elser oliver (51 resultados)

Paperback. Condición: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Oversized.

Paperback. Condición: Very Good. PC Basics In No Time This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .

Condición: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Hardcover. Condición: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

paperback. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Condición: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Paperback. Condición: Very Good-. Paperback. Phone number in ink on rear endpaper, else very good condition: binding sound, text clean, light shelfwear. 64 pages. Illustrated exhibition catalogue. Edition of 500 copies. Book.

Condición: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Condición: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Paperback. Condición: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condición: New. Since 1980, DAM, or German Architecture Museum, has been publishing its prestigious yearbook on German architecture. This newest volume features an exciting layout, with generous space given to the twenty featured projects by German architects and three projects outside of Germany. This volume also includes two illuminating essays that examine Germany's contemporary architecture scene and the new buildings being planned in China. The book opens with the winner of the year's DAM Architecture Prize, the Kolumba museum in Cologne by Peter Zumthor.

Paperback. Condición: New. Sealed in original shrinkwrap.

Paperback. Condición: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.

Condición: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

flexibound. Condición: Very Good. Orders shipped daily from the UK. Professional seller.

Condición: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Paperback. Condición: New. The refugee situation in the autumn of 2015 was the starting point for the controversial exhibition Making Heimat: Germany, Arrival Country for the German Pavilion at the 15th Venice Biennial of Architecture. The Flüchtlingsbautenatlas (Atlas of Refugee Housing) expands upon the observations made about the German arrival cities in the first volume. What roles are played by architects and urban planners when it comes to executing sustainable solutions for housing new arrivals in Germany? Which construction projects could serve as prototypes for affordable housing? Through about fifty-five exemplary construction projects, we take a look at the future of German cities. Photographs by Anja Weber and extensive descriptions of the projects written after site visits provide insight into the everyday life in German refugee accomondations. Exhibition: Deutsches Architekturmuseum, Frankfurt am Main, 3.3.-September 2017.

Paperback. Condición: Brand New. bilingual edition. 528 pages. 6.50x4.25x1.50 inches. In Stock.

Taschenbuch. Condición: Neu. Neuware -What do we want to keep and what narratives to we want to pursue while judging about the meaning of architecture today Although these may sound straightforward questions, answering them poses new methodological challenges. To start with the very canonical narratives around the Bauhaus School, which have recently been celebrated as a tool for hysteric cultural consumption than a moment for reflecting upon the historiographic operations that dominate such discourses.The Bauhaus as we know it did not exist. It is actually a complex of cliches, unilateral interpretations, ideological usurpations, misunderstandings, tendentious receptions and historical narratives. Not surprisingly it was celebrated as supposedly the most important art school of modernity's heroic age simultaneously documenting quite the opposite: The degeneration of art and architecture in the age of capitalism.'Bauhaus Clouds' adopts this questioning as a point of departure for action. On the one hand, it addresses the constructs of new narratives that place the architectural archives at the center of the Bauhaus debates. It begins with the understanding that archives and the architectural collections are neither crystallized nor neutral statements. On the other hand, it investigates to what degree the architectural narratives and operations on the idea of the Bauhaus have affected societies' constructs of remembered experiences of the past in the current process of the architectural culture, as well as the society's relation with the building culture at large.'Bauhaus Clouds' is the result of conversations initiated in the CCSA Bauhaus lectures performed in the auditorium of the DAM between 2018 and 2019. The book has been conceived as a series of critical essays that aimed at repositioning Bauhaus historiography and the institutional collections of architectural records.Proceedings of the Bauhaus Lecture Series of the Center for Critical Studies in Architecture (CCSA), a research cluster between the Goethe University of Frankfurt, the Technical University of Darmstadt and the Deutsches Architekturmuseum. 92 pp. Englisch.

Condición: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Hardcover with dustjacket, 112 pages; in English and German; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

paperback. Condición: Very Good. Most of our very good books have only minor imperfections such as shelf wear consistent with a new book that's sat on a bookshop shelf for a year or two. Occasionally we may miss other minor imperfections as we have to grade books at speed. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only.

Hardcover. Condición: Very Good. Very good book. 112pp with colour photos and b/w illustrations.

8° , Broschur, 256 Seiten, Das Buch ist in einem sehr guten Zustand. 9783775742825 Sprache: Englisch Gewicht in Gramm: 417.

Taschenbuch. Condición: Sehr gut. Das Buch ist in sehr gutem sauberen Zustand. ISBN: 9783930628162 Wir senden umgehend mit beiliegender MwSt.Rechnung. Sprache: Deutsch Gewicht in Gramm: 400.

Hardcover. Sehr guter Zustand. BITTE BEACHTEN: KEIN VERSAND AUSSERHALB EU - PLEASE NOTE: NO SHIPPING OUTSIDE EUROPEAN UNION. Hg. von Franz Grieshofer. Übersetzungen von Jonathan Quinn und Chris Clouter. Pappband, 477 Seiten, Bildband. 15 x 21 cm (Querformat). Gewicht: 1100.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. First Edition, First Printing. Oblong quarto. 9.75 x 8 in. 108 pp. Fully illustrated with color reproductions of photographs. Fine in original cloth boards and fine pictorial dust jacket.

