david a welling (26 resultados)

Hardcover. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

hardcover. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Hardcover. Condición: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condición: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condición: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condición: New.

Condición: New. In.

Hardcover. Condición: As New. Copyright 2004 by Farcounty Press. Photographs copyright 2004 by KAC Productions and Dave Welling. Text by Gary Clark. Like new hardcover. Like new dustjacket as issued. Dustjacket has slight chipping around edges from shelf-ware and front top inside corner cut off. The boards, back-strip, and pages have no shelf-ware, are clean, unmarked, and not ripped. Cover page signed by Gary Clark and Kathy Adams Clark. 1560372605. Packaged using bubble wrap and a sturdy cardboard box. Tracking number provided for no extra cost. Thank you for supporting our small town, family owned book store.

Condición: Good. Sold by the UK Charity Kisharon Langdon. offering opportunities and surpport for people within the autism and learning disbaility community.

120 pp.; 25.5 x 20.5 cm.; glue bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held January 29 - March 27, 1988. Introduction by David A. Ross. Essays by Fredric Jameson, Eric Michaud, Elisabeth Sussman, David Joselit, Abigail Solomon-Godeau, Alice Jardine. Artists include: Robert Gober, Albert Bierstadt, Richard Prince, Meg Webster, Dorit Cypis, Larry Johnson, Lorna Simpson, Jeff Wall, Oliver Wasow, James Welling. Includes exhibition checklist. Good / Very Good. Light wear to cover edge and top of spine on verso. Contents clean and unmarked.

Soft cover. Condición: New. 1st Edition. First edition, first printing. Soft cover. Photographically illustrated stiff wrappers; no dust jacket as issued. Edited by Shane Lavalette. Guest Editor Michael Bühler-Rose. Essays by Adam Bell, Alex Klein, Lesley A. Martin, Arthur Ou, Lyle Rexer, Noel Rodo-Vankeulen and James Welling. Photographs by Claudia Angelmaier, Sema Bekirovic, Charles Benton, Walead Beshty, Lucas Blalock, Talia Chetrit, Anne Collier, Natalie Czech, Jessica Eaton, Roe Ethridge, Sam Falls, Stephen Gill, Daniel Gordon, David Haxton, Matt Keegan, Elad Lassry, Katja Mater, Laurel Nakadate, Lisa Oppenheim, Noel Rodo-Vankeulen, Torbjørn Rødland, Joachim Schmid, Penelope Umbrico, Useful Photography (Hans Aarsman, Claudie de Cleen, Julian Germain, Erik Kessels and Hans van der Meer), Charlie White, Ann Woo and Mark Wyse. Includes notes on the contributors. Designed by Katherine Hughes. 104 pp., with 53 four-color plates. 10 x 7-3/4 inches. This first edition was limited to 2000 copies. New in publisher's shrink wrap. From the publisher: "Lay Flat 02: Meta brings together a selection of contemporary artists whose photographs are conceptually engaged with the history, conventions and materiality of the medium itself.".

Paperback. Condición: New. The image of a tortured genius working in near isolation has long dominated our conceptions of the artist's studio. Examples are abound: think Jackson Pollock dripping resin on a cicada carcass in his shed in the Hamptons. But times have changed; ever since Andy Warhol declared his art space a 'factory', artists have begun to envision themselves as the leaders of production teams, and their sense of what it means to be in the studio has altered just as dramatically as their practices. "The Studio Reader" pulls back the curtain from the art world to reveal the real activities behind artistic production. What does it mean to be in the studio? What is the space of the studio in the artist's practice? How do studios help artists envision their agency and, beyond that, their own lives? This forward-thinking anthology features an all-star array of contributors, ranging from Svetlana Alpers, Bruce Nauman, and Robert Storr to Daniel Buren, Carolee Schneemann, and Buzz Spector, each of whom locates the studio both spatially and conceptually - at the center of an art world that careens across institutions, markets, and disciplines.A companion for anyone engaged with the spectacular sites of art at its making, "The Studio Reader" reconsiders this crucial space as an actual way of being that illuminates our understanding of both artists and the world they inhabit.

Paperback. Condición: New. The image of a tortured genius working in near isolation has long dominated our conceptions of the artist's studio. Examples are abound: think Jackson Pollock dripping resin on a cicada carcass in his shed in the Hamptons. But times have changed; ever since Andy Warhol declared his art space a 'factory', artists have begun to envision themselves as the leaders of production teams, and their sense of what it means to be in the studio has altered just as dramatically as their practices. "The Studio Reader" pulls back the curtain from the art world to reveal the real activities behind artistic production. What does it mean to be in the studio? What is the space of the studio in the artist's practice? How do studios help artists envision their agency and, beyond that, their own lives? This forward-thinking anthology features an all-star array of contributors, ranging from Svetlana Alpers, Bruce Nauman, and Robert Storr to Daniel Buren, Carolee Schneemann, and Buzz Spector, each of whom locates the studio both spatially and conceptually - at the center of an art world that careens across institutions, markets, and disciplines.A companion for anyone engaged with the spectacular sites of art at its making, "The Studio Reader" reconsiders this crucial space as an actual way of being that illuminates our understanding of both artists and the world they inhabit.

hardcover. Condición: New.

Condición: New. Satisfaction Guaranteed or your money back.

