Evans cerith (94 resultados)

Condición: Very Good. This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .…

Paperback. Condición: New. Brand new book, sourced directly from publisher. Dispatch time is 3-4 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Condición: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Paperback. Condición: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE PAPERBACK Standard-sized.

Paperback. Condición: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Standard-sized.

Soft cover. Condición: Very Good. Paperback. Binding sound, text clean, light shelfwear. Not paginated, approx. 16 pages. Book.

Paperback. Condición: Brand New. 120 pages. 9.40x6.60x0.40 inches. In Stock.

Hardcover. Condición: Very Good. Minimal wear to cover. Pages clean and binding tight. shelf wear. bumped edges. Hardcover. In Which Something Happens All Over Again For The Very First Time is the first comprehensive publication to deal with the sculptural installations, film projections, neon texts and sound productions of the Welsh artist, Cerith Wyn Evans. Evans began as an assistant to the American underground filmmaker Derek Jarman, concentrating on his own short experimental films throughout the 1980s. In the 1990s he began to produce installations that explored the phenomenology of language, time and perception. In recent years, he has expanded his arsenal of materials to include fireworks, neon, texts, film, photography and sculpture. Of his work shown at Tate Modern's 2006 Triennial, the Tate described his "Cerith Wyn Evans approaches knowledge like a magpie, borrowing from authors of the past to invigorate the viewer's perceptions of the present. Though comprising few elements, his work is decadent and intense, both with its use of references as well as in its magical and dramatic effect.".…

paperback. Condición: Very Good. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Softcover, 176 pages; in English and Norwegian, very good condition; light creasing to rear cover; no internal marks. Foreign shipping may be extra.

Condición: New.

Soft cover. Condición: Fair. Book is in fair condition. B/W photographs.

Paperback. Condición: New.

Paperback, pocket format, edges slightly worn, minor traces of use, else in (very) good condition. Text in English and German. Please see description or ask for photos.

Condición: new.

Paperback. Condición: new. Paperback. Parkett continues its 25th anniversary with a text by Marina Warner on the Trans-Atlantic cable; a persuasive argument by Richard Phillips for the faux-naif painter Adolf Dietrich (1877-1957); and Philip Kaiser's examination of the Met's recent Pictures Generation show. London-based Cerith Wyn Evans is perhaps best known for his hypnotic neon signs; as Michael Archer notes, Walter Benjamin saw content not just in the sign but in its reflection. Both Pablo Lafuente and Jan Verwoert name London's magnetic fields of the 1970s as a major influence. Katharina Fritsch is best known for her monochromatic figures cast in plaster. Jessica Morgan sees these immaculately articulated forms as "amplifications," while Jean-Pierre Criqui responds to just the opposite: their ghostliness. Annette Kelm's photographs possess a frightening sense of obsolescence; according to Beatrix Ruf, their baffling stories begin with a detail that seems to have lost its potency. Kelley Walker's work embraces contradiction and contrast, as Johanna Burton witnessed upon viewing the eclectic collection of artifacts and memorabilia in his studio. Antek Walczak evaluates Walker's appropriation of the recycling logo, and Glenn Ligon addresses the anxiety behind his African-American imagery. Allen Ruppersberg supplies an insert for the issue. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condición: New.

Couverture souple. Condición: Neuf. C.POMPIDOU METZ collection , 2024. 1 volume broché(s) format In-4 neuf 96 pages - Édition : Illustrated - Bilingual Anglais - français.

Couverture souple. Condición: Neuf. C.POMPIDOU METZ collection , 2024. 1 volume broché(s) format In-4 neuf 96 pages - Édition : Illustrated - Bilingual Anglais - français.

Couverture souple. Condición: Neuf. C.POMPIDOU METZ collection , 2024. 1 volume broché(s) format In-4 neuf 96 pages - Édition : Illustrated - Bilingual Anglais - français.

Couverture souple. Condición: Neuf. C.POMPIDOU METZ collection , 2024. 1 volume broché(s) format In-4 neuf 96 pages - Édition : Illustrated - Bilingual Anglais - français.

Hardcover. Condición: Fine. 1st Edition. Museum of Contemporary Art Australia, Sydney, 2025. Hardcover, 148 pp. 1st edition (stated). Illustrated in color and black & white. Record of an exhibition by Welsh artist Cerith Wyn Evans (born 1958). It took place in Sydney, Australia from 6 June to 19 October, 2025. Fine condition. No dust jacket, as issued.…

28 cm 173 S. Oktn. 4°. Ill.

Hardcover missing dustjacket, 174 pages; in English; good condition; bump to bottom of spine; no internal marks. Foreign shipping may be extra.

Condición: Neuf.

Paperback / softback. Condición: New. New copy - Usually dispatched within 4 working days.

Paperback. Condición: Brand New. 128 pages. 12.60x9.49x0.79 inches. In Stock.

Soft cover. Condición: Very Good. 1st Edition. Card covers. 25.5 × 21.5cm, unpaginated. Issue 87 of this journal of contemporary art. This copy's main feature is four contemporary artists: Katharina Fritsch with essays by Jessica Morgan (From Out There to Down There) and Jean-Pierre Criqui (The Dream is About You: Katharina Fritsch and the Laws of Animal Attraction). Annette Kelm with essays by Beatrix Ruf (Twisting and Turning) and Stefanie Kleefeld (Open Source). Kelley Walker with essays by Johanna Burton (Bringing it Back Alive!), artist Glenn Ligon (Kelley Walker's Negro Problem), and Antek Walczak. Cerith Wyn Evans with essays by Michael Archer (Moon Turned a Fire Red), Jan Verwoert, and Pablo Lafuente. The artist insert (a multi-page sequence of original content for the magazine) is by Allen Ruppersberg, the spine design by Josh Smith and further articles such as Marina Warner on the Transatlantic Cable; Richard Phillips on the Swiss painter Adolf Dietrich (1877-1957); and Philipp Kaiser examining the Metropolitan Museum of Art's Pictures Generation exhibition. Condition: This copy is in very good condition.…

Paperback. Condición: Brand New. Paperback.Width: 24 cm. Height: 30cm. 128 pages. English text.

Condición: New.