dimitrios zikos (72 resultados)

Condición: As New. Unread copy in mint condition.

Condición: New. Brand New.

Condición: New.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Hardback. Condición: New. This publication discusses a bronze Laocoön recently sold at Bonham's. Its new owners attributed it to Giuseppe Piamontini (1663-1744) 'because of its manufacture and its extremely close proximity to the Doccia model', the model employed for a porcelain Laocoön produced in the factory set up by Carlo Ginori (1702-57) in 1737 at Doccia near Florence.Labelled as French and belatedly returned to Late Baroque Florence (but to the wrong artist), this magnificent group has finally revealed its identity. It is one of the incunabula of an ambitious young sculptor measuring himself with the sculptors of Ancient Greece and their great Renaissance followers of his native Florence. During the day he copied them in the Galleria degli Uffizi and in the streets of the city. At night he gathered together with other pupils of Foggini in the Borgo Pinti studio to study together. The prominent career to which Della Valle obviously aspired prompted his move to Rome. Della Valle helped us interpret the bronze correctly, interpret correctly its attribution in the Doccia models' inventory and by extension understand better that document itself. But most important, our understanding of Florentine Late Baroque sculpture and of Della Valle's art has acquired another firm point of reference.

Condición: As New. Unread book in perfect condition.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Condición: new. Hardcover. This publication discusses a bronze Laocooen recently sold at Bonham's. Its new owners attributed it to Giuseppe Piamontini (16631744) 'because of its manufacture and its extremely close proximity to the Doccia model', the model employed for a porcelain Laocooen produced in the factory set up by Carlo Ginori (170257) in 1737 at Doccia near Florence. Labelled as French and belatedly returned to Late Baroque Florence (but to the wrong artist), this magnificent group has finally revealed its identity. It is one of the incunabula of an ambitious young sculptor measuring himself with the sculptors of Ancient Greece and their great Renaissance followers of his native Florence. During the day he copied them in the Galleria degli Uffizi and in the streets of the city. At night he gathered together with other pupils of Foggini in the Borgo Pinti studio to study together. The prominent career to which Della Valle obviously aspired prompted his move to Rome. Della Valle helped us interpret the bronze correctly, interpret correctly its attribution in the Doccia models' inventory and by extension understand better that document itself. But most important, our understanding of Florentine Late Baroque sculpture and of Della Valle's art has acquired another firm point of reference. AUTHOR: Dimitrios Zikos is an independent art historian specialised in Florentine bronze sculpture of the Renaissance and the Baroque. He studied Art History and Archaeology in the Universities of Munich and Freiburg i. Br. from where he obtained his PhD. He was a Henkell Fellow at the Kunsthistorisches Institut, Florence, and has co-curated exhibitions at the Gardner (2003), the Bargello (2003-2014), the Liechtenstein Princely Collections (2005), the Bayerisches Nationalmuseum (2015), and the Galleria dell'Accademia di Firenze (2023). He has published widely on Italian Sculpture and taught at the University of Innsbruck (2012-2013). He is an Honorary Member of the Amici di Doccia and the President of the not-for-profit Friends of the Bargello. SELLING POINTS: . Review of a bronze Laocooen attributed to Italian Sculptor Giuseppe Piamontini (16631744) . A point of reference for Florentine Late Baroque sculpture and of Della Valle's art 60 colour illustrations Discusses a bronze Laocooen recently sold at Bonhams. Della Valle helped interpret correctly the bronze and its attribution in the Doccia models inventory. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

hardcover. Condición: As New. 2013; illustrated paper covered boards; mild corner wear; 8vo, 7 3/4" to 9 3/4" tall; interior is clean and unmarked; 255 pages.

Hardcover. Condición: Used-Very Good. Cloth, dj. Slight shelf-wear, else very sound, with clean internals.

Condición: New. In.

Condición: NEW.

Condición: New.

Condición: New. In.

Hardcover. Condición: Brand New. 64 pages. 9.50x9.50x9.45 inches. In Stock.

Hard Cover. Condición: Fine. Estado de la sobrecubierta: Fine. First Edition. cloth, hard cover in dust jacket., a very nice copy - no flaws, clean, tightly bound, no bumps or tears, no writing or markings.; published in association with mondadori electa.; english text.; xxii-487pp., illustrated in color, b/w., contains 17 essays by various contributors. Size: 4to - over 9¾" - 12" tall. Exhibition Catalogue.

Hardcover. First Edition. Book condition is Very Good+; with a Very Good+ dust jacket. Text is clean and unmarked, still in factory shrink wrap. ; 11.40 X 8.90 X 1.40 inches; 384 pages.

Condición: New. pp. 384 170 Illus. (Col.).

Hardcover. Condición: Very Good. 4to, Hardback without Dust Jacket, pp. 95. Illustrated front pictorial paper board with white lettering to spine. Minor bumps to lower spine and microscopic signs of shelf wear and rubbing. Otherwise in Very Good condition. The Master of the Unruly Children was active in Florence in the first half of 16th century, possibly a close collaborator of Niccolo Tribolo but stylistically close to Michelangelo and Giovan Francesco Rustici. He specialized in terracotta sculptures of small dimensions, a genre reborn in mid 15th-century Florence and pioneered by Lorenzo Ghiberti during his work on the baptistery doors, since the use of clay was central to the production of bronzes and could also be moulded to replicate images which when fired, painted and gilded, provided an inexpensive alternative to more costly materials, such as marble and bronze. Scarce.

