Daniel sturgis (21 resultados)

Hardback. Condición: Fair. A readable copy of the book which may include some defects such as highlighting and notes. Cover and pages may be creased and show discolouration. Turner, Nathalie (ilustrador).

Hardback. Condición: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. Turner, Nathalie (ilustrador).

Condición: Very Good. Estado de la sobrecubierta: 46885217. 1792223494. Turner, Nathalie (ilustrador). 10/17/2026 7:51:34 AM.

Paperback. First edition. Near Fine with touches of shelf wear/soiling. BOOKS SHIP THE NEXT BUSINESS DAY, WRAPPED IN PADDING, IN A BOX. The catalogue for a British exhibition of abstract paintings by Daniel Sturgis. Statement by the artist; introduction by Robert Woof; essays by Matthew Collings and Kathy Kubicki. 42 pages; 14 full-page color plates + 2 text illustrations; 8.25 x 9.75 inches. Artist biography with exhibition history and bibliography, author biographies.…

Condición: New. In English. Turner, Nathalie (ilustrador).

Soft cover. Condición: Good. No Jacket. Wear to covers and spine, mainly edges and corners, edges and corners creased and worn, internally in good condition, pages crisp and clear. Turner, Nathalie (ilustrador).

Paperback. Condición: Near Fine. Pictorial card covers. 250 x 210 mm. [6] 42 pp. With contributions from Robert Woof, Matthew Collings, Kathy Kubicki and Daniel Sturgis. Illustrated in colour. Spine not creased. A bright, presentable copy. Book.

Pamphlet. The booklet catalogue for an exhibition of abstract paintings by the British artist Daniel Sturgis, held at the Cynthia Broan Gallery, NYC, October 11 - November 5, 2005. Essay by Terry R. Meyers. Accordion-fold card pamphlet; 8 pages; 4 color illustrations; 5.5 x 6.25 inches. Exhibition history; bibliography. Condition: Fine card pamphlet. LAID-IN is the illustrated exhibition announcement card for the show. Will be sandwiched securely between stiff layers of cardboard and shipped the next business day.…

Hardcover. Condición: Near Fine. 1st Edition. UK1ST.EDITION.1ST.PRINTING.NEAR FIEN HARDBACK.FABULOUS COLOUR PLATES THROUGHOUT.

Paperback. Condición: New.

SOFTCOVER. Condición: As New. 1st Edition. Quarto size (4to) in colour printed stiff card covers, 42pp, colour plates, etc . [CONDITION: NEW unread and unmarked copy ] . __To see more of our Art Monographs etc type DbbARTIST in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.…

SOFTCOVER. Condición: As New. 1st Edition. Quarto size (4to) in colour printed stiff card covers, 42pp, colour plates, etc . [CONDITION: NEW unmarked copy (minute speck of shelf rub to bottom cover corner tips) ] . __To see more of our Art Monographs etc type DbbARTIST in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS. …

Soft. Condición: Very Good. No Jacket. Some light rubbing to cover, PP clean and tidy Size: 8vo Square.

Hardback. Condición: New.

Paperback. Condición: New.

Hardback. Condición: New.

Condición: New.

Condición: New.

Condición: New. Jelena Stojkovic is an art historian and critic based in London. She is also a Senior Lecturer in Critical Theory at the School of Arts, Oxford Brookes University, UK.Daniel Sturgis is a British artist and Profess.

Condición: New.

Buch. Condición: Neu. Neuware - This is a comprehensive collection of essays about women artists working with abstraction in postwar Rome, from the late 1940s through the 1970s.A diverse range of contributors from around the world analyse the individual artistic trajectories of more than 15 women artists and critics, bringing their work together for the first time in a distinct contribution to the continuous rethinking of abstract art's narrative in the wake of feminist as well as postcolonial theories. The book takes an international outlook with the women artists covered coming from places such as the USA and the UK, Turkey, Iran, and Brazil, and considers how travel framed their work. As the book reveals, Rome's unique cultural landscape was immensely important to these women, who worked across painting, sculpture, and printmaking, and it had a lasting impact on both the material and formal properties of their practices. As a transnational contact zone and a point of convergence for the exchange of ideas and working methodologies of a global artistic network, it enabled a dialogue between women abstract artists extending across the Mediterranean and beyond.This book is ideal for researchers and students interested in modern art, postwar women artists, and abstraction.…