Des forges alexander (15 resultados)
Editorial: J Asian Studies, 2003
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Librería: Larry W Price Books, Portland, OR, Estados Unidos de AmericaLarry W Price Books
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EUR 9,67
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Añadir al carritoPamphlet. Condición: Very Good. Vol 62, No 3, pp. 781-810, Extracted from orig vol, then Recased in Orig Journal Covers, VG.
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Librería: COLLINS BOOKS, Seattle, WA, Estados Unidos de AmericaCOLLINS BOOKS
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EUR 17,74
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HARDCOVER. Condición: Good. Estado de la sobrecubierta: Good. Hardcover Edition. Octavo hardcover; 293 pp.; gilt title to spine. Tight binding; sharp corners. Looks nearly new minus very minor wear to foot of spine, but condition lowered due to pen underlining. Good. DJ: Glossy jacket. One 1/4 inch light stain to front wrap (oth…erwise looks nearly new). Good.
The Journal of Asian Studies - Volume 62, Number 3, August 2003: From Tea House to Play House; Theaters As Social Texts in Early Twentieth-Century China, et al.
Ann Waltner, Christina Gilmartin, Kent Guy, et al. (Editor, Editorial Board); Joshua Goldstein, Alexander des Forges, Anne Hansen, et al. (Contributors)
Idioma: Inglés
Editorial: The Association for Asian Studies, Inc., New York, 2003
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Librería: gearbooks, The Bronx, NY, Estados Unidos de Americagearbooks
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EUR 25,63
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Añadir al carritoSoft Cover. Condición: Like New. Volume 62, No. 3, August 2003. 288 + pp. Vol. 62, Number 3, August 2003 issue only! ISSN: 0021-9118. Clean, fresh, sharp, tight, essentially flawless copy save very mild shelf wear.
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Librería: Kloof Booksellers & Scientia Verlag, Amsterdam, HolandaKloof Booksellers & Scientia Verlag
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EUR 16,95
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Condición: as new. Honolulu, Hawaii : University of Hawai'i Press, 2007. Hardcover. Dustjacket. 296 pp. English text. Condition : as new. - For many in the west, "Shanghai" is the quintessence of East Asian modernity, whether imagined as glamorous and exciting, corrupt and impoverishing, or a complex synthesis of the good, the b…ad, and the ugly. How did "Shanghai" acquire this power? How did people across China and around the world decide that Shanghai was the place to be? Mediasphere Shanghai shows that partial answers to these questions can be found in the products of Shanghai's media industry, particularly the Shanghai novel, a distinctive genre of installment fiction that flourished from the 1890s to the 1930s. Shanghai fiction supplies not only the imagery that we now consider typical of the city, but, more significantly, the very formsâ simultaneity, interruption, mediation, and excessâ through which the city could be experienced as a business and entertainment center and envisioned as the focal point of a mediasphere with a national and transnational reach. Existing paradigms of Shanghai culture tend to explain the city's distinctive literary and visual aesthetics as merely the predictable result of economic conditions and social processes, but Alexander Des Forges maintains that literary texts and other cultural products themselves constitute a conceptual foundation for the city and construct the frame through which it is perceived. Condition : as new copy. ISBN 9780824830816. Keywords : .
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Librería: PBShop.store UK, Fairford, GLOS, Reino UnidoPBShop.store UK
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EUR 48,31
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HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.
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Librería: Rarewaves.com USA, London, LONDO, Reino UnidoRarewaves.com USA
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Digital download. Condición: New. The civil service examination essay known as shiwen (modern or contemporary prose) or bagu wen (eight-legged essay) for its complex structure was the most widely read and written literary genre in early modern China (1450-1850). As the primary mode of expression in which educated individuals wer…e schooled, shiwen epitomized the literary enterprise even beyond the walls of the examination compound. But shiwen suffered condemnation in the shift in discourse on literary writing that followed the fall of the Ming dynasty, and were thoroughly rejected in the May Fourth iconoclasm of the early twentieth century. Challenging conventional disregard for the genre, Alexander Des Forges reads the examination essay from a literary perspective, showing how shiwen redefined prose aesthetics and transformed the work of writing. A new approach to subjectivity took shape: the question "who is speaking?" resonated through the essays' involuted prose style, foregrounding issues of agency and control. At the same time, the anonymity of the bureaucratic evaluation process highlighted originality as a literary value. Finally, an emphasis on questions of form marked the aesthetic as a key arena for contestation of authority as candidates, examiners, and critics joined to form a dominant social class of literary producers.
