erasmo valvasone (63 resultados)

Paperback. Condición: New.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: New. In.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: New. In.

Paperback. Condición: New. Print on Demand. This book captivates with a tale of an epic struggle between the forces of good and evil. Drawing from ancient mythology, the author crafts a captivating narrative that explores the timeless themes of courage, sacrifice, and resilience. It depicts celestial battles, the schemes of the underworld, and the divine triumph of the angelic host. Through vivid imagery and poetic language, the author delves into the nature of faith, the fragility of human existence, and the unwavering power of hope. The book stands as a testament to the enduring human spirit, providing profound insights into our unwavering pursuit of peace in the face of adversity. This book is a reproduction of an important historical work, digitally reconstructed using state-of-the-art technology to preserve the original format. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in the book. print-on-demand item.

Rilegato. Condición: in ottime condizioni. Estado de la sobrecubierta: buone condizioni. Circolo Culturale Erasmo di Valvason, ottobre 1993. Rilegato con copertina rigida e sovraccoperta. Sovraccoperta con ordinarie tracce d'uso e del tempo, nel complesso in buone condizioni. Spedizioni tracciabili con raccomandata entro 24 ore dall'ordine. Hardback cover with unclipped dust jacket in good conditions, no inscriptions or markings inside. Worldwide delivery.

Paperback. Condición: New. Print on Demand. This book is an extensive collection of poems written by Angelo Grillo. It offers an intimate portrait of a hunter's life in 16th-century Italy. The poems are imbued with vivid descriptions of the natural world and a profound understanding of the art of hunting. This book is a unique and valuable contribution to the literary heritage of hunting literature, as it provides a glimpse into the techniques, strategies, and customs of hunting during this fascinating period in history. The author explores the ethical dimensions of hunting, the relationship between humans and animals, and the role of nature in human life. Ultimately, this book is a celebration of the beauty and challenges of hunting, and a testament to the enduring power of tradition. This book is a reproduction of an important historical work, digitally reconstructed using state-of-the-art technology to preserve the original format. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in the book. print-on-demand item.

PAP. Condición: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Taschenbuch. Condición: Neu. Neuware.

Paperback. Condición: New.

Introduzione e note di Giorgio Cerboni Baiardi. Bibliografia Erasmiana indici di Antonio del Zotto. Valvasone, Circolo Culturale Erasmo di Valvason 1993. XIX, 389 S., OPappband m. OUmschlag Gering bestoßen, sonst gut.

PAP. Condición: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Copertina rigida. Condición: buone. Cm.20,5x12. Pg.VIII, 244, (2). Legatura coeva in mz.pelle con piatti marmorizzati. Tassello con titoli e fregi impressi in oro al dorso. Tagli in rosso. Leggera abrasione al capitello superiore. Fresca impressione. Buona edizione ottocentesca di un poema didascalico in cinque Canti del poeta friulano Erasmo di Valvasone, o da Valvason (Valvasone, 1523 ? Mantova, 1593), pubblicato la prima volta nel 1591. > Ceresoli, 542, "Edizione purgata da molti errori, senza note esplicative e con breve cenno sulla vita e sulle opere dell'autore. Gamba, 1719, "Il Valvasone è dal Quadrio chiamato elevatissimo ingegno, che verseggiò toscanamente con molta dolcezza; e di questo suo Poema (libro al certo niente utile ai cacciatori) fece elogio Torquato Tasso, che probabilmente non era amico di andare a caccia". Ghidini, 644. Souhart, 478. 350 gr.

