory for students and researchers in theatre and performance studies. Exploring areas such as vitality, plasticity, gesture, effort and rhythm, it opens up the study of theatrical production, live art, and intercultural performance to socio-political conceptions of movement as both practice and concept. It covers movement training systems and considers how they have been utilized in key works of the 20th and 21st centuries. The final section traces the convergence of movement in theatre with other media and digital technologies. A wide range of in-depth case studies helps to equip readers to explore new methodologies and approaches to movement as a performance concept. These include analysis of Satoshi Miyagi's production of Sophocles' Antigone (2017), Thomas Ostermeier's production of Ibsen's Hedda Gabler (2008), the Berliner Ensemble's Mother Courage (1949), The Constant Prince (1965) performed by Ryzsard Cieslak, and the National Theatre's production of War Horse (2007). The final section considers a suite of concepts that shape postdramatic and intermedial theatre from China, Germany-Bangladesh, Australia, the United States, and United Kingdom. The volume is supported by further online resources including video material, questions, and exercises.…

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Softcover. Condición: Very Good with no dust jacket. Sound binding. Clean, bright pages. Wrappers have general light shelf wear. Minor wear to corner tips. Contents: Franko, Global modernities. Chatterjea, On the value of mistranslations and contaminations: the category of "ontemporary choreography" in Asian dance. Croft, Dance returns to American cultural diplomacy: the U.S. State Department's 2003 dance residency program and its after effects. Fensham, "Brekin' the rules": Eleo Pomare and the transcultural choreographies of black modernity. Gonye, Mobilizing dance/traumatizing dance: Kongonya and the politics of Zimbabwe. Satkunaratnam, Staging war: performing Bharata Natyam in Colombo, Sri Lanka. Reviews. 10.0" tall; 143 pages. …

Condición: new.

Condición: As New. Unread book in perfect condition.

Paperback. Condición: new. Paperback. How do we define movement in performance? Who or what is being moved and how? And which movements are felt, observed, or studied, in theatre? Part of the Theory for Theatre Studies series which introduces core theoretical concepts that underpin the discipline, Movement provides the first overview of relevant critical theory for students and researchers in theatre and performance studies. Exploring areas such as vitality, plasticity, gesture, effort and rhythm, it opens up the study of theatrical production, live art, and intercultural performance to socio-political conceptions of movement as both practice and concept. It covers movement training systems and considers how they have been utilized in key works of the 20th and 21st centuries. The final section traces the convergence of movement in theatre with other media and digital technologies. A wide range of in-depth case studies helps to equip readers to explore new methodologies and approaches to movement as a performance concept. These include analysis of Satoshi Miyagi's production of Sophocles' Antigone (2017), Thomas Ostermeier's production of Ibsens Hedda Gabler (2008), the Berliner Ensembles Mother Courage (1949), The Constant Prince (1965) performed by Ryzsard Cieslak, and the National Theatres production of War Horse (2007). The final section considers a suite of concepts that shape postdramatic and intermedial theatre from China, Germany-Bangladesh, Australia, the United States, and United Kingdom. The volume is supported by further online resources including video material, questions, and exercises. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. …

paperback. Condición: Very Good.

Paperback or Softback. Condición: New. Theory for Theatre Studies: Movement. Book.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: New. pp. 208.

Condición: New. 2021. Paperback. . . . . .

Condición: As New. Unread book in perfect condition.

Condición: New.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condición: New.

Condición: New. 2021. Paperback. . . . . . Books ship from the US and Ireland.

Condición: New. pp. 208.

Condición: New. In English.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: new.

Condición: New. pp. 208.

Paperback / softback. Condición: New. New copy - Usually dispatched within 4 working days.

Condición: New.

Condición: As New. Unread book in perfect condition.

Paperback. Condición: Brand New. 376 pages. 7.08x0.59x9.96 inches. In Stock.

Condición: New.