Hardback. Condición: New. This volume brings together new research by some of the world's leading experts, exploring the artistic production and cultural context of Renaissance sculpture from Ghiberti's Gates of Paradise to the small bronzes of Giambologna and his followers. The essays cover a range of sculptural materials and forms to cast fresh light on the artists, their creative and collaborative processes, and those who commissioned, owned and responded to their work. The papers were originally presented at a conference at the VandA in 2010 as part of the Robert H. Smith Renaissance Sculpture Programme.

Hardcover. Condición: Brand New. 285 pages. 11.50x9.00x1.00 inches. In Stock.

Condición: New. pp. 384.

Condición: New. pp. 384.

Brossura. Condición: fine. A cura di Ferdinando Corberi.Milano, 2005; br., pp. 64, ill. e tavv. ill. col., cm 21x38. Libro.

Condición: New. KlappentextrnrnRichly illustrated, this book provides the history of the Doccia porcelain manufactory, founded near Florence, Italy, in 1735.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. 1st Edition. Oversized hardback book (487 pages) beautifully illustrated with numerous black and white and color reproductions. Moderate rubbing/scuffing on dust jacket. INTERNATIONAL SHIPPING WILL REQUIRE ADDITIONAL CHARGE. Bookseller since 1995 (UL-3A-L) rareviewbooks (JG).

Hardcover. Condición: new. Hardcover. This publication discusses a bronze Laocooen recently sold at Bonham's. Its new owners attributed it to Giuseppe Piamontini (16631744) 'because of its manufacture and its extremely close proximity to the Doccia model', the model employed for a porcelain Laocooen produced in the factory set up by Carlo Ginori (170257) in 1737 at Doccia near Florence. Labelled as French and belatedly returned to Late Baroque Florence (but to the wrong artist), this magnificent group has finally revealed its identity. It is one of the incunabula of an ambitious young sculptor measuring himself with the sculptors of Ancient Greece and their great Renaissance followers of his native Florence. During the day he copied them in the Galleria degli Uffizi and in the streets of the city. At night he gathered together with other pupils of Foggini in the Borgo Pinti studio to study together. The prominent career to which Della Valle obviously aspired prompted his move to Rome. Della Valle helped us interpret the bronze correctly, interpret correctly its attribution in the Doccia models' inventory and by extension understand better that document itself. But most important, our understanding of Florentine Late Baroque sculpture and of Della Valle's art has acquired another firm point of reference. AUTHOR: Dimitrios Zikos is an independent art historian specialised in Florentine bronze sculpture of the Renaissance and the Baroque. He studied Art History and Archaeology in the Universities of Munich and Freiburg i. Br. from where he obtained his PhD. He was a Henkell Fellow at the Kunsthistorisches Institut, Florence, and has co-curated exhibitions at the Gardner (2003), the Bargello (2003-2014), the Liechtenstein Princely Collections (2005), the Bayerisches Nationalmuseum (2015), and the Galleria dell'Accademia di Firenze (2023). He has published widely on Italian Sculpture and taught at the University of Innsbruck (2012-2013). He is an Honorary Member of the Amici di Doccia and the President of the not-for-profit Friends of the Bargello. SELLING POINTS: . Review of a bronze Laocooen attributed to Italian Sculptor Giuseppe Piamontini (16631744) . A point of reference for Florentine Late Baroque sculpture and of Della Valle's art 60 colour illustrations Discusses a bronze Laocooen recently sold at Bonhams. Della Valle helped interpret correctly the bronze and its attribution in the Doccia models inventory. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Condición: As New. Unread book in perfect condition.

Rilegato. Condición: come nuovo. Boston, Isabella Stewart Gardner, 2012. Cm. 23x14, pp. 255, figure a colori e in nero nel testo, brossura. The essays in this volume consider issues in sixteenth-century Italian sculpture, a relatively neglected area of study, especially when compared with painting of the same period. The work of Benvenuto Cellini and his circle forms the starting point of the book, which discusses themes including the development of the portrait bust and the patronage of sculpture. The papers are based on a conference held at the Isabella Stewart Gardner Museum in conjunction with the special exhibition Raphael, Cellini, and a Renaissance Banker: The Patronage of Bindo Altoviti.

Hardback. Condición: New. This publication discusses a bronze Laocoön recently sold at Bonham's. Its new owners attributed it to Giuseppe Piamontini (1663-1744) 'because of its manufacture and its extremely close proximity to the Doccia model', the model employed for a porcelain Laocoön produced in the factory set up by Carlo Ginori (1702-57) in 1737 at Doccia near Florence.Labelled as French and belatedly returned to Late Baroque Florence (but to the wrong artist), this magnificent group has finally revealed its identity. It is one of the incunabula of an ambitious young sculptor measuring himself with the sculptors of Ancient Greece and their great Renaissance followers of his native Florence. During the day he copied them in the Galleria degli Uffizi and in the streets of the city. At night he gathered together with other pupils of Foggini in the Borgo Pinti studio to study together. The prominent career to which Della Valle obviously aspired prompted his move to Rome. Della Valle helped us interpret the bronze correctly, interpret correctly its attribution in the Doccia models' inventory and by extension understand better that document itself. But most important, our understanding of Florentine Late Baroque sculpture and of Della Valle's art has acquired another firm point of reference.