David burnand (68 resultados)

Condición: Very Good. None. Paperback, French text. 172 pages, 20 tipped-in color illustrations by Bouchor. B&W drawings by David Burnand. Record # 601926. J.F. Bouchor, David Burnand (ilustrador).

Broschiert. Condición: Gut. 216 Seiten; Das Buch befindet sich in einem ordentlich erhaltenen Zustand. Text in ALTDEUTSCHER SCHRIFT. Unbeschnittene Seiten. Sprache: Deutsch Gewicht in Gramm: 560.

Condición: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.…

Hardcover. Condición: The edges are stamped. Estado de la sobrecubierta: Very Good. A former library book from a small College with usual markings and additions; The binding is tight; the pages are clean. Very little wear. Shipping within 24 hours, with a tracking number and delivery confirmation.

Couverture souple. Condición: Assez bon. Camille MAUCLAIR - J.- F. BOUCHOR FES VILLE SAINTE - TRENTE PLANCHES EN COULEUR D'APRES LES TABLEAUX DU PEINTRE - ORNEMENTATIONS DE DAVID BURNAND 1930, Paris, Edition Henri Laurens Format : In-8 (24 x 19 cm), broché sous couverture rempliée, 172 pages, tirage sur papier vergé illustré de 30 gravures hors texte en couleurs contrecollées de J.- F. BOUCHOR et texte orné par David BURNAND Etat : couverture écorchée, jeu dans la reliure, papier propre poids : 1 kg. J.- F. BOUCHOR et David BURNAND (ilustrador).…

Paperback. Condición: New. Brand new book, sourced directly from publisher. Dispatch time is 7-8 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Condición: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,450grams, ISBN:9780754636595.

Couverture rigide. Condición: Assez bon. Livre Dos très insolé, coiffes, bordures et coins frottés, intérieur frais. 20x25cm, 151 pages. Burnand, David (ilustrador). Livre.

Reliure d'origine. Condición: Bon. illustré de vignettes couleur. Burnand David (ilustrador).

Couverture rigide. Condición: Très bon. 185x135mm. 124 pages. Couverture de Jean Aurèle. Signé par Oncle Francis. Collection du chien qui fume. David Burnand (ilustrador). Dédicacé par l'auteur.

Couverture rigide. Condición: Bon. Reliure vertex, dos muet. Plats de couverture conservés. David Burnand, ornementations. (ilustrador).

Soft cover. Condición: Good. Français, couverture souple, assez bon état, avec inscription et signature d' auteur, 170 pages. Signed by Author(s).

185x140mm, frontispice, 140pages, Couverture rempliée. Papier cristal d'origine conservé. Très bel exemplaire. Envois Europe : TVA inclus dans montant final. Exceptions taxes postales locales à la charge de l'acheteur (~2 EUR). Si nécéssaire, contact via notre page d'accueil / Shipping to Europe : VAT included in total amount. Local postal fees apply to buyers in Europe (~2 EUR). Contact us via our homepage if needed. Envoi groupé : les frais de port sont calculés sur le poids total de la commande ; chaque livre supplémentaire coûte donc beaucoup moins cher à expédier. Commandez plusieurs livres et économisez sur le port ! / Combined shipping: postage is charged on the total weight of your order, so each additional book ships at a reduced rate ? order several books from us and save on postage. …

Condición: New. pp. 220 2 Illus.

Soft cover. Condición: Fair. Français, couverture souple, moyen état, des dommages à la couverture, 160 pages.

Paperback. Condición: New. The vast majority of writing on film music is concentrated on Hollywood in particular and on a canon of North American scores and films more generally. Recent scholarship acknowledges other traditions of film scoring but little has been written about European film music specifically. Miguel Mera and David Burnand present a volume that redresses the balance by exploring specific European filmic texts, composers and approaches to film scoring that have hitherto been neglected. Films involving British, French, German, Greek, Irish, Italian, Polish and Spanish composers are considered in detail. Starting from a study of the influence of propaganda on musical aesthetics in Nazi Germany the book includes an analysis of Italian neo-realist cinema, a consideration of the Ealing Comedies, experimental music in contemporary Spanish scoring, the invocation of traditional music, the portrayal of classical music performers, the use of space, silence and manipulation of time, and the depiction of the processes of scoring in independent film-making. Important issues that permeate all the essays involve the working relationship of composer and director, the dialectic between the diegetic and non-diegetic uses of music in films, the music-image synergism and the levels of realism that are created by the audio-visual mix. The book will appeal to those working in film studies, popular music studies, musicology, media studies and cultural theory.…

Couverture rigide. Condición: Très bon. Reliure demi-cuir à coins. Ex dono. Plats de couverture conservés.

