Eneko vadillo (15 resultados)

Condición: New.

RUSTICA. Condición: Nuevo. Estado de la sobrecubierta: Nuevo. DISTRF.

Condición: New. pp. 68.

Condición: New.

Taschenbuch. Condición: Neu. Elliot Goldenthal´s Final Fantasy | A Discussion on Mixed Harmonic and Orchestration Techniques applied to Film Music | Eneko Vadillo | Taschenbuch | 56 S. | Englisch | 2011 | LAP LAMBERT Academic Publishing | EAN 9783847316381 | Verantwortliche Person für die EU: BoD - Books on Demand, In de Tarpen 42, 22848 Norderstedt, info[at]bod[dot]de | Anbieter: preigu. …

Taschenbuch. Condición: Neu. Magnus Lindberg's Feria: | Thematic Transformation and textural density in Lindberg's late orchestral music | Eneko Vadillo | Taschenbuch | 68 S. | Englisch | 2011 | LAP LAMBERT Academic Publishing | EAN 9783846506257 | Verantwortliche Person für die EU: BoD - Books on Demand, In de Tarpen 42, 22848 Norderstedt, info[at]bod[dot]de | Anbieter: preigu.…

Taschenbuch. Condición: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -This research is based on an aesthetical-theorical analysis of Final Fantasy score giving an insight into the composer s compositional methods applied to the screen.Film music, over the last thirty years, has taken many forms and gone in many directions that were not thought possible. One of the most interesting directions has been the mixing of contrasting atonal-tonal musical styles within the same score. This approach is an aspect of Postmodernism and has been used mainly in horror-fantasy films.Elliot Goldenthal s concert music, with its mixing of languages (atonal-tonal) and dramatics, has found a successful way in scoring fantasy-horror movies like Alien III (Fincher, 1992), Sphere (Levinson, 1998) or Interview with the Vampire (Jordan, 1996).The autor discuses the composer s approach in scoring for this genre of films, focussing on the mixed harmonic and instrumental techniques to match with the imagery of these films, blurring the lines between concert and film both music and composers. 56 pp. Englisch.…

Taschenbuch. Condición: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -From the late 1970 s Lindberg has used different and even contradictory techniques and technical resources, as they suited his expressive purposes. Serialism, Stockhausen, Donatoni, Allan Forte s [pitch] set class theories, Berio, Stravinsky, Lutoslawski s two part form and French spectral theories are handled into a highly individual unity of style and expression that avoids any sense of post-modern stylistic shifting, seeking for a sort of new classicism. Lately, the style has turned into some post romanticism ( Concerto for orchestra, Sculpture, violin concerto).I will discuss and explain how Lindberg develops a single musical idea into a more extended piece and how these musical identities or characters are transformed at different levels of complexity textural variations- whilst maintaining the vitality and characteristics of their original idea. Finally, I will demonstrate how in Lindberg, timbre, orchestration, register, texture and rhythm activity are related to one single constructive idea which determines the overall structure of the composition: identity and block forms in relation with French spectral theories (harmony). 68 pp. Englisch.…

Taschenbuch. Condición: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - This research is based on an aesthetical-theorical analysis of Final Fantasy score giving an insight into the composer s compositional methods applied to the screen.Film music, over the last thirty years, has taken many forms and gone in many directions that were not thought possible. One of the most interesting directions has been the mixing of contrasting atonal-tonal musical styles within the same score. This approach is an aspect of Postmodernism and has been used mainly in horror-fantasy films.Elliot Goldenthal s concert music, with its mixing of languages (atonal-tonal) and dramatics, has found a successful way in scoring fantasy-horror movies like Alien III (Fincher, 1992), Sphere (Levinson, 1998) or Interview with the Vampire (Jordan, 1996).The autor discuses the composer s approach in scoring for this genre of films, focussing on the mixed harmonic and instrumental techniques to match with the imagery of these films, blurring the lines between concert and film both music and composers. …

Condición: New. Print on Demand pp. 68 2:B&W 6 x 9 in or 229 x 152 mm Perfect Bound on Creme w/Gloss Lam.

Taschenbuch. Condición: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - From the late 1970 s Lindberg has used different and even contradictory techniques and technical resources, as they suited his expressive purposes. Serialism, Stockhausen, Donatoni, Allan Forte s [pitch] set class theories, Berio, Stravinsky, Lutoslawski s two part form and French spectral theories are handled into a highly individual unity of style and expression that avoids any sense of post-modern stylistic shifting, seeking for a sort of new classicism. Lately, the style has turned into some post romanticism ( Concerto for orchestra, Sculpture, violin concerto).I will discuss and explain how Lindberg develops a single musical idea into a more extended piece and how these musical identities or characters are transformed at different levels of complexity textural variations- whilst maintaining the vitality and characteristics of their original idea. Finally, I will demonstrate how in Lindberg, timbre, orchestration, register, texture and rhythm activity are related to one single constructive idea which determines the overall structure of the composition: identity and block forms in relation with French spectral theories (harmony).…

Condición: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Autor/Autorin: Vadillo EnekoEneko Vadillo.BMus in composition MMus in composition and composition for the screen London (Royal College of Music). Computer assisted composition IRCAM Paris.Professional Studies New York City (Manhattan School of Musi.…

Condición: New. PRINT ON DEMAND pp. 68.

Taschenbuch. Condición: Neu. This item is printed on demand - Print on Demand Titel. Neuware -This research is based on an aesthetical-theorical analysis of Final Fantasy score giving an insight into the composer's compositional methods applied to the screen.Film music, over the last thirty years, has taken many forms and gone in many directions that were not thought possible. One of the most interesting directions has been the mixing of contrasting atonal-tonal musical styles within the same score. This approach is an aspect of Postmodernism and has been used mainly in horror-fantasy films.Elliot Goldenthal¿s concert music, with its mixing of languages (atonal-tonal) and dramatics, has found a successful way in scoring fantasy-horror movies like Alien III (Fincher, 1992), Sphere (Levinson, 1998) or Interview with the Vampire (Jordan, 1996).The autor discuses the composer's approach in scoring for this genre of films, focussing on the mixed harmonic and instrumental techniques to match with the imagery of these films, blurring the lines between concert and film both music and composers.VDM Verlag, Dudweiler Landstraße 99, 66123 Saarbrücken 56 pp. Englisch. …

Taschenbuch. Condición: Neu. This item is printed on demand - Print on Demand Titel. Neuware -From the late 1970's Lindberg has used different and even contradictory techniques and technical resources, as they suited his expressive purposes. Serialism, Stockhausen, Donatoni, Allan Forte's [pitch] set class theories, Berio, Stravinsky, Lutoslawski's two part form and French spectral theories are handled into a highly individual unity of style and expression that avoids any sense of post-modern stylistic shifting, seeking for a sort of new classicism. Lately, the style has turned into some post romanticism ( Concerto for orchestra, Sculpture, violin concerto).I will discuss and explain how Lindberg develops a single musical idea into a more extended piece and how these musical identities or characters are transformed at different levels of complexity -textural variations- whilst maintaining the vitality and characteristics of their original idea. Finally, I will demonstrate how in Lindberg, timbre, orchestration, register, texture and rhythm activity are related to one single constructive idea which determines the overall structure of the composition: identity and block forms in relation with French spectral theories (harmony).VDM Verlag, Dudweiler Landstraße 99, 66123 Saarbrücken 68 pp. Englisch. …