fant ake (50 resultados)

Paperback. Condición: Fine-. 139pp. Numerous color illustrations. Size: 4to - over 9¾" - 12" tall.

Paperback. Condición: Fine. 1st edition. 4to, illus wrps, b/w and color illus, 139p. Handsome illustrations of architecture by these noted artists. Mainly water colors. VG+ to Nr Fine.

paperback. Condición: Very Good. Rudolf Steiner Press, 1979. Trade paperback; has a previous owner's name and address on flyleaf, otherwise VG condition.

Soft cover. Condición: Very good. No jacket. Great condition. Cover corners are creased. Inside is clean and unmarked.

Soft cover. Condición: Very Good. text clean and unmarked. binding tight. covers have light wear. edges of pages have light wear.

Broschiert. Condición: Gut. Urachhaus - 1. Auf. 1985 : Ake Fant - Perfect tb . Gr. 2A-P9BY-1O55 Sprache: Deutsch Gewicht in Gramm: 503.

Condición: New.

Soft cover. Condición: Very Good. Rudolf Steiner's innovative application of reinforced concrete is examined through Eloquent Concrete, highlighting his pioneering engineering concepts. The detailed analysis underscores Steiner's contribution to modern construction techniques and structural design. From the library of John Russell Taylor.

Soft cover. Condición: Very Good+. First Edition. Prolifically illustrated with dramatic b/w photographs and detailed plans. Clean and sound throughout with no markings or inscription. All our UK orders are posted First Class. All profits to Amnesty International.

Soft cover. Condición: Very Good. There was a Swiss edition of this book in 1972. In the preface to the Swiss edition [reprinted in this book] the authors explain their rationale for writing and illustrating a book about Rudolf Steiner and his use of reinforced concrete, especially the Goetheanum, and his work as the inaugurator of the School of Spiritual sciences in Dornach Switzerland. This is the 1979 edition. Lavishly illustrated . 180pp inc 2 pages of transparencies relating to the first Goetheanum and bibliography and list of illustrations 29cm x 23cm Very Good in sl creased front cover.

Condición: Very Good. Estado de la sobrecubierta: Very Good. - Dustwrapper a little rubbed with some minor scratches - Minor shelfwear to boards - Book ow/ solid, clean and bright - 85 pages.

Condición: New. 2021. 01st Edition. Hardcover. . . . . . Books ship from the US and Ireland.

Condición: new.

Hardback. Condición: New. Hilma af Klint is nowadays regarded as one of the Abstract Art pioneers.She painted more than 1200 works before her death in 1944, but never showed them publicly outside her anthropological and occult circles. After twenty years of artistry, she developed a distinct abstract style, and devoted the rest of her life to a grand painterly mission. The spiritual aspect was the most important starting point for Hilma af Klint, just as it was for her contemporaries Kandinsky, Malevich and Mondrian. These early modernists were influenced by the then-contemporary occult writers like Madame Blavatsky, Annie Besant, C.W. Leadbeater, and certainly af Klint's spiritual leader Rudolf Steiner. This book is a reprint, first published in 1989 in collaboration with The Hilma af Klint Foundation, and also served as the exhibition catalogue for the big exhibition, with the same title, at Moderna Museet in Stockholm. ' .a brilliant presentation and analysis by Åke Fant. The magnitude of this text is the apparent critical approach that includes the biography, the works review, and the investigation of role models of Hilma's dual thoughts and spiritual exercises.' (Göteborgs-Posten).

4°, 139 S., OBrosch. Farbig illustriert. 760 Gramm.

Hardcover. Condición: new. Hardcover. Hilma af Klint is now regarded as one of the Abstract Art pioneers. She painted more than 1200 works before her death in 1944, but never showed them publicly outside her anthropological and occult circles. After twenty years of artistry she developed a distinct abstract style and devoted the rest of her life to a grand painterly mission. The spiritual aspect was the most important starting point for Hilma af Klint, just as it was for her contemporaries Kandinsky, Malevich and Mondrian. These early modernists were influenced by the then contemporary occult writers like Madame Blavatsky, Annie Besant, C.W. Leadbeater, and certainly af Klint's spiritual leader Rudolf Steiner.'. a brilliant presentation and analysis by A re-print of the original publication first published in 1989 in collaboration with The Hilma af Klint Foundation which also served as the exhibition catalogue for the exhibition at Moderna Museet, Stockholm Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardcover. Condición: Brand New. 256 pages. 11.00x9.00x0.75 inches. In Stock.