Condición: Gut. - Ceresoli 542; Souhart 478; Harting 273. - Der Einband stellenweise beschabt / bestossen. Oberes Kapital mit Einriß. Teils leicht braunfleckig. Das populäre Jagdgedicht, hier in der letzten und am besten bearbeiteten Ausgabe. - Exemplar aus der Sammlung Bibliotheca Tiliana (Jagdbibliothek Kurt Lindner). VIII, 244 S. Italienisch 300g Halblederband d. Zeit mit goldgeprägtem Rückentitel.

hardcover. Condición: Buono (Good). Cm. 20, pp. viii, 244 (2). Solida legatura ottocentesca in mezza pelle, dorso liscio con titoli in oro e fregi a secco. Bell'esemplare, in ottimo stato di conservazione. Cfr. Ceresoli: ".è opera classica della letteratura venatoria italiana. Edizione purgata da molti errori.". Book.

Condición: Buono (Good). Octavo (190 x 121 mm.); [8], 151 leaves without the last blank leaf. Woodcut printer's device on title-page,  five woodcut illustrations with hunting scenes and the argomento by Giovanni Domenico degli Alessandri, set within type-ornament borders below the illustrations historiated initials, head and tail pieces. A very good copy, lightly washed, bound by Lortic in red morocco, spine in compartments with gilt title, gilt edges.  From the libraries of David Wagstaff and Fort Hill (ex libris).First edition. ?La caccia dedicated to his nephew and pupil Cesare, is Valvasone's most successful work, as evidenced by a second edition in 1593, enlarged and accompanied by commentary by Scipione di Manzano, alias Olimpio Marcucci. The didactic genre was reborn in the sixteenth century in the wake of the recovery of the Georgiche as a model in which, according to the Horatian precept of miscere utili dulci, the technical-didactic content is reconciled with a narrative part, which leaves room for the poet's invention, even mythological. Among the first examples is Girolamo Fracastoro's Syphilis, published in 1530, in which the medical treatment of the disease proceeds together with the narration of a new myth. The poem in five books by Erasmo di Valvasone combines didactic content and narration: each book ends with a story, with the exception of the first which ends with the praises of Friuli. In the second book the topic is dogs and horses and follows a long etiological myth on the origin of the horses from the Carso region; the third deals with the seasons suitable for hunting and the duties of the hunter and concludes with the story of the wild boar hunt among the ruins of Aquileia; the fourth contains precepts intended for children who intend to become hunters and ends with the edifying legend of King Arthur and the white doe; the fifth, finally, concerns the birds useful for the aucupium and ends with the myth of Scylla's metamorphosis.Erasmo di Valvasone was born in the castle of Valvasone belonging to his family in 1528 and died there in 1593; as a teenager he received a thorough humanistic education at the school of Giampietro Astemio in San Daniele del Friuli, where he approached the classics, which soon became the inspiration for an intense poetic activity destined, together with the tasks related to the administration of his land properties, to accompany him throughout his life. Despite the peripheral location of Valvasone, his frequent visits to Venice, of whose mainland dominions Friuli was part, and his friendship with Cornelio Frangipane kept him updated on the literary debate of the time. In fact, also following the 1548 edition of Aristotle's Poetics by Francesco Robortello from Udine, a heated discussion arose on the concept of poetry and the consequent criticism of Virgil's Georgics, in which Girolamo Fracastoro and Sperone Speroni also participated, in relation to Frangipane, and in defense of Virgilian's didactic poem Valvasone wrote a short treatise dedicated to Cornelio Frangipane. This debate is also reflected in the innovations of his poetic production, including the translation into octaves of hendecasyllables of Statius' Thebaide (1570), a new epic full of suggestions from the chivalric epic. The first four songs of Lancelotto (1580 ), an unfinished poem on an Arthurian theme, the Angeleida (1590), a religious epos on the revolt of Lucifer, also known to John Milton, and finally La caccia, published for the first time in 1591, a didactic poem on a hunting theme.? (Alberto Pavan, « A caccia di miti e miti di caccia. Riuso del mito e ricezione dei classici ne La caccia di Erasmo di Valvasone (1528?1593) », Gaia [En ligne], 25 | 2022, mis en ligne le 22 juillet 2022.) Ceresoli, p. 541; Gamba 1719, nota; Souhart 477;  Harting n. 273; Schwerdt II, 278. Book.