Hardcover. Condición: Very Good. No Jacket. First Edition. Pictorial hard cover. Slight soiling to page edges else very tidy inside and out. 477pp. Peter Fritz was a model maker in his spare time. The authors believe that Peter Fritz is an architect worthy of serious attention. His world is not that of usual model railway buildings, but rather that of everyday architecture.

344 pp.; 26.9 x 20.1 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show "4th berlin biennial for contemporary art," Berlin, Germany, March 25 - June 5, 2006. Exhibition curated and catalogue edited by Massimiliano Gioni, Maurizio Cattelan, and Ali Subotnick on behalf of the KW Institute for Contemporary Art and funded by the Kulturstiftung des Bundes. Contributions by Nancy Spector. Artists include Tomma Abts, Viktor Alimpiev, Pawel Althamer, Kai Althoff and Lutz Braun, Ulf Aminde, Micol Assaël, Roger Ballen, Thomas Bayrle, Michael Beutler, Michaël Borremans, Bouchet, Tobias Buche, Anthony Burdin, Mircea Cantor, Bruce Conner, Benjamin Cottam, Martin Creed, Oliver Croy with Oliver Elser, Roberto Cuoghi, Tacita Dean, Jeremy Deller, Berlinde De Bruyckere, Gino De Dominicis, Nathalie Djurberg, Trisha Donnelly, Marcel van Eeden, Saul Fletcher, Roland Flexner, Felix Gmelin, Aneta Grzeszykowska, Sebastian Hammwöhner / Dani Jakob / Gabriel Vormstein, Rachel Harrison, Pravdoliub Ivanov, Sergej Jensen, Dorota Jurczak, Tadeusz Kantor, Ian Kiaer, Christopher Knowles, Robert Kusmirowski, Erik van Lieshout, Klara Liden, Ján Mancuska, Mike Mandel & Larry Sultan, Mark Manders, Kris Martin, Paul McCarthy, Corey McCorkle, Michaela Meise, Matthew Monahan, Otto Mühl, Bruce Nauman, Damián Ortega, Diego Perrone, Susan Philipsz, Jorge Queiroz, Reynold Reynolds with Patrick Jolley, Ricarda Roggan, Aïda Ruilova, Anri Sala, Markus Schinwald, Michael Schmidt, Thomas Schütte, Norbert Schwontkowski, Tino Sehgal, Shirana Shahbazi, Steven Shearer, Florian Slotawa, Christiana Soulou, Jaan Toomik, Paloma Varga Weisz, Gillian Wearing, Clemens von Wedemeyer with Maya Schweizer, Andro Wekua, Cathy Wilkes, Francesca Woodman, and Thomas Zipp. "A mysterious object, somewhere between an illustrated anthology of short stories and a scrapbook preserving the experience of visiting a biennial exhibition, this book presents the works of more than sixty artists in a montage of images, mixing historical photos, newspaper clippings, and other reference materials with installation shots and photographs of art works included in the show. Not simply a textual complement to the exhibition but also an unusual combine of art works, this book is much more than just a documentation of an exhibition, it's an exhibition in book form. In spite of its classical design and hardcover binding, it is an artists' book with a truly unusual use of texts and reprints. The book will also feature sections with visual reminders and references for all of the 4th berlin biennial activities including Checkpoint Charley, Gagosian Gallery in Berlin, and the columns presented by the bb4 in Zitty magazine." -- publisher's statement. New. In publisher-issued shrink wrap. Due to large size and weight additional shipping charges will be required for international orders.

Taschenbuch. Condición: Neu. Neuware - What do we want to keep and what narratives to we want to pursue while judging about the meaning of architecture today Although these may sound straightforward questions, answering them poses new methodological challenges. To start with the very canonical narratives around the Bauhaus School, which have recently been celebrated as a tool for hysteric cultural consumption than a moment for reflecting upon the historiographic operations that dominate such discourses.The Bauhaus as we know it did not exist. It is actually a complex of cliches, unilateral interpretations, ideological usurpations, misunderstandings, tendentious receptions and historical narratives. Not surprisingly it was celebrated as supposedly the most important art school of modernity's heroic age simultaneously documenting quite the opposite: The degeneration of art and architecture in the age of capitalism.'Bauhaus Clouds' adopts this questioning as a point of departure for action. On the one hand, it addresses the constructs of new narratives that place the architectural archives at the center of the Bauhaus debates. It begins with the understanding that archives and the architectural collections are neither crystallized nor neutral statements. On the other hand, it investigates to what degree the architectural narratives and operations on the idea of the Bauhaus have affected societies' constructs of remembered experiences of the past in the current process of the architectural culture, as well as the society's relation with the building culture at large.'Bauhaus Clouds' is the result of conversations initiated in the CCSA Bauhaus lectures performed in the auditorium of the DAM between 2018 and 2019. The book has been conceived as a series of critical essays that aimed at repositioning Bauhaus historiography and the institutional collections of architectural records.Proceedings of the Bauhaus Lecture Series of the Center for Critical Studies in Architecture (CCSA), a research cluster between the Goethe University of Frankfurt, the Technical University of Darmstadt and the Deutsches Architekturmuseum.