Hardcover. Condición: Good. Estado de la sobrecubierta: Fair. First English Language Edition. Jacket has heavy general wear and browning to edges. Some small nicks and a very small loss to head of spine. Moderate wear to cloth. Moderate foxing to ffep and and half-title page. Former owner's name and year in calligraphy to ffep. Text and plates clean. Binding tight. 85pp Size: 235mm x 300mm. Book.

Condición: New.

Taschenbuch. Condición: Gut. 130 S. Innerhalb Deutschlands Versand je nach Größe/Gewicht als Großbrief bzw. Bücher- und Warensendung mit der Post oder per DHL. Rechnung mit MwSt.-Ausweis liegt jeder Lieferung bei. Sprache: Deutsch Gewicht in Gramm: 477.

Hardcover. Condición: Good. Edges of dustjacket are tatty, with some loss at the upper edges of the flaps & back cover. Top edge of cloth cover is rubbed & faded. Ffep is lightly marked, with Skelton Workshops sticker in the top corner. Text pages & photographs are in very good condition. Inner top corner of blank rear endpaper is torn where it has adhered to the rear pastedown: this appears to be a production fault rather than later damage.

Hardcover. Condición: new. Hardcover. Hilma af Klint is now regarded as one of the Abstract Art pioneers. She painted more than 1200 works before her death in 1944, but never showed them publicly outside her anthropological and occult circles. After twenty years of artistry she developed a distinct abstract style and devoted the rest of her life to a grand painterly mission. The spiritual aspect was the most important starting point for Hilma af Klint, just as it was for her contemporaries Kandinsky, Malevich and Mondrian. These early modernists were influenced by the then contemporary occult writers like Madame Blavatsky, Annie Besant, C.W. Leadbeater, and certainly af Klint's spiritual leader Rudolf Steiner.'. a brilliant presentation and analysis by A re-print of the original publication first published in 1989 in collaboration with The Hilma af Klint Foundation which also served as the exhibition catalogue for the exhibition at Moderna Museet, Stockholm Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Klammmerhft., dek. omslag. Svaga bruksspår, gott skick. Stockholm, Liljevalchs, 1980. 4:o. 64 sid. Illustrerad i svartvitt. Med katalogdel om 217 nummer. - - - "Kring årsskiftet 1974-75 gästade Rudolf Steinerseminariet i Järna Liljevalchs konsthall med ett projekt, sprudlande av lust och vitalitet, som bar fram skolans seriöst pedagogiska budskap på ett högst stimulerande vis. Reaktionen bland publiken tog sig uttryck i ett markant ökande besökarantal ju längre utställningstiden framskred. När nu Liljevalchs som en del av Stockholms kulturförvaltning engagerar sig i det stora projektet 1930-80 Arkitektur - Form - Konst, som har sin grund i 50-årsminnet av Stockholmsutställningen 1930 och som uppmärksammas med aktiviteter genom ett stort antal institutioner i staden sker det i ett förnyat samarbete med Järnaseminariet. Det finns all anledning tro att det tidigare dokumenterade publika intresset för skolans okonventionella sätt att framföra sina budskap skall vidmakthållas och förhoppningsvis ytterligare stegras vid detta tillfälle. Det är av stor vikt att ett så relativt exklusivt ämne som arkitektur behandlas på ett för varje människa intresseväckande sätt. Det gäller vår boendemiljö och alla borde ta aktiv del av dess utformning. Det är mot den bakgrunden som Den ofullbordade funktionalismen kommit till. l ett jättearbete av ett 50-tal studerande och färdigutbildade från Rudolf Steinerseminariet, Tekniska högskolan och frivilligt anmälda intresserade från olika håll har utställningen vuxit fram bit för bit, speciellt anpassad till Liljevalchs lokaler. Arkitektur i jättelika, lustfyllt målade väggpartier och fritt hängande eller stående former skall möta betraktaren som historia, nutid och framtidsversion. Det bör ge underlag för eftertänksamma funderingar hos envar besökare och läsare av denna rikt illustrerade katalog över den miljö vi bebor idag och den vi önskar oss imorgon. Iscensättare av detta rika Skådespel är seminariets entusiastiske Arne Klingborg." - - - Textavsnitt: "Du sköna nya värld", "Funktionalismen en internationell stil", "Optimismen kring Stockholmsutställningen 1930 Internationella tendenser före 1930", "En dramatisk vändpunkt", "Impulser efter första världskriget", "Ett märkligt byggnadsföretag", "Impulser under 10-talet", "De fria arkitekternas kamp", "Nya tekniker och ett nytt sätt att tänka Det förgångnas makt", "Strömningar under 1800-talet", "I varje människa bor en arkitekt", "Arkitektur ett ämne i skolan", "Organisk arkitektur", "Kanske en början", "Framtidens byggnad - den ofullbordade funktionalismen", "Från utställningsverkstan", "Katalogförteckning". (Liljevalchs katalog, 351.).