In-8vo (cm. 20) di cc. (8), 152. Con 5 incantevoli xilografie a piena pagina incorniciate e con al piede l'argomento dei canti, vignetta al frontespizio, testate, iniziali e finalini in xilogr. Le tavole illustrano i diversi tipi di caccia (col cane, con le reti, col falco, etc.) tranne la quarta, particolarmente interessante, che rappresenta le diverse attività sportive dei cacciatori: addestramento, equitazione, nuoto, lotta e un incontro di palla a braccio. Numerazione delle ottave anticamente manoscritta. Piena pergamena morbida (mancano i legacci), tit. ms. al dso, ex-libris alla sguardia. Ottimo e fresco esemplare con ampi margini. Rarissima edizione originale di opera classica sulla caccia. Ceresoli, p. 541: "Edizione originale rara". Gamba, 1719, note: "Il Valvasone è dal Quadrio chiamato elevatissimo ingegno, che verseggiò toscanamente con molta dolcezza.". Niccoli, p. 45. Parenti, Prime edizioni, p. 501. Jeanson, vol. I, 570. Schwerdt, II, p. 278: "One of the Italian classics of the subject, wich has gone through many editions". Souhart, 477; Lastri, 131.ID: CW_17128.

HARCOVER. 24°, cartonatura coeva, cc.(4)-167, frontespizio inciso e con 5 belle incisioni n.t. Svariati errori nella numerazione dei fogli ma l'opera è completa, ad eccezione dell'ultima carta bianca, mancante. Il volume è rifilato a piè di pagina con lievissima asportazione di testo alle carte 126, 127 e 128, data manoscritta al dorso e al frontespizio. Ceresoli 541-542: "Il poema consta di 5 canti. Nel primo si fa la lode della caccia e si descrivono le varie razze di cani e il loro allevamento. Nel secondo, sono descritti i cani che erano chiamati bracchi, tra i quali ve ne erano anche di quelli a pelo lungo. Nel terzo, le stagioni e i luoghi migliori per la caccia. Nel quarto, come si combattano e si vincano le fiere. Nel quinto, gli uccelli rapaci usati per la caccia, la loro cura e il modo di usarli. E' opera classica della letteratura venatoria italiana [?] Terza edizione, la prima che abbia le tavole (identiche a quelle delle precedenti) incise in rame. Le stanze sono in questa 959, una in piu' rispetto all'ediz. del 1593".

Condición: molto buono. in-8 piccolo (139x93 mm), ff. (4), 167, leg. antica in pergamena, tit. ms. al dorso, tagli marmorizzati. Titolo inciso entro bordura con motivi allegorici, testatine e grandi iniz. silogr., nitido car. corsivo. Nei ff. prelim. dedica dello stampatore: ''all'Illustriss. Signor Conte Massimiliano Conte di Collalto et di S. Salvadore'', datata: ''Di Padova alli XII di Maggio M.DCII''. Con 5 belle incisioni in rame n.t. a p.pag. raffiguranti movimentate scene di caccia. Terza edizione di questo classico della letteratura venatoria italiana. Rispetto a quella apparsa nel 1591, in quest'ediz. il poema fu aumentato da 863 a 959 ottave, una in più rispetto all'edizione del 1593. «Nel primo canto si fa la lode della caccia e si descrivono le varie razze di cani e il loro allevamento; nel secondo sono descritti i cani che erano chiamati bracchi; nel terzo le stagioni e i luoghi migliori per la caccia; nel quarto come si combattano e si vincano le fiere; nel quinto gli uccelli rapaci usati per la caccia, la loro cura e il modo di usarli» (Ceresoli). Il friulano Erasmo da Valvasone (1523-1593) tradusse in rima Stazio, Sofocle ed altri autori antichi e, oltre il presente, compose altri due poemi: ''L'Angeleida'', cui attinse poi Milton, e ''Le lacrime di Maria Maddalena''. Buon esempl. con lievi aloni nei margini all'inizio e in fine del volume. Ceresoli, p. 541-542: "Terza edizione, la prima che abbia le tavv. (identiche a quelle delle precedenti) incise in rame". Souhart, 477. Book.

