David l szanton (32 resultados)

paperback. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

paperback. Condición: Fine.

paperback. Condición: Very Good.

Condición: As New. Unread book in perfect condition.

Condición: New.

Paperback. Condición: Very Good. ICP Papers No. 9. Binding firm, interior clean and unmarked. 119 pp. References, Index.

Softcover. First Edition. Book condition is Very Good in original wrappers. Edgewear and rubbing to wraps, a few tears at spine, crease to bottom corner of front panel. Owner name to title page, sparse markings to margins of text. Tables and photographic illustrations.

Paperback. Condición: New.

Condición: good. This book is in good condition. The cover has minor creases or bends. The binding is tight and pages are intact. Some pages may have writing or highlighting.

Condición: As New. Unread book in perfect condition.

Condición: New.

Paperback / softback. Condición: New. New copy - Usually dispatched within 4 working days.

Condición: New.

Hardcover. Condición: new. Hardcover. A woman's art form transforms from home to high artSince at least the fifteenth century, Hindu women in the Mithila region of northern India have been painting images of deities, flora and fauna symbolizing fertility and prosperity, and floor designs that sacralize sites for ritual within their homes. Their artwork remained ephemeral since its plant-based colors faded over time. In response to an extended drought that led to widespread crop failure in the 1960s, the Indian government's All India Handicraft Board provided high-quality paper to the women of Mithila to test the income-generating possibilities of transferring wall and floor artwork to a new medium. The unique Mithila aesthetic, novel compositions, and precise linework won enthusiastic buyers in New Delhi and abroad. The small number of women painters expanded across the ranks of the social hierarchy and even included a few men. They developed individual styles and depicted novel subjects such as village history, their own life stories, the tsunami in Sri Lanka, social justice, protecting trees, and changing social norms.Major international museums now house Mithila collections, and individuals around the world own paintings. This volume, the first to present an up-to-date analysis of the history and practitioners of Mithila painting, includes contributions from Mithila artists, anthropologists, art historians, historians of Indian religions and specialists of visual culture, gender studies, and translation studies. A woman's art form transforms from home to high artSince at least the fifteenth century, Hindu women in the Mithila region of northern India have been painting images of deities, flora and fauna symbolizing fertility and prosperity, and floor designs that sacralize sites for ritual within their homes. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condición: New.

Condición: As New. Unread book in perfect condition.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: New.

Condición: new.

Condición: New.

Condición: New.

Condición: As New. Unread book in perfect condition.

Condición: New. In English.

Condición: New.

Hardcover. Condición: Brand New. 320 pages. 10.00x7.25x1.00 inches. In Stock.

Condición: New.

Hardback. Condición: New. A woman's art form transforms from home to high artSince at least the fifteenth century, Hindu women in the Mithila region of northern India have been painting images of deities, flora and fauna symbolizing fertility and prosperity, and floor designs that sacralize sites for ritual within their homes. Their artwork remained ephemeral since its plant-based colors faded over time. In response to an extended drought that led to widespread crop failure in the 1960s, the Indian government's All India Handicraft Board provided high-quality paper to the women of Mithila to test the income-generating possibilities of transferring wall and floor artwork to a new medium. The unique Mithila aesthetic, novel compositions, and precise linework won enthusiastic buyers in New Delhi and abroad. The small number of women painters expanded across the ranks of the social hierarchy and even included a few men. They developed individual styles and depicted novel subjects such as village history, their own life stories, the tsunami in Sri Lanka, social justice, protecting trees, and changing social norms.Major international museums now house Mithila collections, and individuals around the world own paintings. This volume, the first to present an up-to-date analysis of the history and practitioners of Mithila painting, includes contributions from Mithila artists, anthropologists, art historians, historians of Indian religions and specialists of visual culture, gender studies, and translation studies.…

Hardcover. Condición: Brand New. 320 pages. 10.00x7.25x1.00 inches. In Stock.

Condición: New.

Buch. Condición: Neu. Neuware - A woman's art form transforms from home to high artSince at least the fifteenth century, Hindu women in the Mithila region of northern India have been painting images of deities, flora and fauna symbolizing fertility and prosperity, and floor designs that sacralize sites for ritual within their homes. Their artwork remained ephemeral since its plant-based colors faded over time. In response to an extended drought that led to widespread crop failure in the 1960s, the Indian government's All India Handicraft Board provided high-quality paper to the women of Mithila to test the income-generating possibilities of transferring wall and floor artwork to a new medium. The unique Mithila aesthetic, novel compositions, and precise linework won enthusiastic buyers in New Delhi and abroad. The small number of women painters expanded across the ranks of the social hierarchy and even included a few men. They developed individual styles and depicted novel subjects such as village history, their own life stories, the tsunami in Sri Lanka, social justice, protecting trees, and changing social norms.Major international museums now house Mithila collections, and individuals around the world own paintings. This volume, the first to present an up-to-date analysis of the history and practitioners of Mithila painting, includes contributions from Mithila artists, anthropologists, art historians, historians of Indian religions and specialists of visual culture, gender studies, and translation studies.…