Emily e cole (7 resultados)

Paperback. Condición: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Condición: New. Print on Demand.

Buch. Condición: Neu. Neuware - This monograph examines photographs that Japanese and Americans took of Japan and each other amidst the social, political, economic, and cultural upheaval of the postwar period. Emily E. Cole argues that photography created a dynamic cultural and visual space where photographers interacted and used the camera as a tool of community and creation, representation and resistance, and control and influence on shaping Japan's postwar narrative. Particular focus is placed on amateur photography in comparison to professional photography and how individuals employ the camera as a powerful tool for community building against dominant narratives promulgated by authorities.…

Paperback. Condición: Good. First Edition. Pages 246-308. Printed on glossy stock. Numerous black and white photos. Features: Nice Prescott Pianos ad inside front cover; The Woman's Club of Henniker; By Winnipesaukee (poem); The Scotch-Irish Settlers of Peterborough; A Pathetic Monument (poem); George F. Putnam; Cloister Mar Saba; Hannah Eastman's Capture; Beyond the Veil (poem); The First Bank in Concord; Compensation (peom); The McClarys of Epsom; Sea-Dreams (poem); Kearsarge in Autumn (poem); Is the Norse Claim Authentic?; Nice full-page photo-ad for The First National Bank of Concord, N.H.; Nice full-page ad for the Boston and Maine Railroad; New Hampshire Necrology. Peripheral chipping. Contents in quality condition. A worthy vintage copy. …

HRD. Condición: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

HRD. Condición: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Hardcover. Condición: new. Hardcover. This monograph examines photographs that Japanese and Americans took of Japan and each other amidst the social, political, economic, and cultural upheaval of the postwar period. Emily E. Cole argues that photography created a dynamic cultural and visual space where photographers interacted and used the camera as a tool of community and creation, representation and resistance, and control and influence on shaping Japans postwar narrative. Particular focus is placed on amateur photography in comparison to professional photography and how individuals employ the camera as a powerful tool for community building against dominant narratives promulgated by authorities. Examines photographs that Japanese and Americans took of Japan and each other amidst the social, political, economic, and cultural upheaval of the postwar period. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…