earl horter (14 resultados)

Condición: Good. Good condition. No date stated. In polypropylene bag. (art, pens, manufacturing, catalog) A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Hardcover. Condición: Very Good+ condition. Estado de la sobrecubierta: No dust jacket. NOT a library discard; Earl Horter Ilustrador. First Edition, Limited 2,500 copies. New York: The Colophon, 1933. Very Good+ condition. Sharp corners. NO owner's name or bookplate. Pages are crisp, clean and unmarked -- probably never read. Part 14 only. Bound in the original full color, pictorial boards. Laid-in is a copy of the full-page review of this issue by Leonard L. MacKall from the New York Herald Tribune, Sunday, July 16, 1933. Complete with the Aquatint: Bookshop, a full page plate, signed in pencil by the artist, Earl Horter. First Edition, Limited 2,500 copies. Hardcover. Very Good+ condition/No dust jacket. Illus. by NOT a library discard; Earl Horter. 8.5" wide by 10.75" tall. Great Packaging, Fast Shipping.

Hardcover. Condición: As New. Horter, Earl Ilustrador. Preface by William Dolan Fletcher, 200 pages, 206 illustrations, quarto (4to), hardcover tan cloth with black lettering on cover and spine. 200 copies of this book have been printed in Century on Curtis Rag Ivory Wove 75. As New condition, old bookstore inventory never sold. Bookseller inventory #5069-1.

Hardcover. Condición: New.

Condición: Good. 4to. Soft Covers. Very Good. 136 pp. Contains loose Addenda.Color plates.* There might be an additional charge due to the large size of the book.

No Binding. Condición: Good. 1st Edition. signed unframed print from Colophon magazine. Signed by Illustrator(s).

Hardcover. Black and light brown folio with black lettering on mounted title card; light brown cloth closures; 2 leaves of text, mounted; 16 full-page B&W plates. Drawings and text by Earl Horter. Good+ (Portfolio is heavily edgeworn/chipped at corners; there is scuffing/smudging; covers are starting and spine is frayed at both ends; closure is heavily worn/frayed/toned; plates are toned around the edges and lightly foxed and bowed a bit.).

Hardcover. Condición: Fine. Horter, Earl Ilustrador. 1st Edition. Schuyler, Montgomery. 25 pages, 10 illustrations plus frontispiece etching by Earl Horter, signed in pencil. The book is dedicated to Cass Gilbert, designer of the Woolworth Building. Limited to one thousand copies. The book were printed and bound for Frank W. Woolworth, for distribution to his friends at the completion of construction of this iconic building. Quarto (4to), dark brown paper over boards with ivory cloth spine, gilt stamping to both boards, embossed architectural inlay on upper board, in original paper covered box. The book is in near perfect condition, the original box shows wear and the corners are cracked. Unusual to find with the original box. Bookseller inventory #33314-1.

Paperback. Condición: Brand New. Herman Heyer; Earl Horter & G.W. Peters Ilustrador. 208 pages. 8.00x5.50x0.51 inches. This item is printed on demand.

Print. Condición: Fine. First Edition. Title from one of the two printed inserts included with the etchings. Variant titles we have seen include TWENTY MASTERPIECES IN ETCHING [SET OF ORIGINAL ETCHINGS CHRONICLING THE LIFE OF GEORGE WASHINGTON]. A collection of 20 large folio (14-3/4" x 19-3/4") ORIGINAL SIGNED ETCHINGS by twenty different artists, all on various aspects of the life of George Washington. Edited by John Taylor Arms and Harry A. Ogden, Printed on "G. W". watermarked paper, each SIGNED and numbered in pencil, titles include: "The Surveyor's Assistant" by Robert Nisbit; "The Washington Homestead" by Arthur William Heintzelman; "Warning the French at Fort Le Boeuf" by Sears Gallagher; "Rallying the Troops at Braddock's Defeat" by Earl Horter; "Washington's Courtship" by William Auerbach-Levy; "A Vestryman of Pohick Church" by Ernest David Roth dated 1932; "En Route to the First Continental Congress" by Eugene Higgins; "The First American Army" by Ralph Boyer; "The British Driven from Boston" by Allen Lewis; "Strategic Retreat from Long Island" by Levon West; "Valley Forge - Army's Desperate Plight" by George Wright; "Stemming Retreat at Monmouth" by Kerr Eby; "The Surrender of Cornwallis" by F. Luis Mora; "Preventing a Military Dictatorship" by Albert Sterner; "Dramatic Farewell at Fraunces Tavern" by Samuel Chamberlain; "The Constitutional Convention - 1787" by John W. Winkler; "Washington, the Planter" by Louis Conrad Rosenberg; "New York Welcomes the President-Elect" by John W. Winkler; "Lady Washington's Levee" by Walter Tittle; and "Washington Enjoys His Beloved Estate" by Childe Hassam.

Etching. Signed in pencil. Image measures 12 1/8" x 5 1/2". This beautiful etching depicts the entrance to 26 Broadway, otherwise known as the Standard Oil Building after its original occupant. Built in 1885, the building was renovated in 1921-1928 by Thomas Hastings almost to the point of being unrecognizable. This print dates to shortly after this rebuilding and shows the elaborate vaulted entrance with a globe-shaped lamp and carved decoration. A number of cars and people stand outside, all dwarfed by the massive size of the entrance. Strong contrasts of black and white in the etching enhance the building's dramatic architecture. The print is a dark impression in excellent condition. Earl Horter was an American etcher and illustrator who concentrated on urban scenes, particularly of New York and Philadelphia. He was strongly influenced by avant-garde art of the period, particularly Picasso, and became well-known as a collector as well as an artist. His work earned him a retrospective at the Whitney Museum of American Art in 1978. This print is a striking example of his work.

Horter, Earl (American, 1881-1940). UNTITLED (CHURCH IN SNOW). Etching and aquatint, not dated. Signed in pencil, lower right. 6 1/4 x 5 inches (plate), 11 x 8 5/8 inches (sheet). An atmospheric rendering of a New York winter scene. In very good conditon but with a border of abrasion from old adhesive in the margin about an inch outside the image, and not affecting it.

Horter, Earl Ilustrador. Horter, Earl. FROM MANHATTAN BRIDGE. Etching and drypoint, not dated, but about 1915. Signed in pencil. Edition size not known. 13x7 7/8 inches, 330 x 200 mm. Narrow, but likely full margins as they have tack holes for drying. In excellent condition except for a small nick at the sheet edge upper right, a small crease at the extreme lower right corner, and a larger crease to the upper left corner, still suffciently away from the image as to allow an adequate distance between the plate mark and the mat opening.

Horter, Earl Ilustrador. Horter, Earl. NEW YORK CONSTRUCTION. Etching. Signed in pencil. 10 3/4 x 9 inches, 274 x 228 mm. In excellent condition.