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Idioma: Inglés
Publicado por Palgrave Macmillan, GB, 2015
ISBN 10: 1137374063 ISBN 13: 9781137374066
Librería: Rarewaves.com USA, London, LONDO, Reino Unido
EUR 66,83
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Idioma: Inglés
Publicado por Taylor & Francis Ltd, London, 2018
ISBN 10: 1138314137 ISBN 13: 9781138314139
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EUR 67,62
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Añadir al carritoPaperback. Condición: new. Paperback. Writing War in Britain and France, 1370-1854: A History of Emotions brings together leading scholars in medieval, early modern, eighteenth-century, and Romantic studies. The assembled essays trace continuities and changes in the emotional register of war, as it has been mediated by the written record over six centuries.Through its wide selection of sites of utterance, genres of writing and contexts of publication and reception, Writing War in Britain and France, 1370-1854 analyses the emotional history of war in relation to both the changing nature of conflicts and the changing creative modes in which they have been arrayed and experienced. Each chapter explores how different forms of writing defines war whether as political violence, civilian suffering, or a theatre of heroism or barbarism giving war shape and meaning, often retrospectively. The volume is especially interested in how the written production of war as emotional experience occurs within a wider historical range of cultural and social practices. Writing War in Britain and France, 1370-1854: A History of Emotions will be of interest to students of the history of emotions, the history of pre-modern war and war literature. Writing War in Britain and France, 1370-1854 explores the ways in which writing in various genres and forms has helped create war as an emotional experience in Western cultural tradition. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Idioma: Inglés
Publicado por Boydell and Brewer, in association with the York Medieval Press, Woodbridge, England / Rochester, New York, 2009
ISBN 10: 1903153271 ISBN 13: 9781903153277
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Añadir al carritoHardcover. Condición: Very good condition. Boydell Press. xxii, 533 pp.
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EUR 68,93
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Añadir al carritoCondición: New. This volume addresses the place of the emotions in literary representations of war across six centuries of European history. It challenges modern assumptions about the passions and feelings attending violent conflict in order to reveal the multifarious historical emotions and emotional histories of war. Editor(s): Lynch, Andrew; Downes, Stephanie; O'Loughlin, Katrina. Series: Challenges to Democracy in the 21st Century. Num Pages: 284 pages, biography. BIC Classification: DSB; HBW. Category: (P) Professional & Vocational. Dimension: 252 x 488 x 22. Weight in Grams: 466. . 2015. Hardback. . . . .
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Idioma: Inglés
Publicado por Oxford University Press, 2018
ISBN 10: 0198802641 ISBN 13: 9780198802648
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Añadir al carritoCondición: New. This volume addresses the place of the emotions in literary representations of war across six centuries of European history. It challenges modern assumptions about the passions and feelings attending violent conflict in order to reveal the multifarious historical emotions and emotional histories of war. Editor(s): Lynch, Andrew; Downes, Stephanie; O'Loughlin, Katrina. Series: Challenges to Democracy in the 21st Century. Num Pages: 284 pages, biography. BIC Classification: DSB; HBW. Category: (P) Professional & Vocational. Dimension: 252 x 488 x 22. Weight in Grams: 466. . 2015. Hardback. . . . . Books ship from the US and Ireland.
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Idioma: Inglés
Publicado por Taylor & Francis Ltd, London, 2018
ISBN 10: 1138314137 ISBN 13: 9781138314139
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Añadir al carritoPaperback. Condición: new. Paperback. Writing War in Britain and France, 1370-1854: A History of Emotions brings together leading scholars in medieval, early modern, eighteenth-century, and Romantic studies. The assembled essays trace continuities and changes in the emotional register of war, as it has been mediated by the written record over six centuries.Through its wide selection of sites of utterance, genres of writing and contexts of publication and reception, Writing War in Britain and France, 1370-1854 analyses the emotional history of war in relation to both the changing nature of conflicts and the changing creative modes in which they have been arrayed and experienced. Each chapter explores how different forms of writing defines war whether as political violence, civilian suffering, or a theatre of heroism or barbarism giving war shape and meaning, often retrospectively. The volume is especially interested in how the written production of war as emotional experience occurs within a wider historical range of cultural and social practices. Writing War in Britain and France, 1370-1854: A History of Emotions will be of interest to students of the history of emotions, the history of pre-modern war and war literature. Writing War in Britain and France, 1370-1854 explores the ways in which writing in various genres and forms has helped create war as an emotional experience in Western cultural tradition. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
Idioma: Inglés
Publicado por Oxford University Press, 2018
ISBN 10: 0198802641 ISBN 13: 9780198802648
Librería: GreatBookPrices, Columbia, MD, Estados Unidos de America
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Añadir al carritoPaperback. Condición: Brand New. 141 pages. 10.98x8.26x10.98 inches. In Stock.
Idioma: Inglés
Publicado por Oxford University Press, 2018
ISBN 10: 0198802641 ISBN 13: 9780198802648
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Idioma: Inglés
Publicado por Springer International Publishing AG, 2025
ISBN 10: 303146415X ISBN 13: 9783031464157
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EUR 147,92
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Añadir al carritoPaperback. Condición: new. Paperback. This book brings together several strands of medieval and medievalist work in the history of emotions, with a focus on literary, historical and cinema studies. It asks how we may best face up to work that has been done already in these fields, and speculates about work that might yet be done, especially by medievalists working across medieval and postmedieval sources. In the idiom facing up, its editors evoke the impulse to assess and realize the place of medieval studies in the burgeoning field of emotions research. Conceptually, psychologically, and artistically, the face is perceived as being at the forefront of many human interactions and emotional practices as such, the face is not only a powerful conceptual site for theorizing human relationships, past and present, or a site for the representation of emotion: it is itself a catalyst for feeling. As such, the contributions gathered here provide a cutting-edge reflection on the history of medieval emotions. This book brings together several strands of medieval and medievalist work in the history of emotions, with a focus on literary, historical and cinema studies. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Idioma: Inglés
Publicado por Oxford University Press, 2018
ISBN 10: 0198802641 ISBN 13: 9780198802648
Librería: Ria Christie Collections, Uxbridge, Reino Unido
EUR 134,72
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Idioma: Inglés
Publicado por Oxford University Press, 2018
ISBN 10: 0198802641 ISBN 13: 9780198802648
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EUR 148,39
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Idioma: Inglés
Publicado por Oxford University Press, 2018
ISBN 10: 0198802641 ISBN 13: 9780198802648
Librería: GreatBookPricesUK, Woodford Green, Reino Unido
EUR 149,53
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Idioma: Inglés
Publicado por Springer International Publishing AG, 2025
ISBN 10: 303146415X ISBN 13: 9783031464157
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Añadir al carritoPaperback. Condición: new. Paperback. This book brings together several strands of medieval and medievalist work in the history of emotions, with a focus on literary, historical and cinema studies. It asks how we may best face up to work that has been done already in these fields, and speculates about work that might yet be done, especially by medievalists working across medieval and postmedieval sources. In the idiom facing up, its editors evoke the impulse to assess and realize the place of medieval studies in the burgeoning field of emotions research. Conceptually, psychologically, and artistically, the face is perceived as being at the forefront of many human interactions and emotional practices as such, the face is not only a powerful conceptual site for theorizing human relationships, past and present, or a site for the representation of emotion: it is itself a catalyst for feeling. As such, the contributions gathered here provide a cutting-edge reflection on the history of medieval emotions. This book brings together several strands of medieval and medievalist work in the history of emotions, with a focus on literary, historical and cinema studies. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.