Condición: New. pp. 220 Index.

Condición: New.

hardcover. Condición: fine. first edition. grand in-8, 171 pages, reliure demi-chagrin , plats conservés 30 planches couleurs d'après les tableaux du peintre. N°.

Paperback / softback. Condición: New. New copy - Usually dispatched within 4 working days.

Condición: New. pp. 220.

Condición: New. Exploring specific European filmic texts, composers, and approaches to film scoring, this book includes an analysis of Italian neo-realist cinema, Ealing Comedies, experimental music in Spanish scoring, the invocation of traditional music, the portrayal of classical music performers, the use of space, and silence and manipulation of time. Editor(s): Mera, Miguel. Series Editor(s): Scott, Professor Derek B.; Burns, Professor Lori; Hawkins, Professor Stan. Series: Ashgate Popular and Folk Music Series. Num Pages: 220 pages, Includes 2 b&w illustrations and 9 music examples. BIC Classification: 1D; APF; AVGC6. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 233 x 155 x 13. Weight in Grams: 348. . 2006. 1st Edition. paperback. . . . . …

o.J. Farbtafeln 6 S.+Tafeln mit Seidenblättern 2 S.Verlagsanzeigen O.Leinen mit Goldprägung quer +8° (geringe Gebrauchsspuren, gering locker ) Sprache: de.

Condición: New. In English.

Hardcover. 4. Auflage. 208 S. Guter Zustand. Die Leseseiten sind sauber und ohne Markierungen. Leichte Lager- und Gebrauchsspuren. Buchrücken leicht lichtrandig. Buchrückenkante leicht bestoßen. Ansonsten ordentliches Exemplar. Sprache: Deutsch Gewicht in Gramm: 1800.

Couverture rigide. Condición: Bon. Edition originale. Cartonnage d'éditeur avec dos cuir lettrage et motifs dorés - dos frotté état d'usage - Intérieur frais - 50 illustrations NB de David Burnand -. David Burnand (ilustrador).

Paperback. Condición: Brand New. 206 pages. 6.00x9.00x0.50 inches. In Stock.

Condición: New. Exploring specific European filmic texts, composers, and approaches to film scoring, this book includes an analysis of Italian neo-realist cinema, Ealing Comedies, experimental music in Spanish scoring, the invocation of traditional music, the portrayal of classical music performers, the use of space, and silence and manipulation of time. Editor(s): Mera, Miguel. Series Editor(s): Scott, Professor Derek B.; Burns, Professor Lori; Hawkins, Professor Stan. Series: Ashgate Popular and Folk Music Series. Num Pages: 220 pages, Includes 2 b&w illustrations and 9 music examples. BIC Classification: 1D; APF; AVGC6. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 233 x 155 x 13. Weight in Grams: 348. . 2006. 1st Edition. paperback. . . . . Books ship from the US and Ireland. …

Paperback. Condición: New. The vast majority of writing on film music is concentrated on Hollywood in particular and on a canon of North American scores and films more generally. Recent scholarship acknowledges other traditions of film scoring but little has been written about European film music specifically. Miguel Mera and David Burnand present a volume that redresses the balance by exploring specific European filmic texts, composers and approaches to film scoring that have hitherto been neglected. Films involving British, French, German, Greek, Irish, Italian, Polish and Spanish composers are considered in detail. Starting from a study of the influence of propaganda on musical aesthetics in Nazi Germany the book includes an analysis of Italian neo-realist cinema, a consideration of the Ealing Comedies, experimental music in contemporary Spanish scoring, the invocation of traditional music, the portrayal of classical music performers, the use of space, silence and manipulation of time, and the depiction of the processes of scoring in independent film-making. Important issues that permeate all the essays involve the working relationship of composer and director, the dialectic between the diegetic and non-diegetic uses of music in films, the music-image synergism and the levels of realism that are created by the audio-visual mix. The book will appeal to those working in film studies, popular music studies, musicology, media studies and cultural theory.…