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Librería: PBShop.store US, Wood Dale, IL, Estados Unidos de AmericaPBShop.store US
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Librería: Joseph Burridge Books, Dagenham, Reino UnidoJoseph Burridge Books
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Hardcover. Condición: New. Estado de la sobrecubierta: New. Summary:"The civil service examination essay-known as shiwen (modern or contemporary prose) or bagu wen (eight-legged essay) for its complex structure-was the most widely read and written literary genre in early modern China (1450-1850). As the primary mode of expressio…n in which educated individuals were schooled, shiwen epitomized the literary enterprise even beyond the walls of the examination compound. But shiwen suffered condemnation in the shift in discourse on literary writing that followed the fall of the Ming dynasty, and were thoroughly rejected in the May Fourth iconoclasm of the early twentieth century. Challenging conventional disregard for the genre, Alexander Des Forges reads the examination essay from a literary perspective, showing how shiwen redefined prose aesthetics and transformed the work of writing. A new approach to subjectivity took shape: the question "who is speaking?" resonated through the essays' involuted prose style, foregrounding issues of agency and control. At the same time, the anonymity of the bureaucratic evaluation process highlighted originality as a literary value. Finally, an emphasis on questions of form marked the aesthetic as a key arena for contestation of authority as candidates, examiners, and critics joined to form a dominant social class of literary producers"-- Provided by publisher.
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Librería: Kennys Bookshop and Art Galleries Ltd., Galway, GY, IrlandaKennys Bookshop and Art Galleries Ltd.
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Condición: New. 2021. Hardcover. . . . . .
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Librería: THE SAINT BOOKSTORE, Southport, Reino UnidoTHE SAINT BOOKSTORE
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Hardback. Condición: New. New copy - Usually dispatched within 4 working days.
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Librería: Ria Christie Collections, Uxbridge, Reino UnidoRia Christie Collections
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Condición: New. In English.
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Librería: Kennys Bookstore, Olney, MD, Estados Unidos de AmericaKennys Bookstore
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Condición: New. 2021. Hardcover. . . . . . Books ship from the US and Ireland.
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Librería: SHIMEDIA, Brooklyn, NY, Estados Unidos de AmericaSHIMEDIA
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Condición: New. Satisfaction Guaranteed or your money back.
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Librería: Revaluation Books, Exeter, Reino UnidoRevaluation Books
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EUR 76,77
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Hardcover. Condición: Brand New. 293 pages. 9.25x6.25x1.25 inches. In Stock.
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Librería: Rarewaves.com UK, London, Reino UnidoRarewaves.com UK
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EUR 51,32
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Digital download. Condición: New. The civil service examination essay known as shiwen (modern or contemporary prose) or bagu wen (eight-legged essay) for its complex structure was the most widely read and written literary genre in early modern China (1450-1850). As the primary mode of expression in which educated individuals wer…e schooled, shiwen epitomized the literary enterprise even beyond the walls of the examination compound. But shiwen suffered condemnation in the shift in discourse on literary writing that followed the fall of the Ming dynasty, and were thoroughly rejected in the May Fourth iconoclasm of the early twentieth century. Challenging conventional disregard for the genre, Alexander Des Forges reads the examination essay from a literary perspective, showing how shiwen redefined prose aesthetics and transformed the work of writing. A new approach to subjectivity took shape: the question "who is speaking?" resonated through the essays' involuted prose style, foregrounding issues of agency and control. At the same time, the anonymity of the bureaucratic evaluation process highlighted originality as a literary value. Finally, an emphasis on questions of form marked the aesthetic as a key arena for contestation of authority as candidates, examiners, and critics joined to form a dominant social class of literary producers.