PAP. Condición: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

PAP. Condición: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Paperback. Condición: New. In shrink wrap. Looks like an interesting title!

Paperback. Condición: New.

Hardcover. Condición: New. In shrink wrap. Looks like an interesting title!

Paperback. Condición: New. The image of a tortured genius working in near isolation has long dominated our conceptions of the artist's studio. Examples are abound: think Jackson Pollock dripping resin on a cicada carcass in his shed in the Hamptons. But times have changed; ever since Andy Warhol declared his art space a 'factory', artists have begun to envision themselves as the leaders of production teams, and their sense of what it means to be in the studio has altered just as dramatically as their practices. "The Studio Reader" pulls back the curtain from the art world to reveal the real activities behind artistic production. What does it mean to be in the studio? What is the space of the studio in the artist's practice? How do studios help artists envision their agency and, beyond that, their own lives? This forward-thinking anthology features an all-star array of contributors, ranging from Svetlana Alpers, Bruce Nauman, and Robert Storr to Daniel Buren, Carolee Schneemann, and Buzz Spector, each of whom locates the studio both spatially and conceptually - at the center of an art world that careens across institutions, markets, and disciplines.A companion for anyone engaged with the spectacular sites of art at its making, "The Studio Reader" reconsiders this crucial space as an actual way of being that illuminates our understanding of both artists and the world they inhabit.

Paperback. Condición: New. The image of a tortured genius working in near isolation has long dominated our conceptions of the artist's studio. Examples are abound: think Jackson Pollock dripping resin on a cicada carcass in his shed in the Hamptons. But times have changed; ever since Andy Warhol declared his art space a 'factory', artists have begun to envision themselves as the leaders of production teams, and their sense of what it means to be in the studio has altered just as dramatically as their practices. "The Studio Reader" pulls back the curtain from the art world to reveal the real activities behind artistic production. What does it mean to be in the studio? What is the space of the studio in the artist's practice? How do studios help artists envision their agency and, beyond that, their own lives? This forward-thinking anthology features an all-star array of contributors, ranging from Svetlana Alpers, Bruce Nauman, and Robert Storr to Daniel Buren, Carolee Schneemann, and Buzz Spector, each of whom locates the studio both spatially and conceptually - at the center of an art world that careens across institutions, markets, and disciplines.A companion for anyone engaged with the spectacular sites of art at its making, "The Studio Reader" reconsiders this crucial space as an actual way of being that illuminates our understanding of both artists and the world they inhabit.

Paperback. Condición: new. Paperback. Of Jane Austen's six completed novels, Northanger Abbey stands out due to its satire of the popular books of her time. Yet, the classic volume known today is not what she originally wrote; that first version has long been considered lost to time-until now.Her earliest draft, recently rediscovered, reveals her to be a writer of period horror, predating the works of Mary Wollstonecraft Shelley and Bram Stoker. More importantly, this novel reveals the existence of the dark mythology thought to have been created by H.P. Lovecraft over a century later. Only after encountering resistance from her publishers did she excise the supernatural elements, rewriting the novel into the gothic romance as it stands today.Author David Welling has adapted her work from a period romance into a tale of dark horror, all under the fictional guise of a newly rediscovered early edition revealing Austen to be a writer of a supernatural novel. This literary-horror mashup blends Austen's romantic vision of her world with the dark imaginings of twentieth-century chiller writers such as Lovecraft and August Derleth. For some lovers of Jane Austen, this will be a revelation. For others, it is a sacrilege to her masterworks. Regardless, The Horror of Northanger Abbey promises to enthrall fans of Austen as well as those of early horror. Catherine Morland is thrilled to stay with her friend, Eleanor Tilney, at the family home in Northanger Abbey. Fueled by a passion for gothic novels, she suspects that Tilney's father might have murdered his wife. The truth is far worse. This item is printed on demand. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Paperback. Condición: new. Paperback. Of Jane Austen's six completed novels, Northanger Abbey stands out due to its satire of the popular books of her time. Yet, the classic volume known today is not what she originally wrote; that first version has long been considered lost to time-until now.Her earliest draft, recently rediscovered, reveals her to be a writer of period horror, predating the works of Mary Wollstonecraft Shelley and Bram Stoker. More importantly, this novel reveals the existence of the dark mythology thought to have been created by H.P. Lovecraft over a century later. Only after encountering resistance from her publishers did she excise the supernatural elements, rewriting the novel into the gothic romance as it stands today.Author David Welling has adapted her work from a period romance into a tale of dark horror, all under the fictional guise of a newly rediscovered early edition revealing Austen to be a writer of a supernatural novel. This literary-horror mashup blends Austen's romantic vision of her world with the dark imaginings of twentieth-century chiller writers such as Lovecraft and August Derleth. For some lovers of Jane Austen, this will be a revelation. For others, it is a sacrilege to her masterworks. Regardless, The Horror of Northanger Abbey promises to enthrall fans of Austen as well as those of early horror. Catherine Morland is thrilled to stay with her friend, Eleanor Tilney, at the family home in Northanger Abbey. Fueled by a passion for gothic novels, she suspects that Tilney's father might have murdered his wife. The truth is far worse. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Taschenbuch. Condición: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering.

Taschenbuch. Condición: Neu. The Horror of Northanger Abbey | David A Welling (u. a.) | Taschenbuch | Englisch | 2025 | Caligari's Bookshelf | EAN 9798990930810 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.