Ellis tinios (50 resultados)

Condición: Very Good. Very Good condition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

Condición: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: New.

Paperback. Condición: new. Paperback. Japanese woodblock prints of the Edo period (1615-1868) were the products of a highly commercialised and competitive publishing industry. Their content was inspired by the vibrant popular culture that flourished in Edo (Tokyo). At any given time scores of publishers competed for the services of the leading artists of the day. Publishers and artists displayed tremendous ingenuity in finding ways to sustain demand for prints and to to circumvent the restrictions placed upon them by government censorship. Japanese woodblock prints have long been appreciated in the West for their graphic qualities but their content has not always been fully understood. In recent years, publications by scholars in Japan, Europe and the United States have made possible a more subtle appreciation of the imagery encountered in them. This book draws upon this recent scholarship to explain how those who first purchased these prints would have read them. Through stunning new photography of both well-known and rarely published works in the collection of the British Museum, including many recent acquisitions, the author explores how and why such prints were made, providing a fascinating introduction to a much-loved but littleunderstood art form. Japanese woodblock prints of the Edo period (1615-1868) were the products of a highly commercialised and competitive publishing industry. Their content was inspired by the vibrant popular culture that flourished in Edo (Tokyo). This book explains how those who first purchased these prints would have read them. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condición: New. Japanese woodblock prints of the Edo period (1615-1868) were the products of a highly commercialised and competitive publishing industry. Their content was inspired by the vibrant popular culture that flourished in Edo (Tokyo). At any given time scores of publishers competed for the services of the leading artists of the day. Publishers and artists displayed tremendous ingenuity in finding ways to sustain demand for prints and to to circumvent the restrictions placed upon them by government censorship. Japanese woodblock prints have long been appreciated in the West for their graphic qualities but their content has not always been fully understood. In recent years, publications by scholars in Japan, Europe and the United States have made possible a more subtle appreciation of the imagery encountered in them. This book draws upon this recent scholarship to explain how those who first purchased these prints would have read them. Through stunning new photography of both well-known and rarely published works in the collection of the British Museum, including many recent acquisitions, the author explores how and why such prints were made, providing a fascinating introduction to a much-loved but littleunderstood art form.…

Condición: new.

Condición: As New. : Descubre la belleza y la historia de las impresiones japonesas Ukiyo-e del periodo Edo (1700-1900) con este libro de Ellis Tinios. Sumérgete en la vibrante cultura popular de Edo (Tokio) a través de impresionantes grabados en madera. Aprende cómo los artistas y editores de la época sorteaban la censura gubernamental para satisfacer la demanda de estas obras de arte. Con fotografías de alta calidad de piezas famosas y otras menos conocidas del British Museum, este libro ofrece una introducción fascinante a una forma de arte muy apreciada pero a menudo incomprendida. EAN: 9780714124537 Tipo: Libros Categoría: Arte y Cultura|Historia Título: Japanese Prints Autor: Ellis Tinios Editorial: British Museum Idioma: en Páginas: 143 Formato: tapa blanda.…

Condición: As New. Unread book in perfect condition.

Condición: New. 2010. Paperback. Japanese woodblock prints of the Edo period (1615-1868) were the products of a highly commercialised and competitive publishing industry. Their content was inspired by the vibrant popular culture that flourished in Edo (Tokyo). This book explains how those who first purchased these prints would have read them. Num Pages: 144 pages, 100 colour illustrations. BIC Classification: 1FPJ; 3JD; 3JF; 3JH; ACBP; AFH. Category: (G) General (US: Trade). Dimension: 229 x 228 x 17. Weight in Grams: 630. Ukiyo-E in Edo, 1700-1900. 144 pages, 100 colour illustrations. Japanese woodblock prints of the Edo period (1615-1868) were the products of a highly commercialised and competitive publishing industry. Their content was inspired by the vibrant popular culture that flourished in Edo (Tokyo). This book explains how those who first purchased these prints would have read them. Cateogry: (G) General (US: Trade). BIC Classification: 1FPJ; 3JD; 3JF; 3JH; ACBP; AFH. Dimension: 229 x 228 x 17. Weight: 620. . . . . .…

Condición: New. 2010. Paperback. Japanese woodblock prints of the Edo period (1615-1868) were the products of a highly commercialised and competitive publishing industry. Their content was inspired by the vibrant popular culture that flourished in Edo (Tokyo). This book explains how those who first purchased these prints would have read them. Num Pages: 144 pages, 100 colour illustrations. BIC Classification: 1FPJ; 3JD; 3JF; 3JH; ACBP; AFH. Category: (G) General (US: Trade). Dimension: 229 x 228 x 17. Weight in Grams: 630. Ukiyo-E in Edo, 1700-1900. 144 pages, 100 colour illustrations. Japanese woodblock prints of the Edo period (1615-1868) were the products of a highly commercialised and competitive publishing industry. Their content was inspired by the vibrant popular culture that flourished in Edo (Tokyo). This book explains how those who first purchased these prints would have read them. Cateogry: (G) General (US: Trade). BIC Classification: 1FPJ; 3JD; 3JF; 3JH; ACBP; AFH. Dimension: 229 x 228 x 17. Weight: 620. . . . . . Books ship from the US and Ireland.…

paperback. Condición: New.

