dora budor (13 resultados)

Paperback. Condición: New. "To expand is to reduce, to affirm is to negate; the problem is how not to let any of these moments crystallize into a position or a program via the fetishism that transforms relations into objects. "-Marina Vishmidt Autoreduction is a project initiated by Dora Budor at Progetto (Lecce, Italy) in the summer of 2021 that began with detouring a solo exhibition onto a collaborative course to traverse the itineraries of work, leisure, and consumption in southern Italy. Conceived as a companion to the exhibition, the book features commissioned texts by Noah Barker and Marina Vishmidt, with contributions by all the artists originally participating in the exhibition (Noah Barker, Dora Budor, Michèle Graf and Selina Grüter, Niloufar Emamifar, and Ser Serpas), together with an addendum by Stefano Faoro. In "Case of Enrichment" Noah Barker assesses how the exhibition and region of Puglia instantiate what Luc Boltanski and Arnaud Esquerre have called the enrichment economy - which is characterized by the enrichment of existing things and places and modelling of the consumer on the collector. In "Why Must You Reduce Everything to Money?" Marina Vishmidt casts reduction as a political and artistic strategy; from a form of resistance developed by Italian Autonomists to its aesthetic application as a mode of refusal. Informed by the industrial history of the Salento region, which once featured a heavily feminized and militant tobacco workforce and now sees this legacy sanitized as a heritage for luxury tourism, Autoreduction rides the carousel of capital's value-forms eliciting critique and complicity in tandem.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condición: new. Paperback. To expand is to reduce, to affirm is to negate; the problem is how not to let any of these moments crystallize into a position or a program via the fetishism that transforms relations into objects. Marina Vishmidt Autoreduction is a project initiated by Dora Budor at Progetto (Lecce, Italy) in the summer of 2021 that began with detouring a solo exhibition onto a collaborative course to traverse the itineraries of work, leisure, and consumption in southern Italy. Conceived as a companion to the exhibition, the book features commissioned texts by Noah Barker and Marina Vishmidt, with contributions by all the artists originally participating in the exhibition (Noah Barker, Dora Budor, Michele Graf and Selina Grueter, Niloufar Emamifar, and Ser Serpas), together with an addendum by Stefano Faoro.In Case of Enrichment Noah Barker assesses how the exhibition and region of Puglia instantiate what Luc Boltanski and Arnaud Esquerre have called the enrichment economy - which is characterized by the enrichment of existing things and places and modelling of the consumer on the collector. In Why Must You Reduce Everything to Money? Marina Vishmidt casts reduction as a political and artistic strategy; from a form of resistance developed by Italian Autonomists to its aesthetic application as a mode of refusal. Informed by the industrial history of the Salento region, which once featured a heavily feminized and militant tobacco workforce and now sees this legacy sanitized as a heritage for luxury tourism, Autoreduction rides the carousel of capitals value-forms eliciting critique and complicity in tandem. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condición: Brand New. 112 pages. 8.25x6.00x0.40 inches. In Stock.

Paperback. Condición: new. Paperback. To expand is to reduce, to affirm is to negate; the problem is how not to let any of these moments crystallize into a position or a program via the fetishism that transforms relations into objects. Marina Vishmidt Autoreduction is a project initiated by Dora Budor at Progetto (Lecce, Italy) in the summer of 2021 that began with detouring a solo exhibition onto a collaborative course to traverse the itineraries of work, leisure, and consumption in southern Italy. Conceived as a companion to the exhibition, the book features commissioned texts by Noah Barker and Marina Vishmidt, with contributions by all the artists originally participating in the exhibition (Noah Barker, Dora Budor, Michele Graf and Selina Grueter, Niloufar Emamifar, and Ser Serpas), together with an addendum by Stefano Faoro.In Case of Enrichment Noah Barker assesses how the exhibition and region of Puglia instantiate what Luc Boltanski and Arnaud Esquerre have called the enrichment economy - which is characterized by the enrichment of existing things and places and modelling of the consumer on the collector. In Why Must You Reduce Everything to Money? Marina Vishmidt casts reduction as a political and artistic strategy; from a form of resistance developed by Italian Autonomists to its aesthetic application as a mode of refusal. Informed by the industrial history of the Salento region, which once featured a heavily feminized and militant tobacco workforce and now sees this legacy sanitized as a heritage for luxury tourism, Autoreduction rides the carousel of capitals value-forms eliciting critique and complicity in tandem. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Condición: As New. Unread book in perfect condition.