Soft cover. Condición: Near Fine. 1st Edition. 63pp; b&w and color plates. 4to. Sewn in pictorial wrappers. Near fine, with mild toning to edges of leaves. Illustrated catalog published in conjunction with an 1989-1990 exhibition of works by Swedish abstract painter Hilma af Klint (1862-1944) at the Nordic Arts Centre in Helsinki. Foreword and essay by Åke Fant in Swedish, Finnish, and English, followed by a selection of plates; checklist at rear.

Hardback. Condición: New. Hilma af Klint is nowadays regarded as one of the Abstract Art pioneers.She painted more than 1200 works before her death in 1944, but never showed them publicly outside her anthropological and occult circles. After twenty years of artistry, she developed a distinct abstract style, and devoted the rest of her life to a grand painterly mission. The spiritual aspect was the most important starting point for Hilma af Klint, just as it was for her contemporaries Kandinsky, Malevich and Mondrian. These early modernists were influenced by the then-contemporary occult writers like Madame Blavatsky, Annie Besant, C.W. Leadbeater, and certainly af Klint's spiritual leader Rudolf Steiner. This book is a reprint, first published in 1989 in collaboration with The Hilma af Klint Foundation, and also served as the exhibition catalogue for the big exhibition, with the same title, at Moderna Museet in Stockholm. ' .a brilliant presentation and analysis by Åke Fant. The magnitude of this text is the apparent critical approach that includes the biography, the works review, and the investigation of role models of Hilma's dual thoughts and spiritual exercises.' (Göteborgs-Posten).

Hardcover. Condición: new. Hardcover. Hilma af Klint is now regarded as one of the Abstract Art pioneers. She painted more than 1200 works before her death in 1944, but never showed them publicly outside her anthropological and occult circles. After twenty years of artistry she developed a distinct abstract style and devoted the rest of her life to a grand painterly mission. The spiritual aspect was the most important starting point for Hilma af Klint, just as it was for her contemporaries Kandinsky, Malevich and Mondrian. These early modernists were influenced by the then contemporary occult writers like Madame Blavatsky, Annie Besant, C.W. Leadbeater, and certainly af Klint's spiritual leader Rudolf Steiner.'. a brilliant presentation and analysis by A re-print of the original publication first published in 1989 in collaboration with The Hilma af Klint Foundation which also served as the exhibition catalogue for the exhibition at Moderna Museet, Stockholm Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Hardback. Condición: Very Good. Estado de la sobrecubierta: Very Good. Steiner, Rudolf Ilustrador. First edition. 1st 1975. Very good condition in a very good dustwrapper. Rudolf Steiner's wood sculpture of the 'Representative of Humanity' - or the 'Christ Being' as he himself also referred to it - stands in a room specially provided for it in the present Goetheanum in Dornach, Switzerland. This book is an intriguing survey of the sculpture's development, supported by a factually clear and artistically perceptive commentary as well as by numerous clearly documented utterance of Rudolf Steiner's on his own conception of the work and its particular style of execution. Introduced by Hagen Biesantz. Large format. Yellow cloth boards, gilt title to spine. B/w photos. 85 pages. Light rubbing to base of spine, boards clean. Some pale foxing present, mainly to prelims. Pictorial dustwrapper is lightly edge-creased and lightly scuffed. Musty odour present. Packaged with care and promptly dispatched!

4°, Gebundene Ausgabe, Leinen. 2. Aufl. 87 S. Ohne Schutzumschlag; oranger Leineneinband auf Vorder- und Rückseite fleckig und an den Ecken bestossen, sonst gut und textsauber erhalten. Sprache: Deutsch Gewicht in Gramm: 700.

2. Aufl. - 4°, 87 S., Oln. Mit zahlreichen SW-Abb. - Ohne SU, Einbanddeckel mit schwachen Wasserflecken, Zustand gut. / HINWEIS: Versand nach Deutschland und die EU (14-täglich) ab Konstanz EU-verzollt: Keine Gebühren für den Empfänger! / IMPORTANT: Shipments to EU-Countries duty-payd from Germany: No fees to the consignee! / IMPORTANTE: Spedizioni verso paesi UE sdoganate dalla Germania: nessuna tassa per il destinatario! Sprache: Deutsch 800 gr.

Hardcover. Condición: Sehr gut. Sehr guter Zustand. Einband leicht befleckt. Schnitt minimal bis leicht vergilbt.