Paperback. Condición: New.

Paperback. Condición: Brand New. 144 pages. 8.86x8.90x0.55 inches. In Stock.

Condición: New.

Condición: New. In English.

Soft cover. Condición: New. 1st Edition. 143 pages : illustrations (chiefly colour) ; 25 cm. Abstract:Japanese woodblock prints of the Edo period (1615-1868) were the products of a highly commercialised and competitive publishing industry. Their content was inspired by the vibrant popular culture that flourished in Edo (Tokyo). This book explains how those who first purchased these prints would have read them.…

Paperback / softback. Condición: New. New copy - Usually dispatched within 2 working days.

Paperback. Condición: Very Good. Fine oversize paperbound with plain purple spine. ; 8.4 X 5.9 X 0.7 inches; 48 pages.

Condición: As New. Unread book in perfect condition.

Journal. Condición: As New. Pristine.

Paperback. Condición: Near Fine. A nice, bright copy. ; Color reproductions; 56 pages.

Condición: NEW.

Soft cover. Condición: New. 1st Edition. Published in connection with an exhibition held at the University Gallery Leeds, 2004. Description: 56 pages : illustrations (some colour) ; 30 cm.

Taschenbuch. Condición: Neu. Neuware - Japanese woodblock prints of the Edo period (1615-1868) were the products of a highly commercialised and competitive publishing industry. Their content was inspired by the vibrant popular culture that flourished in Edo (Tokyo). At any given time scores of publishers competed for the services of the leading artists of the day. Publishers and artists displayed tremendous ingenuity in finding ways to sustain demand for prints and to to circumvent the restrictions placed upon them by government censorship. Japanese woodblock prints have long been appreciated in the West for their graphic qualities but their content has not always been fully understood. In recent years, publications by scholars in Japan, Europe and the United States have made possible a more subtle appreciation of the imagery encountered in them. This book draws upon this recent scholarship to explain how those who first purchased these prints would have read them. Through stunning new photography of both well-known and rarely published works in the collection of the British Museum, including many recent acquisitions, the author explores how and why such prints were made, providing a fascinating introduction to a much-loved but littleunderstood art form.…

Paperback. Condición: Very Good. Very good condition paperback, published in association with the exhibition of the same name. Covers are lightly scuffed, and page block is slightly bumped and marked. Pages are clear and bright throughout. LW. Used.

Softcover. Condición: Wie neu. Ohne Schutzumschlag. 1. Auflage. 160 pages with many coloured illustrations on plates.

Condición: New. KlappentextrnrnThis book draws upon this recent scholarship to explain how those who first purchased these prints would have read them. Through stunning new photography of both well-known and rarely published works in the collection of the Briti.

Paperback. Condición: New. . . . . Folio, paperback. NEW. No wear inside or out: crisp, clean - pristine. 56 pp., illus. 19th, Art, Asian, Century, History, Illustration, Japanese, Painting, 1874331316.

Paperback. Condición: new. Paperback. Japanese woodblock prints of the Edo period (1615-1868) were the products of a highly commercialised and competitive publishing industry. Their content was inspired by the vibrant popular culture that flourished in Edo (Tokyo). At any given time scores of publishers competed for the services of the leading artists of the day. Publishers and artists displayed tremendous ingenuity in finding ways to sustain demand for prints and to to circumvent the restrictions placed upon them by government censorship. Japanese woodblock prints have long been appreciated in the West for their graphic qualities but their content has not always been fully understood. In recent years, publications by scholars in Japan, Europe and the United States have made possible a more subtle appreciation of the imagery encountered in them. This book draws upon this recent scholarship to explain how those who first purchased these prints would have read them. Through stunning new photography of both well-known and rarely published works in the collection of the British Museum, including many recent acquisitions, the author explores how and why such prints were made, providing a fascinating introduction to a much-loved but littleunderstood art form. Japanese woodblock prints of the Edo period (1615-1868) were the products of a highly commercialised and competitive publishing industry. Their content was inspired by the vibrant popular culture that flourished in Edo (Tokyo). This book explains how those who first purchased these prints would have read them. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…