Soft cover. Condición: Near Fine. Valvasone, Erasmo di. La Caccia (Poema). Dalla Societa Tipografica de Classici Italiani, Milano, 1808. pp. 244. (No. 519) Originally published in 1591. This is a poem about hunting (opera cynegetica) that was very popular in the 16th century. This is the 1808 edition with several numbers: Collection number 137, Book number 519. It has five cantos dedicated to different aspects of hunting. The fifth canto deals specifically with falconry, the different kinds of hawks used for the hunt, hawk/falcon training, and remedies for illnesses. This book is in very good condition with light signs of aging. The paperback is slightly yellowed, with some light foxing (see photos).

Rilegato. Condición: condizioni quasi ottime. LA CACCIA POEMA DI ERASMO DI VALVASONE - BELLA LEGATURA IN MEZZA PELLE ROSSA CON ANGOLI - AL DORSO TITOLI IN ORO E RICCGI FFREGI CON NERVATURE - CONSERVATE LE COPERTINE IN BROSSURA ORIGINALI - RISGUARDI IN CARTA MARMORIZZATA - MARGINI NON RIFILATI CON BARBE - PP. VIII 244 + DI ERRATA (1) - TESTO AD AMPI MARGINI - EDIZIONE CITATA DAL CERASOLI (P.542).

LeatherBound. Condición: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1842 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Pages: 133 NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 133.

Condición: Very Good. Venice, F. Bolzetta, (1602). 12mo. Engraved title,(3),167 ff. With 5 full-page engravings included in pagination, and woodcut head- and tailpieces and initials. 17th-century Italian vellum, red morocco label on spine lettered in gilt, small accession number in ink at upper corner of upper board, covers with some minor soiling. Title page a little loose, with faint marginal dampstaining affecting outer margin of first few leaves, and sporadically throughout though very unobtrusive, a few neat marginal markings. With the bookplate of Gunnar Brusewitz and his note of acquisition dated Rome 1947. Schwerdt Hunting, hawking, shooting II:278. Souhart Bibliographie générale des ouvrages sur la chasse 477. Ceresoli Bibliografia delle opere italiane latine e greche su la caccia 541. Harting Bibliotheca accipitraria 273, note. Third edition (first 1591) and the first illustrated with copper engravings, the previous two were illustrated with woodcuts. One of the classics of Italian hunting and falconry, by the Italian poet Erasmo di Valvasone (1523-1593). Harting elaborates: "This poem on the chase [.] was very popular in its days, and is still held in some esteem by collectors of opera cynegetica. It is divided into five cantos dealing with different branches of field sports, each preceded by a full-page illustration on copper. The fifth canto relates to falconry, in which allusion is made to the different hawks used by falconers, the methods of catching and training them, and the remedies for their ailments. The annotations of Marcucci are chiefly directed to an explanation of the classical allusions made by the poet". Olimpio Marcucci was the pseudonym of Scipione di Manzano (1560-1596). The title page depicts allegorical figures, including the goddess of hunting and weapons, trophies, an owl and a hare, etc. Each of the five cantos is illustrated with a fine engraving: the first shows well-equipped huntsmen preparing to set out with their dogs, including a bitch with pups in a kennel; the second depicts boar and stag hunting with horns, firearms and spears; the third illustrates stag hunting; the fourth shows a variety of sports, including boys wrestling, a ball game played with baskets strapped to the players' arms (palla col bracciale derivato della pallacorda), and swimming, with a bear hunt in the background; the fifth is largely concerned with falconry, showing an owl in an enclosure in the foreground and a walled seaport in the background. In all these five plates dogs play a prominent role.