Condición: New.

Condición: New.

Condición: As New. Unread book in perfect condition.

Taschenbuch. Condición: Neu. Neuware - This catalog accompanies a solo-turned-collaborative exhibition conceived by Croatian artist Dora Budor (born 1984), who meditates on the fascist history of forced labor in Italy's Salento region, a former hub of tobacco production, which has since been sanitized as a luxury tourist destination.

Paperback. Condición: New. "To expand is to reduce, to affirm is to negate; the problem is how not to let any of these moments crystallize into a position or a program via the fetishism that transforms relations into objects. "-Marina Vishmidt Autoreduction is a project initiated by Dora Budor at Progetto (Lecce, Italy) in the summer of 2021 that began with detouring a solo exhibition onto a collaborative course to traverse the itineraries of work, leisure, and consumption in southern Italy. Conceived as a companion to the exhibition, the book features commissioned texts by Noah Barker and Marina Vishmidt, with contributions by all the artists originally participating in the exhibition (Noah Barker, Dora Budor, Michèle Graf and Selina Grüter, Niloufar Emamifar, and Ser Serpas), together with an addendum by Stefano Faoro. In "Case of Enrichment" Noah Barker assesses how the exhibition and region of Puglia instantiate what Luc Boltanski and Arnaud Esquerre have called the enrichment economy - which is characterized by the enrichment of existing things and places and modelling of the consumer on the collector. In "Why Must You Reduce Everything to Money?" Marina Vishmidt casts reduction as a political and artistic strategy; from a form of resistance developed by Italian Autonomists to its aesthetic application as a mode of refusal. Informed by the industrial history of the Salento region, which once featured a heavily feminized and militant tobacco workforce and now sees this legacy sanitized as a heritage for luxury tourism, Autoreduction rides the carousel of capital's value-forms eliciting critique and complicity in tandem.

kart. Condición: Neu. en, de. 192 Seiten ; 29 cm NEUBUCH ! + + + Die Publikation versammelt Materialien, die mit Dora Budors Ausstellung Continent im Kunsthaus Bregenz (19.03.-26.06.2022) in Beziehung stehen. Das Buch beleuchtet das Projekt aus verschiedenen Perspektiven und stellt zugleich ein eigenständiges Objekt in Budors Å'uvre dar. Von zentraler Bedeutung sind vier Texte, die sich der Ausstellung auf unterschiedliche Weise nähern: ein Essay von Kurator und Autor Richard Birkett, ein Textbeitrag der Autorin Amelia Groom, der Abzug eines Essays des Architekten und Historikers Robin Evans sowie ein Gespräch zwischen der Künstlerin und dem Direktor des Kunsthaus Bregenz, Thomas D. Trummer. In der Zusammenschau der Texte fügt die Publikation der fotografischen Dokumentation der Ausstellung und der Gestaltung des Buches selbst eine weitere Bedeutungsebene hinzu. Die Gestaltung fand in enger Zusammenarbeit zwischen dem in Berlin ansässigen Designstudio HIT, der Künstlerin und den Herausgebern statt.Text: Richard Birkett, Amelia Groom und Robin Evans. Gespräch zwischen Dora Budor und Thomas D. Trummer 9783960987932 Werktäglicher Versand. Jede Lieferung m. ordentl. Rechnung und ausgew. MwSt. Der Versand erfolgt als Büchersendung / Einschreiben mit der Deutschen Post bzw. als Päckchen / Paket mit DHL. Die Lieferzeit ist abhängig von der Versandart und beträgt innerhalb Deutschlands 3-5 Tage, in der EU 5 - 12 Tage. KEIN Versand an Packstationen. Körperschaften und juristische Personen werden auf Wunsch per offener Rechnung beliefert. ***ATTENTION U.S. CUSTOMERS: Due to the new tariffs, we are unable to ship packages to the USA at this time. Thank you for understanding.*** Sprache: Deutsch Gewicht in Gramm: 550.